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3.5 star read
Synopsis: Caitlyn's stepson, Geordie, goes missing from school one day. Who would want to kidnap a six year old child and how does his kidnapping fit into secrets Caitlyn has been hiding from her husband, Noah? Can such secrets ever be forgiven and how do they fit into Gordie's disappearance?My rating: 3 StarsMy opinion: This book, while good, in my opinion, just didn't stand out. I thought it was comparable to tons of other books out there with similar plots. What saved a two star review was a nice twist at the end that I didn't see coming. However, it wasn't enough to bump it up to a 4 star, and I found other parts of the storyline were propped up with "drama central" versus superior writing and storyline. Not to be a book snob, but this book was a perfect reason on why I love Indie writers. I almost felt that this was a "cookie cutter" book!Source: LibraryWould I recommend? : Yes. I know a large number of people who would love this type of book, but in order to go above 3 stars with me, the writing better "POP". Stand Alone or Part of a Series: Stand Alone
Loved how some of the photographs looked like paintings
Twenty years ago, Tess DeGraff's older sister, Phoebe, was kidnapped from her tent, raped and brutally murdered. The only witness, Tess, recognized the man who snatched her sister, and Lazarus Abbott was sentenced to death.
Now, the DNA tests of the samples found on Phoebe's body reveal it wasn't Lazarus who murdered her and Tess is faced with the shocking realization she'd sent an innocent man to die...
Yes, judging from the back-cover blurb Patricia MacDonald should be a wonderful author, but trust me, the heiress-apparent to Mary Higgins Clark she is not.
Why?
Because the blurb is one thing and the book another. While the initial premise offers so may different angles to the story, the author chooses the most slow-moving plot of them all.
The so-called plot twists are botched up and laughable at best, the perp is evident from the first time we meet him and the main character, the one females are supposed to identify with and feel compassion for comes off too one-dimensional to make us even bother to care what happens to her.
Tess seems to be stuck at the emotional level of when her sister was kidnapped - the emotional level of a nine-year-old. She's judgmental, stubborn, prone to tantrums, draws (wrong) conclusions on a drop of a dime and never thinks before speaking. Which makes her ten-year-old adopted son the more mature of the two.
The male "lead" is a bit too of a second character to be noticed, although I suspect the author chose him in a feeble attempt at creating a romantic-subplot, that unfortunately fell through. I though the tidbit about his dead wife was completely unnecessary and just another plot-stopper more.
There are two things that made me absolutely cringe, though. One was the author's shameless exploitation of the small-town stereotypes.
But the worst one was the fact every single character with a "speaking role" at least once in the story appeared hysterical - I absolutely abhorred the ruthless and REPETITIVE abuse of the word "cry" (as in " to speak so as to be heard at a distance").
If you're looking for a thriller fix, search elsewhere. If you're only looking for something to help you sleep (a substitute for a sleeping pill), this is the stuff for you.
