Literary awards are rarely sufficient motivation for me to choose one title over another — the enjoyment of literature being notoriously subjective — but since Less was already on my wishlist, its recent Pulitzer Prize win firmed up my decision to purchase.
What immediately struck me was the unusual narrative structure… predominantly first-person present tense (identity undisclosed) yet omnipresent.
From where I sit, the story of Arthur Less is not so bad.
Look at him: seated primly on the hotel lobby’s plush sofa, blue suit and white shirt, legs knee-crossed so that one polished loafer hangs free of its heel. The pose of a young man.
But on occasion more like third-person. It is both confounding and intriguing. Continue reading >>