James Bond: Kill Chain - Andy Diggle Pretty much what you'd expect from a comic version of 007.

我是在看杰姆斯邦德电影长大的，最近我喜欢看电影是从哪里来的。

 

当我决定读邦德小说时，我知道有很多人不喜欢性别歧视的电影，但我仍然认为詹姆斯·邦德电影仍然是最好的间谍电影之一。

 

今天有很多网上赌场，我想知道这部电影的背景是什么，并把它与网上赌博联系起来。也许让杰姆斯邦德成为一个知道如何破解网上赌场的间谍。您是怎么想的？

 

哦，当我在网上查找，有James Bond Skyfall的场景，他们是黑客的东西。我还没看过那部电影，也许以后再看吧。

 

James Bond: Service - Kieron Gillen,Anto... It's actually really interesting to me how Gillen was able to take a really old-fashioned character and made him feel new - especially within the context of the story he was telling. Bond is a very old staple, but in these pages he's revamped, young (perhaps there could be some criticism in how a lot of Gillen's works tilt this way but I didn't mind here), fresh, and snappy, facing the past rather than walking with it.

In a relatively quick handful of pages, Gillen writes a new type of Bond, arguably a millennial Bond, with less resources and double the pressure, fighting the good fight against nostalgia and overpatriotism (making a good subtle commentary about the intertwining of the two) - and I was okay with that. I would almost be interested to see this Bond go up against his older predecessors, but maybe that'd be a bit weird.

James Bond: Hammerhead - Andy Diggle Classic James Bond adventure. Andy Diggle has it down, and the art is spare but solid. I do love Francesco Francavilla's covers.

This is Fleming’s second Bond short story collection, published posthumously. I’m sort of sad (but not really) that I’m at the end of my Bond reading journey. It’s been an interesting couple of months.

 

#1 OCTOPUSSY: 2.5* A tale of avarice and treachery told via a flashback within a flashback. Thrilling stuff. (Not really. Bond was hardly in it. He didn’t even have time to say or think something bigoted, racist, or misogynistic.)

 

#2 THE PROPERTY OF A LADY: 2.5* This one involves mild international intrigue at an auction. Also, Bond gets more than enough page time to think misogynistic thoughts about an unattractive, flat-chested Russian double agent.

 

#3 THE LIVING DAYLIGHTS: 2* In which Fleming once again works overtime to prove that Bond is “too good for murder”. Decent twist at the end, but the extra dose of sexism, including but not limited to the crack about how girls should play the cello “sidesaddle”, effectively cancels out any points the twist might’ve garnered.

 

#4 007 IN NEW YORK: 1* A super-short and pointless story about Bond’s polite contempt for New York City. Includes a recipe for scrambled eggs. Make sure you have a good English toast rack on hand. Heaven forbid you serve the eggs with “dank” toast.