A few pointers:
Some of the examples are typical: first it's Mary as having the child by a village lad (*fnarr fnarr*), so none of that god stuff, so Jesus is not the son of god so Redemption and Salvation have no meaning, he's just a bloke. ...hmmm do I see the very basis of Christianity being attacked here? Second, he presents a false dichotomy, between the simple moralist of Galilee - nothing divine, nothing special, there are plenty of moralists and always will be; and the Man Who Wants a Mighty Church to rule everything. This of course is a wild perversion of christian doctrine, the church is a means, not an end, only in Pullman's caricatures is the Magisterium a ruthless theocracy with power as its sole objective.
If you're into stuff like this, you can read the full review.
This is part of a series of posts reviewing categories in this year's Hugo ballot. I'll be discussing the entries, the voter packet, and my ballot. I've nominated and voted most years since 2011, when I figured out that all I had to do was join Worldcon to get to do so.
YA is a new category this year. To which I can only say: IT IS ABOUT FUCKING TIME. This year's business meeting should give it a permanent name as well. " The World Science Fiction Society (WSFS) Award for Best Young Adult Book" is a bit unwieldy. The proposed name is Lodestar, but of course, no bit of progress can be made without some pushback.
The category was added as a separate award from the Hugos, which is how the Campbell was already classified. Of course, the Campbell's been treated just like a Hugo forever, with only the occasional footnote to point out that it isn't one. But now that there's a YA category, blogs feel the need to lead with it not being a Hugo. It's voted on by the same people as part of the same ballot and awarded at the same ceremony.
So my favorite two of these were originally serialized stories, which is not consistent with my usual view of serialized short fiction. Perhaps encountering them already collected into a continuous narrative makes them work better for me. In spite of my reservations about the categorization of Summer in Orcus, it will place second on my ballot after In Other Lands. Third will be Skinful of Shadows, and the rest I may just leave off the ballot.
Absolutely worth putting all my other books on "pause" for. This was as much fun as The Golden Compass, and without all the complicated nature-of-the-universe plot machinations of the other books in that trilogy. There is plenty of action and peril to propel the story along, and the two new main characters are easy to invest in. Baby Lyra isn't given much to do, other than to just be a baby, but it was interesting to see how the author portrays the relationship of human to daemon in infancy.
I think this probably works as a stand-alone, but it's hard to know how much of my familiarity with the characters of Lyra's parents and the world they occupy informed my understanding of this book's events. Interestingly, this book seems to incorporate a little more fantasy into its steampunkiness than I remember from the first book.
Audiobook, borrowed from my public library after a six month wait on hold. Michael Sheen's performance is fantastic.