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review 2019-01-21 22:21
Amazing Grace
Amazing Grace - Mary Hoffman,Caroline Binch

When Grace's school decides to perform Peter Pan, Grace longs to play the lead. Her classmates are quick to tell her that Peter Pan was a boy and also wasn't black. Grace learns that she can be anything she wants through the support of her family. The play is a success, and Grace is a great Peter Pan. 

Students can point out character traits about Grace, Mom, and Nana and find text evidence to support these in the book.


Lexile: 680L

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review 2018-11-13 23:07
Fun Read!
Lip Action (Kiss Talent Agency Book 1) - Virna DePaul

Lip Action is a fun contemporary romance by Virna DePaul.  Ms. DePaul has given readers a well-written story and furnished it with outstanding characters.  Marissa is being pressured to go back to her ex by her mother.  Simon is up for a starring role in a new movie but needs to shine up his reputation with a steady girlfriend.  Simon and Marissa's story is loaded with drama, humor, snark and sizzle.  This book is written in first person, alternating point of view format, not my favorite.  Ok, actually I hate it.  But, Ms. DePaul made it work in this story.  I enjoyed reading Lip Action and look forward to reading more from Virna DePaul in the future.  Lip Action is book 1 of the Kiss Talent Agency Series but can be read as a standalone.  This is a complete book, not a cliff-hanger.

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text 2018-11-09 00:06
24 Tasks: Door 4 - Diwali - Task # 4
The Penelopiad - Margaret Atwood
Heidi - Johanna Spyri
Ladies of Letters - New and Old - Lou Wakefield,Carole Hayman
The Deceased Miss Blackwell and her Not-So-Imaginary Friends - K.N. Parker,K.N. Parker
Juliet Takes a Breath - Gabby Rivera
A Talent for Murder: A Novel - Andrew Wilson
Geisha, a Life - Rande Brown,Mineko Iwasaki

This task was hard.


And because I'm clearly lacking books that feature women holding flowers, I had to stretch my interpretation of the task. And by stretch I mean, stopping just short of a post-modern expressive dance interpretation of what can be understood as woman holding a flower. 

It would not have been a pretty sight.

So, count yourselves lucky to not have to see it.


Anyway, I have listed my covers above and there are a few more than five, just in case some should not work...


So, we have one actual cover with a woman holding flowers. Atwood to the rescue. 

Then we have a girl holding flowers - Heidi. Still close enough, I guess.

Then we have a Vera of Ladies of Letters sporting a buttonhole flower. 

The Deceased Miss Blackwell on top the grave is holding a rose. 

Juliet has a flower-shaped earring.

A flower in a hat on the cover of A Talent for Murder, and finally...

Flowers in hair on the cover of Geisha, a Life.


I had to wade through more than 2500 covers on my combined shelves to even get the ones I listed. Seriously, this was a hard task.

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review 2018-04-28 22:21
A Talent for Murder
A Talent for Murder: A Novel - Andrew Wilson

I had high hopes for this book. Andrew Wilson wrote an excellent biography of Patricia Highsmith, and I looked forward to seeing his research and writing skills applied to this ambitious projects which sought to feature Dame Agatha Christie as the protagonist in her very own mystery: the mystery of her disappearance for 11 days in December 1926. 


A Talent for Murder starts out with Agatha standing on the platform in a London Underground station, contemplating the impending breakdown of her marriage and her husband's affair with a younger woman. 

Wherever I turned my head I thought I saw her, a woman people described as striking, beautiful even. 

That would never have been my choice of words.

Of course, when I looked again across the glove counter or perfume display it was never her, just another dark-haired woman trying to make the best of herself. But each of these imagined glimpses left a piece of scar tissue across my heart. I told myself to stop thinking of her - I would simply pretend the situation did not exist - but then I caught sight of another pale-faced brunette and the dull ache in my chest would flare up again and leave me feeling nauseous. 

Suddenly, she feels disorientated and anxious, and cannot shake the feeling that someone is trying to push her onto the rails. 


It is a great start to the book. Not only does Wilson create the very atmosphere of a crowded tube platform, but he also starts the story by recreating a scene from Christie's own story The Man in the Brown Suit. And while I read this part with the knowledge of how the scene develops in Christie's book it added some anticipation to see how Wilson would handle the scene. 

As it turn out, he chose to make alterations and introduce a character that would have been more at home in Strangers on a Train (by Highsmith). I thought the idea of introducing a sociopath from Highsmith's world into the world of Agatha Christie was fun, exciting and somewhat of a geeky dream as it would allow to play around with a bit of a face-off between the seriously messed up minds of Highsmith's imagination and the mostly proper and twee characters of Christie's creation. 


Seriously, I loved that idea. And I really liked the way that Wilson made the effort to emulate Christie's dialogues and give the book a real 1920s feel to it. 

This is no mean feat. So many authors fail at this.  


And, yet, A Talent for Murder did not manage to impress me. The plot that followed the initial scenes in London were contrivances that somewhat ignored Christie's own character and thus were just too unbelievable. The idea that Christie, even in her unravelling state of mind, could be blackmailed into committing a crime of the sort proposed in this book, was just too unrealistic. And I mean really too unrealistic. Agatha may have plumbed the depths of human villainy in her novels, but it is a fundamental mistake to presume that an author who can dream up a plot is also capable of living it. 


Anyway, from this point on, the plot developed in ways which made very little sense, with characters acting ways that were inconsistent and showed that maybe the author had either rushed through some of the decisions or tried just a little too hard to shoe-horn real life events in Dame Agatha's biography into the life of the fictional characters - and let me say that I believe some of them were anachronistic.

Now, if a reader is able to disconnect the real Agatha from this book, or does not know or care much about the real Agatha, this book would probably work a treat. I mean, there really are some great ideas in this, that is, if the reader can also ignore some of the silly plot decisions. However, I was not able to do this. If the book proposes to be based on the real Agatha, then I find it difficult not to compare the proposed character with the real one. Maybe I'm just too much of a fan. I take the same issue with pastiches and fan-fiction based on other favourite characters - real and fictional - of mine.


I shared an example of one of the silly plot decisions in an earlier update, and it is not just that I could not make sense of the scene, the idea that the fictional Agatha would seemingly lack basic knowledge about chemistry and pharmacy also seemed to show some sloppiness on the part of the author. As most of us readers will know - and I suppose readers pick up A Talent for Murder because they already have some knowledge of Agatha Christie's life and work - the real Agatha had a working knowledge of chemistry and poisons which she acquired when training with a pharmacists in her youth. It therefore just makes no sense that she would conjure up a plot with another character that slipped up a detail such as where to get the ingredients to make saline solution. 


There were just a few too many moments like this in the book, and after a while this became jarring enough for me that it could no longer be compensated for with Wilson great writing style.  


So, what I have concluded from my venture into this new series is the following:


1) I now know who'd win in a fight between Highsmith's and Christie's fictional characters, and 


2. Fiction based on my favourite crime writers is something I really should not seek out. Wilson's book, the first in a series, is not the first to try this and it is not the first of similar premises that I have tried to read. A Talent for Murder follows in the steps of Jill Dawson's The Crime Writer which features Pat Highsmith and Nicola Upson's series, which is loosely based on the life and character of Josephine Tey. 

I have not tried Jill Patterson-Walsh's books, yet, but chances are I should give them a miss.

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text 2018-04-28 12:03
Reading progress update: I've read 256 out of 380 pages.
A Talent for Murder: A Novel - Andrew Wilson

"I can't wait to get started; I've managed to get the things you've asked for. I've got salt to make a saline solution; I got that from my local chemist. He didn't ask a single question, not one. [...]"


Surely, the aim was to obtain all the items as inconspicuously as possible. Why buy the salt from a chemist? Would that not seem rather odd? All that was needed for their purposes was regular table salt. Surely, she had that at home already ... or could have gotten it with a regular grocery shop...



Also, the events that follow do not make for the perfect crime.


Surely, the first doctor to call would be Flora's husband, and the police would question why they/she had called a random doctor found in the phone book?


Oh, and surely people will notice if both the corpse and the person reporting the death go missing the day after the police arrive?

(spoiler show)


I'm confused.


Again, this would have been a perfectly good story if it did not try to force itself to be based on Agatha Christie. 

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