You know that feeling when you're reading a good book and you sort of know where it's going and it goes there but it's still okay because you still had a good time getting there? But there's also this undercurrent of weird niggling at you the entire time and then you get to the last page and it sucker punches you in the brain and then you can't figure out if you're really excited or super dreading what's going to come next?
And all of a sudden everything you've read prior to that moment is put into this whole other context and it makes this horrible kind of sense and you don't know what to make of it? Yeah, that's me and this book.
This was going to be a solid four stars, and the first 95% of the book totally is. But now? Gotta raise it up a star. The author is toying with us, just because she can! I bet this is what Ms. Faulkner was doing as she was writing that page:
Laurence and Quentin are still figuring out their psychic powers and their relationship, and how to get past Quentin's various hangups with sex or anything sexual in nature. Along the way, Quentin gets an unexpected visitor, Ethan gets a boyfriend, and we get to meet new psychics. The other really starts to expand on this world while also giving us a little more background on Quentin. We don't get quite as much focus on Laurence, as this one is more Quentin-centric, but we still go back and forth on their POVs.
The flaws exist only because the characters are flawed, and to say more about it would be giving away too much of the plot. Let me just say, you'll yell at these characters like they're in a horror movie but at least Laurence is somewhat genre savvy. Quentin is as always tragically oblivious.
What else can I say? The author's geography of San Diego continues to prove good. Kind of off on our weather. May's usually not that hot, but freak heat waves do happen all year long so I'll give her that one.
A story set in San Diego written by someone who actually knows San Diego.
I was fully prepared to have to relive some really bad geography, ala Everything Changes by Melanie Hansen, but by the time chapter five or so rolled around, I knew I was in good hands. I even learned something about that ginormous tree in the middle of Balboa Park (because she's right; locals totally don't read those tourist signs, lol). Woot!
Now onto stuff other readers will actually care about. :D The world-building in this book is fantastic and I'm eager to see how she develops this world going forward. This is the way I like my world-building - just enough information that I'm not lost but not so much information that the mystery is ruined. There is no info-dumping here, but we still get a complex world with hints of more lairs hidden beneath. Faulkner borrows from Celtic myths, psychic tropes and even throws in a little bit of mystery, while also balancing themes of classism, abuse and addiction. Warnings re: the addiction storyline:
Laurence drives while high on marijuana several times, which is dangerous but wasn't actually illegal until this year (2018). He also craves heroin several times. Quentin has alcoholic tendencies but those aren't focused on quite as much, though he does get smashed a couple of times.
This is a really slow burn. If you're looking for smexy or smut, look elsewhere. The MCs only kiss - twice - and one of those times was not with romantic intentions. Quentin has a lot of hangups with sex, though those reasons are only guessed at here, so this is something that appears will be explored in later books. I love that Laurence never pressures him. He doesn't ignore the issues but doesn't push more than Quentin is comfortable with.
We get both Laurence and Quentin's POVs, and the author actually gives them their own unique voices in their POVs. This is sadly rare in M/M, where all MCs have the same voices, so it deserves recognition when an author is able to do this. Quentin does have this habit of referring to himself as "one" throughout the first half of the book, but this seemed tied up with his many issues.
There were a couple of minor continuity issues and very few typos. I also felt that Laurence's bisexuality was more lip service than anything else.