Excerpt from The Works of Francis Beaumont and John Fletcher, Vol. 9 of 10: The Sea-Voyage; Wit at Several Weapons; The Fair Maid of the Inn; Cupid's Revenge; The Two Noble KinsmenThe Sea-VoyageMaster.Lay her aloof, the Sea grows dangerous,How it spits against the clouds, how it capers,And how the fiery Element frights it backThere be Devils dancing in the air I thinkI saw a Dolphin hang i'th horns o'th' moonShot from a wave, hey day, hey day,How she kicks and yerks!Down with the Main Mast, lay her at hull,Farle up all her Linnens, and let her ride it out.Sailor. Shell never brook it Master.She's so deep laden that shell bulge;Master. Hang her.Can she not buffet with a storm a little?How it tosses her, she reels like a Drunkard.Sail. We have discover'd the Land, Sir,Pray let's make in, she's so drunk else,She may chance to cast up all her Lading. (perish'd.Sail. Sland in, sland in, we are all lost else, lost and Mast. Steer her a Star-board there.Sail. Bear in with all the sail we can, see MasterSee, what a clap of Thunder there is,What a face of heaven, how dreadfully it looks! (praying;Mast. Thou rascal, thou fearful rogue, thou hast beenI see't in thy face, thou hast been mumbling,When we are split you slave; is this a time,To discourage our friends with your cold orizons?Call up the Boatswain; how it storms; holla.Boats. What shall we do Master?Cast over all her lading? she will not swimAn hour else;Enter Albert, Franvile, La-mure, Tibaltde pont. Morillat.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.