This book has been on my shelf for over a month without another page read. I'm DNFing it and adding it to my list of books characterized by the massive gulf between my anticipation and the reading experience.

My opinion of this book is constantly shifting. I was annoyed with the first few chapters, as it seemed the book's "global history" approach involved a superficial treatment of everything. After the last couple of chapters, though, I appreciate that the first hundred-plus pages were really just a prelude, as once he gets to Boney himself Mikaberidze slows down and takes the space to provide more analysis.

Though Payne presents his book as being about Sir Charles Stewart and his brother, it’s proving to be more of a study of Stewart’s military and diplomatic career than anything else.

Thanks to Rosie Croft of Pen & Sword for providing me a hardback copy of this book that I freely chose to review.

I was checking the publisher’s catalogue and read the comments about this book, that was a reproduction of the original version, and although I’m no expert in military campaigns or Napoleon (although I suspect, like most people, I’m intrigued by that fascinating historical figure) I felt this was the book to get on the subject. I love art, and a book full of illustrations of the period sounded like a must-have. And I was right.

The book, as some of the reviewers have commented, is all the better for being a straight reproduction, without added comments or attempts at bringing it up to date or explaining and contextualising it. It is old-fashioned, but gloriously so. Oh, it isn’t politically correct either, and I’m not sure any French nationals with strong feelings about Napoleon would appreciate the comments, which, as the description says, are pure British propaganda. A lot of the book centres on the campaign in Spain, for evident reasons, and the book is dedicated to the Duke of Wellington, and I think it is a great example of what books of the period on this subject would have been like, and I’m sure its original quality is reflected in the current edition.

I particularly enjoyed the illustrations, which have something of the naïveté of a talented and skilled amateur (they reminded me of the notebooks people kept in the XVIII and XIX century when they were travelling that often included watercolours or pencil drawings of the places they visited). The written accounts of the battles and episodes are aggrandising and do not go into deep analysis, but include war dispatches, lists of some of the fallen and wounded, easy-to-read descriptions of the events (how accurate is another matter), and also letters that at times can bring the real people to life for us. As a small example, the chapter “The Death of Moreau, 28^th August 1813” includes a letter General Moreau addressed to his wife, three days after his wounding:

My dear Love, — At the battle of Dresden, three days ago, I had both legs carried off by a cannon-ball. That scoundrel Buonaparte is always fortunate. The amputation was performed as well as possible. Though the army has made a retrograde movement, it is not at all consequence of defeat, but from a want of ensemble, and in order to get nearer General Blücher. Excuse my hasty writing. I love and embrace thee with my whole heart. I charge Rappatel to finish. (Jenkins, 2018, pp. 117-8).

I recommend this book to anybody interested in military history, particularly in the Napoleonic campaigns, in art of the era, or who simply enjoy books from the XIX century and would like to have an excellent quality replica of a book of the era. This is a collectable for those who love books as artworks and it brings to life an era past but not forgotten.

Jenkins, J.J. (2018, originally published 1815). The Napoleonic Wars as illustrated by J.J. Jenkins. Barnsley, UK: Pen & Sword Military.

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