It’s a new day in the Empire. Tyrus has ascended to the throne with Nemesis by his side and now they can find a new way forward—one where they don’t have to hide or scheme or kill. One where creatures like Nemesis will be given worth and recognition, where science and information can be shared with everyone and not just the elite.
But having power isn’t the same thing as keeping it, and change isn’t always welcome. The ruling class, the Grandiloquy, has held control over planets and systems for centuries—and they are plotting to stop this teenage Emperor and Nemesis, who is considered nothing more than a creature and certainly not worthy of being Empress.
Nemesis will protect Tyrus at any cost. He is the love of her life, and they are partners in this new beginning. But she cannot protect him by being the killing machine she once was. She will have to prove the humanity that she’s found inside herself to the whole Empire—or she and Tyrus may lose more than just the throne. But if proving her humanity means that she and Tyrus must do inhuman things, is the fight worth the cost of winning it?
~MY QUICKIE REVIEW~
I really loved the first book in this series and like most people I thought it was going to be a stand-alone. I was fine with that, but someone must've really wanted this story to continue…and continue it did.
One of the things I loved about the first book in this series was its darkish feel and unfortunately this was missing that darkish-ness most of the way through, added to that, the first half was way too political by far. I was really leaning towards a 3.5 Star rating on this, right up until the end.
That ending saved this from a lower rating…because…I loved that ending. Thankfully, Nemesis pulled through and oddly enough, Tyrus did too, in a way. I can see a lot of readers not liking where this book was going by the end, but I am not one of them. I'm really intrigued to see where this story goes in the final book…I'm hoping since it was mentioned, that it will involve going to Earth in some way…I just wish they would have someone else narrate the audiobook.
☆4.2☆STARS - GRADE=B+
~BREAKDOWN OF RATINGS~
Main Characters~ 4/5
Secondary Characters~ 4.2/5
The Feels~ 4/5
Theme or Tone~ 4/5
Flow (Writing Style)~ 3.8/5
Backdrop (World Building)~ 4/5
Ending~ 5/5 Cliffhanger~ definitely a "to be continued"
Book Cover~ It's okay…
Narration~ ☆3☆ for Candace Thaxton, I don't really like her voice…too nasally and I wish this series was done by someone else.
Series~ The Diabolic #2
Setting~ Outer Space
Source~ Audiobook (Library)
Thanks to NetGalley and to Harper Collins UK for the ARC copy of this book that I freely chose to review.
I had not realised that an author had been commissioned to write new Poirot mysteries, and as I saw this book after a conversation about Agatha Christie, I could not resist requesting a copy of it. This means I have not read the author’s two previous New Poirot Mysteries (The Monogram Murders and Closed Casket), so I cannot discuss the evolution of the characters or compare this one to the previous two. I am not familiar with any of Hannah’s previous writing either. I have read some of Agatha Christie’s novels and short stories, some of them I read translated into Spanish many years back (and might not have fully reflected her style of writing although I remember enjoying them) and I have not read a Poirot one in many years, although I have watched both films and TV series adapting some of Christie’s classic Poirot novels, so I would not dare to address this review to connoisseurs. Still, for what is worth, this is my opinion.
I enjoyed the novel. The case starts with four seemingly random people accusing Poirot of sending them letters accusing them of a crime. Not only has Poirot not sent them such letters, but the alleged victim died of natural causes (he was an elderly man and drowned whilst bathing, alone in his bathroom). So, who is behind the letters? And what’s his or her motive? I will try and not reveal any spoilers, but I can say that there are plenty of clues to follow, red-herrings along the way, peculiar characters, true and false motivations, slices of cake, dogs, a public school for boys, a wonderful old mansion, faulty typewriters, likeable and less likeable characters, and a Poirot in full form.
The novel is told by Edward Catchpool, a Scotland Yard Inspector who, like Captain Hastings in Christie’s stories, is the scribe behind the stories. He is a new creation and one of a couple of characters that, from the comments, I have read, are regulars in The New Poirot Mysteries. The narration is split between parts written in the third person (when Catchpool is not present) that, when we are some way into the book, he explains he has compiled through later discussions with Poirot, and those written in the first person, that pertain to events he witnessed or participated in himself. This works well, in general (we might wonder briefly how Poirot might have become aware of some detail or conversation, but we all know he has his ways), and it also allows for any differences in style with previous novels to be blamed on Catchpool’s own style of writing (that would not be the same as Hastings’). The language is straightforward and effective in conveying the story, without any jarring moments due to usage inappropriate to the historical period. Catchpool himself does not reveal much of his own personality through the novel and he is mostly a blank canvas to reflect Poirot’s thoughts and his deductive process. There are some interesting personal morsels about the inspector included in the narrative (he does not like his boss at work and he is averse to the idea of marriage, especially one to suit his mother’s taste) but not enough for readers to become truly attached to him. As this is the third novel and I have not read the two previous one, it is likely that people who have followed the whole series will know and appreciate the character more fully (but this is not necessary for the enjoyment of the mystery).
Notwithstanding my disclaimer on my limited expertise in all things Poirot, the Poirot in the novel will be recognisable to most people who have some familiarity with Christie’s detective. People still think he is French, his ‘little grey cells’ are mentioned often, he sprinkles his dialogue with French terms and some peculiar English translations (‘oil of the olives’ instead of olive oil, for instance), he is a keen observer, opinionated, with high regard for himself, and a lover of comfort and good food and drink. Perhaps he is an extreme version of Poirot, but I could not help but remember, as I read the book, that Christie expressed her dislike for the character and called him: detestable, bombastic, tiresome, ego-centric little creep. (We might agree or not with her assessment, although her Poirot had some moments of weakness and sometimes showed more of a soft heart than he would have liked to admit). He is that here and keeps making demands on people, puts to the test his ideas and theories in pretty cruel ways, and drags the resolution of the case, creating anxiety and disquiet among all. But he can come up with pretty amazing insights and his figure has always been one of those that perhaps we would not like to meet personally, but we nonetheless admire.
Some of the secondary characters are almost caricatures, and the story is fundamentally about the plot and not about the psychological complexity of those involved, but there are some likeable characters, and I had a soft spot for the younger generation (and the dog). There are good descriptions and observations that will keep people guessing and turning the pages, although the story is not told at a fast pace, and the ending drags on (as is usual for this type of stories, where the reveal can become as frustrating for the readers as for those present). Although the evidence, in this case, remains mostly circumstantial and stretches somewhat the imagination, everything is explained and tied up and people who like a definite ending will have no complaint. There is a murder but there is no explicit violence or bad language and although it will not suit readers looking for gritty and realistic thrillers, it should not offend or discourage most readers who love a gentler mystery.
I am not sure if this would fit into the category of cozy mystery. By its tone and nature, it should do, but many books marketed as cozy mysteries abound in over-the-top characters, seem to place more emphasis on other aspects rather than the actual mystery (romance, recipes, pets…), include elements of other genres (paranormal, for instance), and can be frustrating to any readers looking for logical explanation and a meaty, intriguing, and complex mystery they can actually solve. This is like a good old-fashioned mystery, with plenty of character, a light read that will keep you entertained, and if that’s what you’d like to read, I’d recommend it. (Does it add anything new to the Poirot canon? Well, that is a matter for another discussion. Judging by the reviews, most people think the author has done a good job and has made the character her own). Personally, I’ll keep track of the author and future novels in the series.
He’s a gangster going straight. She’s a waitress going bankrupt. Will their gamble on a marriage of convenience pay off in true love?
Alex Wilde desperately wants to be free of the family’s mob business. But when his infamous father is murdered, the family attorney makes a suggestion he can’t ignore: find a bride before the funeral or they'll force a wedding with a nice Russian gangster girl. When he meets a feisty cocktail waitress, he thinks he’s found his way out.
Faye Tandy is desperately in debt and hard-pressed to find help. Alex’s offer of a phony marriage for a ton of cash couldn’t come at a better time and she’s happy to help him exit the criminal world. The fact that he’s tall, dark, and handsome is an attractive bonus. But when she discovers the Russians have a contract out on her head, she wonders if divorced and bankrupt would be a better choice than rich and dead...
As Faye’s fake feelings for Alex turn real, she’s terrified her trip to the altar might be her last. Will Alex and Faye’s throw of the dice succeed or will they lose the lawless game of love?
International bestselling author of more than thirty novels, Kelly Collins writes with the intention of keeping the love alive. Always a romantic, she blends real-life events with her vivid imagination to create characters and stories that lovers of contemporary romance, new adult, and romantic suspense will return to again and again. Kelly lives in Colorado at the base of the Rocky Mountains with her husband of twenty-eight years, their two dogs, and a bird that hates her. She has three amazing children, whom she loves to pieces.