No Go the Bogeyman: Scaring, Lulling, and Making Mock
An exciting new work, richly illustrated, on the age-old images and stories about frightening men.In this provocative new work, Marina Warner goes beyond the terrain she covered in her widely praised From the Beast to the Blonde. She explores the darker, wilder realm where ogres and giants devour...
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An exciting new work, richly illustrated, on the age-old images and stories about frightening men.In this provocative new work, Marina Warner goes beyond the terrain she covered in her widely praised From the Beast to the Blonde. She explores the darker, wilder realm where ogres and giants devour children, where bogeymen haunt the night and each of us must face our bugaboos. No Go the Bogeyman considers the enduring presence and popularity of figures of male terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.Songs, stories, images, and films about frightening monsters have always been invented to allay the very terrors that our dreams of reason conjure up. Warner shows how these images and stories, while they may unfold along different lines--scaring, lulling, or making mock-always have the strategic, simultaneous purpose of both arousing and controlling the underlying fear. In a brilliant analysis of material long overlooked by cultural critics, historians, and even psychologists, Warner revises our understanding of storytelling in contemporary culture, of masculine identity, racial stereotyping, and the dangerous, unthinking ways we perpetuate the bogeyman.
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Format: hardcover
ISBN:
9780374223014 (0374223017)
ASIN: 374223017
Publish date: February 16th 1999
Publisher: Farrar Straus Giroux
Pages no: 435
Edition language: English
Category:
Fantasy,
Non Fiction,
Literature,
Criticism,
Literary Criticism,
Fairy Tales,
Culture,
Sociology,
Horror,
Cultural Studies,
Mythology,
Folklore
No Go the Bogeyman is a disquisition on the emotion of fear, from a point of view at the intersection of psychology with folklore and mythology. I might almost have said it's psychoanalytic, but that would be misleading, since Warner is no fan of Freud -- she thinks his storytelling is much too limi...