“This is God,” the novel begins, and we are spinning on our way into the heart of a Midwest that spans spirits and centuries and forever redefines the middle of nowhere. Whispers plague a desperate conquistador lost in tall prairie grass. Four hundred years later, a male go-go dancer flings a bag of dope into the same field. God, in the person of a perm-giving, sheetcake-baking Nebraska farm woman, casts a jaundiced yet merciful eye over the unfolding chaos. Fire and a pair of judiciously applied pantyhose bring the two stories together. A contemplation of divinity and drugs on the ground, Tin God is a funny yet poignant, time-shifting story of the plains that transcends its interstate spine and exposes us to a whole new level of Terese Svoboda’s fiery prose.