Almost from its conception, the large-scale 15th century Van Eyck altarpiece in Ghent, Belgium was plagued by problems. Hubert Van Eyck began the project in the early 1420s, but he died before this ambitious project of 12 panels and 24 compartmented scenes could reach fruition. After his 1426 demise, the work was taken up and completed by younger brother Jan. But, as Noah Charney's new book shows, the travails of this Middle Ages masterpiece had just begun. In century after century, the so-called Adoration of the Mystic Lamb was dismembered, hidden, looted, pawned, mutilated, stolen, smuggled, ransomed, burned, forged, and used as war reparations. In fact, this incomparable panel painting holds the dubious distinction of being the most stolen artwork of all time. A subject even more captivating than the author's novel The Art Thief.