I had such high hopes for this book. A 6´6 Russian Daddy Dom, well that be the stuff of fantasy, my fantasies in any case.



Alas I was left feeling underwhelmed. What could have be a super hot interesting story, was lukewarm at best. Two detectives, partners, go undercover to catch the person selling some new date rape drug called "PLEASE DADDY" Oh course both have "daddy" issues, though Salt seemed to have a better handle on his then Andie did. Salt has to play "Papa" whilst Andi plays "Mishka"

If that scenario doesn't scream HOLY HELL HOT, I don't know what does. Alas this book is tame, and dare I say, it was boring. To say it was a slow burn would be an understatement. Don't even get me started on how totally underwhelming the whole "undercover operation" ended.

While I adored Salt, with all his sexy Russian accent, Andi was really an awful heroine. I cut her some slack at the beginning of the book because for people outside the lifestyle the whole "daddy/little" dynamic is hard to wrap your mind around. The problem was, she just never got off her judgey high horse. Even when people took the time to try and explain to her about the lifestyle so she could do her job properly, she was always tossing out the "OMG THAT'S SICK" or "OMG THATS PERVERTED" She put the undercover operation in jeopardy SO many times with her stupid bratty behavior, that I had a hard time believing she was even a detective, or a very good one at least. I had an even harder time believing she suddenly at the end wanted the whole "Papa" thing.



This was really a disappointment for me. I wanted more sex (they FINALLY actually get it on at the very end of the book), I wanted more action on the undercover front. I wanted someone to shoot Andi in the head and find Salt, delicious Salt, a real woman, not an annoying repressed bitch!!

I can't deny the messy stories.

I've been meaning to write a post on this book for a while now. Since I'm close to the end, I can just add this to the final review.

 

I am liking the book, mostly because I have a bias towards culinary romantic fiction considering I'm a pastry chef myself, but there are a few things that are bothering me:

 

1.) Serenity and Tom (but mostly Serenity). They really are pissing me off in this book. Who are you to just roll up out of nowhere to see the child you gave up without at least calling her first (and not just her ex-husband to whom you did not even give your identity) and demand a relationship? Not only that, Serenity, despite her hippie airs of the universe giving signs, clearly harbors resentment and anger towards Jenna. Apparently, Jenna was supposed to reject her loving adoptive parents and come running to her birth parents. Unfortunately for Serenity, Beth and Marshall have been wonderful parents to Jenna and Jenna had no desire to seek her biological parents out. And why was the onus put on Jenna? Serenity and Tom had 32 years to seek out Jenna and they never did. Only reason they're doing so now is because while it has yet to be outright stated, it has been clearly implied that Serenity is dying. Which by the way, is a really shitty thing to do to Jenna for two reasons: they (Serenity, Tom, Dragon, Wolf, and Jasmine) are keeping that fact from Jenna and Serenity is intentionally trying to undermine Jenna's relationship with Beth, her true mother, so Jenna becomes attached to Serenity like a daughter only to have to deal with that loss.

 

Serenity is an incredibly selfish character who refuses to see beyond herself and her wants. She never bothered to sit and think about the ramifications of her actions onto a person she claims to love dearly. It's all just "The universe said this and gave me that sign so I must immediately act upon it." Screw that. You don't just walk into somebody's life, make emotional demands of them, denigrate their relationship with the people you gave them up to, only to die on them. I really hope somebody (Jenna) gives Serenity a "What the hell?!" speech.

 

2.) Cliff. When I originally meant to write this post, I was predicting that he was going to turn out to be abusive, and lo and behold, he beats the shit out of poor Violet. And I'm really glad the author points out that he'll get a slap on the wrist and Violet can only hope he doesn't become a stalker because usually this sort of storyline gets wrapped up too neatly. I watch far too much Investigation Discovery to suspend my belief.

 

3.) Ellington. I generally like him, but he's the one being irrational about Jenna's feelings toward Serenity. Telling Jenna she has "blind loyalty" to Beth is seriously fucked up. No, that's called a close mother-daughter bond. Beth raised Jenna and loves her just as much as Serenity claims she does. 

 

It's obvious Ellington also knows Serenity's terminally ill, so if anybody has blind loyalty to somebody, it's him to Serenity. He has a lot to answer for, but I'm sure Jenna is going to be the one that has to apologize.

 

4.) Serenity and Ellington's insinuations that biology trumps all and refusing to understand Jenna's predicament and instead are compounding her emotional turmoil. She's being pulled in two directions and somebody's going to end up hurt by Jenna when that's clearly not her intent and it doesn't help that Beth initially pushed Jenna to pursuing a relationship with Jenna but now regrets it and Serenity has been doing what I've already outlined. And nobody has really taken Jenna into account.

 

5.) Aaron. Like Cliff, I had predicted he was going to worm his way back to Jenna somehow because it was clear the doesn't really possess any culinary talent and was fine with taking the credit for Jenna's creations while completely destroying her self-esteem at the same time. When Jenna got the show and cookbook offer that was initially extended to Aaron, it was only a matter of time before he appeared. He figured that Jenna was going to be pining for him and was only biding her time before he came back. And of course he insults Jenna's store and accomplishments since their divorce because Jenna won't let him glom onto her and take the glory for her work.

 

Unless there is some serious catharsis by the end, I don't think I'm going to be able to give this book more than three stars.

Wow. This was superb, with realistic characters that were fully fleshed out, and a profound message that permeated the book from pretty much start to finish.

 

“Because life is not a fairy tale” is the Brothers Grime slogan. Yes, this novel delivers a romance and a story that is as close to a fairy tale as possible, while still firmly planted in realistic settings.  

 

Eddie Vasquez, uncle, brother, son, has been hiding this dyslexia for nearly all his life. He knows his limitations, works around them with what technology offers, but hates the fact that he struggles to read. Oh, and he's also head over heels in lust, possibly love, with his niece Lucy's teacher, B. Andrew Daley.

 

I knew I was in for a treat when the book started out with Eddie preening in front of the mirror to make sure he looks his very best when dropping off Lucy at school, because Mr. Daley (he who hands out Teacher's Pet pencils to his favorite pupils) might be there.

Gosh, this could have been so good.

 

Alas, it suffered from plot line overload, tried to do too much within the number of pages and needed a serious editor/proofreader to fix the numerous issues I had with this novella.

 

First off, the POV switches - that didn't work for me. I found it difficult to follow the mindset of Michael's first person POV to Blake's third person POV. An omniscient narrator would have been better for this to give this book a bit more coherency. 

 

Secondly, the characterizations for both Michael and Blake were uneven and choppy, with some whiplash-inducing changes that didn't always make sense. And while the abuse and PTSD from his childhood would account for Blake's personality switches, there's nothing in Michael's past, other than his heartbreak, that would explain why he is trying to dominate Blake and force him into submission. Hence the dub-con tag on this - I couldn't help but feel that Michael was in a position of power over Blake from the start and that any intimacy that happened between them wasn't fully consensual, especially not in the beginning.