Phèdre: A Play
by:
Ted Hughes (author)
Jean Racine (author)
A lean, high-tension version of a classic tragedy.The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus'...
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A lean, high-tension version of a classic tragedy.The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom.In this "tough, unrhyming avalanche of a translation" (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music."We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid," one English critic observed after the London premiere. "Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse."
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Format: paperback
ISBN:
9780374526160 (0374526168)
Publish date: February 28th 2000
Publisher: Farrar, Straus and Giroux
Pages no: 96
Edition language: English
Category:
Classics,
Academic,
School,
Literature,
European Literature,
Cultural,
Plays,
Drama,
Theatre,
France,
French Literature,
17th Century,
Fiction
I am surprised at how easy this was to read. After reading little bits on my commute, I sat down and finished it in a day. Shame colors Phaedra’s life and blinds her completely to any solution other than death. She is not a reasonable person at any point until the very end when she has seen the cons...
This is apparently Racine's last play before he gave up the theatre scene to return to a religious life within the Jansenist sect. For those who don't know what a Jansenist is (and that would probably include most of us) then picture a god who is mean, nasty, and smacks you over the head with a base...
Greek families! Histrionics, rash reaction instead of considered response, inability to control emotion. Tragedy.I don't know much about this play: what was Racine's source? It feels very Classical Greek and very Ted Hughes and not really French at all in this version. The language is not as extreme...
Racine amps up the pathos from Euripides’ version of the play. Phedra transforms from Grecian homewrecker to a French victim of amour. Her forbidden love is the product of a cruel Venus. The responsibility for Hippolytus’ death shifts to her over protective nurse, Oenone. Phedra suffers as a pow...
When is one guilty of something, when one commits the reprehensible deed, and only one knows it, or when it is made known to others?Phèdre thinks that the latter case is a great deal worse, worse even than death:je meurs pour ne point faire un aveu si funesteje n’en mourrai plus, j’en mourrai plus c...
12 years ago
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