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Search tags: Lev-Grossman
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review 2018-08-31 09:47
Falling Out of Time by David Grossman
Falling Out of Time (Vintage International) - David Grossman

In Falling Out of Time, David Grossman has created a genre-defying drama––part play, part prose, pure poetry––to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man––called simply Walking Man––paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman’s answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death’s hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman’s storytelling––a realm where loss is not merely an absence but a life force of its own.

Amazon.com

 

 

 

Translated from the original Hebrew, Israeli author David Grossman's unique novel explores various aspects of the grieving process through a combination of prose, poetry, even presenting a bit of the story in play format. At its core, it is described as a "fable of parental grief".

 

Our main character, simply named "Walking Man", working through the grief of having recently lost a child, paces around the courtyard area in front of his home in ever-widening concentric circles. This pattern has him gradually moving throughout the village, talking with other townspeople on matters they are struggling with in their own lives. Others in town choose to fall in step with him, so through this, the reader comes to know Net Mender (mute himself, he lost a six year old child); Midwife (married to Town Cobbler, they also lost a child -- a son less than 2 years old); Math Teacher; and The Duke, each working through the stories of their individual losses or struggles. Over the course of the book, we come to see that this process carries on for about five years. Occasionally, a question on the themes of grief or death is posed, something for readers themselves to think on. 

 

There are additional characters with a little extra something interesting to their own stories, such as Town Chronicler and Town Centaur. The chronicler serves as an almost Shakespearean sort of narrator to the rest of the story, but he also has a place as character in the plot (such as it is) himself. Having lost a daughter himself, the chronicler -- as you may have guessed -- chronicles the town's activities -- especially this new fad of walking in circles everyone seems to have taken up -- in his journal, findings to be shared later with The Duke. The Duke has decreed that villagers are to share & explain their various grief stories to the Chronicler as truthfully as possible. Each person in town is asks, how would you describe the grief in your mind?

 

Then there's the Centaur, who is the story's placeholder for representing people that choose to try to heal or cover up emotional hurt through rabid consumerism, sometimes leading to compulsive hoarding. Centaur -- who lost a nearly 12 year old son -- most definitely uses his "collecting" as a coping mechanism, and he also seems the most vocal and cross or is it just brutal honesty? regarding the behaviors of his neighbors. Some could read it as him simply deflecting away from his own problems. As he cries out at one point, "Even the Inquisition's tax accessors didn't torture people like this!" (regarding the Chronicler's line of questioning). Near the end, Centaur actually takes over the narration of the book. 

 

Presented in an allegorical-like style similar to that of John Bunyan's Pilgrim's Progress, the primary theme of this story does reflect on mourning the death of a child. One character's story even looks at losing a child to suicide. However, other emotional trials are explored as well. The way Grossman chooses to bring forth the story draws the reader toward their own quiet ponderings on the various stages of mourning -- you know: mourning, sadness, denial, anger, bartering, acceptance -- as well as the ways a grieving mind will tend to look for signs of faith or hope in nearly anything. 

 

So, yes, undeniably some heavy themes going on in this little book (less than 200 pages total) but the combination of the unique format presentation (which makes it an even quicker reader), the thoughts it provokes, and just the sheer word choice still make this a pleasure to read. I haven't read any of Grossman's other books but some of the lines in this one just stunned me in the stark, simple beauty of the phrasing. Lines like "we unspoke that night", "Why did you become dead? How could you be incautious?" or this image of a married couple trying to come back from nearly breaking apart: "I stood up. I wrapped you in a blanket, you gripped my hand, looked straight into my eyes: the man and woman we had been nodded farewell."

 

 

All universal ideas he incorporates here, but never before have I experienced them presented in quite this way. Just think on that one line:  "Why did you become dead? How could you be incautious?". It sounds odd at first, but when you pause and consider it, does it not just capture that early anger you sometimes feel at having lost someone too early in life... that sense of how DARE they leave me? Again, that choice of wording! Amazing! 

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text 2018-05-14 12:18
Bout of Books
The Remains of the Day - Kazuo Ishiguro
Love in the Time of Cholera - Gabriel García Márquez,Edith Grossman
The Wind-Up Bird Chronicles - Haruki Murakami

Bout of Books begins today and these are the three books I'm attempting to read/listen to/finish.

 

I started the audio version of The Remains of the Day earlier while I was getting ready to go out. It's something I've wanted to read for so long and I'm excited about.

 

I also started Love in the Time of Cholera last week, so I took a note of what page I started with today and will add it to my final tally.

 

Lastly, I've got The Wind-up Bird Chronicles, which I started on Saturday. I was originally thinking of picking short books for Bout of Books so I could get through as many as possible, but I then I thought, why not just keep a page count instead? Plus, The Remains of the Day is a short book and I've already read almost half of Love in the Time of Cholera, so I think I'll get through those two. It's just the Murakami that I think I might struggle with as it's 663 pages! I'll give it a try, anyway, and in the unlikely event that I finish all three books, I plan to start Hannah Kent's most recent book, The Good People.

 

The challenge today is to introduce myself in six words today, so here it is: I'm Holly, I'm Irish, I write.

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text 2018-05-10 19:48
Reading progress update: I've read 103 out of 348 pages.
Love in the Time of Cholera - Gabriel García Márquez,Edith Grossman

I'm really rather surprised at Fermina. After 3-4 years that's it!? I'm starting to really enjoy this novel.

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text 2018-05-08 21:55
Reading progress update: I've read 54 out of 348 pages.
Love in the Time of Cholera - Gabriel García Márquez,Edith Grossman

Really starting to enjoy this and looking forward to finding out how the love affair between our two protagonists began.

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text 2018-05-05 12:23
Reading progress update: I've read 14 out of 348 pages.
Love in the Time of Cholera - Gabriel García Márquez,Edith Grossman

A man who committed suicide left a lengthy letter that we are yet to find out the contents of. I'm very intrigued already.

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