Is Heathcliff a Murderer?: Great Puzzles in Nineteenth-Century Fiction
In this quirky and intriguing book, John Sutherland has conveniently gathered together thirty-four nagging little questions, puzzles, errors, and enigmas from some of the best-loved examples of Victorian fiction. Readers often have stumbled upon seeming mysteries in their favorite novels. Why,... show more
In this quirky and intriguing book, John Sutherland has conveniently gathered together thirty-four nagging little questions, puzzles, errors, and enigmas from some of the best-loved examples of Victorian fiction. Readers often have stumbled upon seeming mysteries in their favorite novels. Why, for example, is the plot of The Woman in White irrevocably flawed? (The timing of the crime is off.) Is the hero of George Eliot's Middlemarch illegitimate? (Probably, although he was later legitimized.) Why does the otherwise sensible Jane Eyre give in to a sudden and unexplained outburst of superstition? (Charlotte Bronte, in reality, had a similar experience.) What is the real reason we find The Picture of Dorian Gray so disturbing? (There is an overwhelming emphasis on the sense of smell.) These answers and more can all be found in John Sutherland's entertaining and maddening book. When it comes to literary criticism there's really nothing quite like the joys of close reading and good-natured inquiry. This is the spirit in which Is Heathcliff A Murderer was conceived and executed. Rather than trying to catch great authors in mistakes, Sutherland usually turns up perfectly plausible reasons for the seeming anomalies. Everyone who reads nineteenth-century novels will thoroughly enjoy John Sutherland's exploration of the seemingly unanswered, and each chapter is a direct link to one of Oxford's World's Classics.
Publish date: 1996
Publisher: Oxford University Press
Pages no: 258
Edition language: English
Not for reading straight through.Poses some interesting questions, though I found funny the number of times he noted that we really can't know what the author intended.I think I need to take a break from John Sutherland for a bit. These puzzles get rather repetitive after a bit.
Sutherland ponders some of the questions that great literature raises. And yes, he does address the title questions, and I find it hard to disagree with him. Really, why is Heathcliff so bloody attractive? He strangles a dog to death! That's the type of man you want to marry?Yeah, yeah, I know; ...