Sacré Bleu: A Comedy d'Art
In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Vincent’s friends, baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec, have their doubts. Now they’re determined to answer the questions surrounding van Gogh’s untimely death—like who was...
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In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Vincent’s friends, baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec, have their doubts. Now they’re determined to answer the questions surrounding van Gogh’s untimely death—like who was the crooked little “color man” Vincent claimed was stalking him across France . . . and why had the painter recently become deathly afraid of a certain shade of blue? Ooh la la, quelle surprise, and zut alors, what follows is a surreal odyssey and brothel-crawl deep into the art world of late-nineteenth-century Paris, as the one, the only, Christopher Moore cooks up a delectable confection of intrigue, passion, and art history . . . with cancan girls, baguettes, and fine French cognac thrown in for good measure.
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Format: paperback
ISBN:
9780061779756 (006177975X)
Publish date: October 9th 2012
Publisher: William Morrow Paperbacks
Pages no: 403
Edition language: English
I liked this book more than I thought I would. At the end of summer term/beginning of fall I thought I would challenge myself to read 100 pages a day. I lasted about a month into the fall semester. I think reading 100 pages a day really kept me in this book though. Otherwise I might have put it down...
Sacrebleu! Si fa presto a dire Blu. Ma se diciamo “sacré bleu”, la storia cambia. Oh, se cambia! Il sacro è il blu più bello e prezioso, si ottiene dalla polvere del lapislazzulo. Salpa dall’Oriente e approda in Occidente. Eccolo, è il blu oltremare. Il sacré bleu. E dal sacro pigmento prendono vita...
I've been putting off reviewing this book mostly because I don't know what to say. For a Christopher Moore book it didn't leave much of an impression. The signature humor that I have come to expect from a Moore book was lacking. I didn't really care about the characters. I can't really say it was ...
This was great! I have been a fan for years, but these last couple of books have both been so different and unexpected. I even enjoyed all the shameless name dropping of the artists throughout.
This was my first Christopher Moore book (though I've had his books recommended to me different times).Parts I loved, other parts were ok. It's a (strange?) mix of historical/art fiction, fantasy, almost-horror, & maybe a few other styles tossed in there too. Love the parts about the history of the ...