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review 2017-10-17 18:55
Quick Paranormal
Out-Foxxe'd: A Rosie Peaks Crossover (Th... Out-Foxxe'd: A Rosie Peaks Crossover (The Adventures of Rosie Peaks Book 5) - Madison Sevier

Out-Foxxe'd by Madison Sevier is a fairly quick read, a perfect choice for those paranormal fans with limited time for reading.  Ms Sevier has delivered a well-written book that is fun to read.  Rosie and Markus' story is loaded with drama, humor, sizzle and lots of woo-wooish mystical type things.  I enjoyed reading Out-Foxxe'd and look forward to my next Madison Sevier book.  Out-Foxxe'd is book 5 of the Rosie Peaks Series but can be read as a standalone.  This is a complete book, not a cliff-hanger.

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text SPOILER ALERT! 2017-10-14 11:02
Eine Rosie ist eine Rosie ist eine Rosie.
Der Rosie-Effekt: Noch verrückter nach ihr - Graeme Simsion,Annette Hahn

Blöd nur, wenn man Rosie nicht leiden kann.

Was für eine anstrengende Frau. Total unsympathisch. 

Fazit: Ein Buch zu lesen, in dem einem zu viele Charaktere nicht unbedingt die wärmsten Gefühle entlocken ist schwierig und oft wenig unterhaltsam. Dazu dann noch ein verkitschtes Ende nach einem ansonsten recht neutral gehaltenem Buch - sinnig, da aus der Ich-Perspektive. Dazu passendes Zitat:

"Ich wollte nicht nur Lydia schütteln, sondern die ganze Welt voller Leute, die den Unterschied zwischen der Kontrolle von Gefühlen und ihrem Fehlen nicht begriffen. Die die Unfähigkeit, Gefühle anderer zu erkennen, gleichsetzten mit der Unfähigkeit, eigene Gefühle zu erleben."

Don Tillman, Seite 372f 

Da kann einem dann schon fast übel werden. Warum überhaupt dieser Klischee Mist wir feiern unseren Protagonisten, alle finden ihn super, nur seine eigene Frau nicht. Die dann nach einem weiteren kleinen Klischee Vorfall vor versammelter Mannschaft, final, nach 400 Seiten (!) feststellt, dass sie doch den Mann geheiratet hat, den sie liebt. Überraschung. Ein bisschen Reflexion hätte ihr diese Erkenntnis bestimmt schon früher bescheren können.


Kurzum. Ich bin leider parteiisch. Nettes Buch...vielleicht (Obwohl Dons Gedankengänge eine Sperrigkeit besitzen, die bestimmt einen Prosapreis gewinnen würden). Aber diese Menschen! Ätzend!

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review 2017-06-24 10:34
When Rosie Met Jim and Shoeboxes - Melina Marchetta,Kathryn Barker



And I'm happy, so so happy because (and I'm combining Pacey Witter and Adam Wilde quotes here) the simple act of knowing that he's somewhere out there, alive, is enough for me right now. So I don't care how long it takes for MM to write the full book because I will wait until the end of time (although I'm sure I'll be tweeting otherwise at 1am sometime in the near future).


Also, Shoeboxes was creepy as fuck. Please read In The Skin Of A Monster if you haven't already kthanksbye.

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review 2017-06-13 23:14
For lovers of historical fiction (late XIX-early XX c), particularly British (Manchester) and those looking for novel explorations of issues of gender identity.
The Night Brother - Rosie Garland

Thanks to NetGalley and Harper Collins UK for providing me with an ARC of this book that I voluntarily chose to review.

Gender and gender identity are complex subjects and have always been, even at times when this was not openly acknowledged. Characters who change gender are not new (although not very common either): Virginia Wolf’s Orlando is perhaps one of the best known, and his/her fictional biography offers the reader a chance to observe historical events from the point of view of a character that is an outsider in more ways than one. Maria Aurèlia Capmany’s Quim/Quima uses another character that goes from male to female as a way to revisit the story of Catalonia, in an open homage to Woolf whom she addresses in a letter that serves as a prologue to her novel. Much more recently, Middlesex by Jeffrey Eugenides, a novel that deservedly won the Pulitzer Prize (and that I recommend wholeheartedly as I do the other two, although I don’t think Quim/Quima is easy to find other than in the original in Catalan), uses a similar plot device, although this time clearly addressing intersex and focusing more on the difficulties and struggles of living outside the gender norm (a subject the other two novels I mention don’t focus on).

What marks the difference between those books and The Night Brother is that rather than the main character living a part of his/her life as pertaining to a gender and, at some point, switching (similar to what happens in Kafka’s Metamorphosis although not quite as surreal), in this novel, the main character is both, male and female, and daily morphs from the one gender into the other, at least for a time. Edie is a woman (a girl when we meet her) who lives with her mother and grandmother in a pub in Manchester at the end of the XIX century, during the day, and at night she transforms into Herbert (or Gnome, as he prefers to be called), as if she were a shapeshifter creature of sorts, or a being from some paranormal genre (but that is not at all the feel of the novel). At the beginning of the novel Edie thinks of Gnome as her brother, always by her side, a wild creature who shares adventures with her (although we soon realise there is something peculiar about their relationship, as they seem to know what each other thinks without talking). Edie’s mother insists she is making Gnome up and is imagining things and although the girl tries hard to ignore it, unexplained things keep happening. At some point, she realises what the truth is (at least in part, as secrets are a big subject in this story) and discovers a way to keep her ‘brother’ at bay, although this comes at a heavy prize and it is difficult to maintain. Edie tries to live a discreet life and not get too close to people to avoid the risk of revealing her secret and that results in a sad and sombre life. When she becomes friendly with a gay co-worker and later becomes a suffragette, things get complicated and Gnome won’t stay put. I won’t discuss the plot in more detail to avoid giving any spoilers away.

The story is told in the first person from the points of view of Edie and Gnome (although Edie’s narration has more weight for reasons that soon become evident to readers) and a final chapter from the point of view of Abigail, one of the suffragettes. This style of narrative gives the reader a good sense of how different the perceptions of the two characters are, their behaviour, expressions, and what reactions they elicit from others. The novel excels at depicting the Manchester of the turn of the century, its buildings, its neighbourhoods, its businesses, the savoury and unsavoury areas, the social mores of the era, the secret places where those whose tastes did not fit in with society at large met, and the atmosphere of the city and the times. We have ladies from good families, blue collar characters, prostitutes, ruffians, street urchins, policemen, publicans and everything in between, all beautifully observed. For me, this is one of the strongest points of the novel, and although I only know the Manchester of modern times, I felt as if I was wandering its streets with the characters at the turn of the century. The Suffragist rallies and their repression are also shared in great detail, to the point where we are one of the fallen bodies about to be trampled over, in a scene difficult to forget.

As the novel is told in the first person from those two character’s perspectives, it is important that they come across as fully realised individuals. For me, Edie is the more convincing of the two. This is perhaps in part due to her having more space (and also probably because I am a woman and find it easier to get into her shoes) and that allows us to understand better what goes through her head. I don’t mean she is a particularly likeable character (she refuses to listen to reason, she is hard and tries to close her heart to others and she does bad things too), but she is easier to understand and she grows and evolves through the novel, becoming… Well, I’ll keep my peace. However, Gnome remains impulsive, childish at times, and seems not to have a thought beyond getting his revenge and satisfying his needs. He is not a well-rounded character, and as a depiction of masculinity I found it very limited —although it makes sense if we view the novel as an allegory that turns on its head the old view of the genders, with women being close to nature, earth, the moon, natural beings, slaves to their hormones and anatomy, and men who were the intellectual beings, rational, controlled, dominant, the sun, head over feelings— but he is a force of nature, although not very likeable either. Edie’s mother and grandmother are intriguing characters, with her mother being a great example of bad motherhood (not only for what she does and the way she treats Edie but for what she tries to do to sort her problems, an extreme but not false ‘treatment’ on offer at the time), while her grandmother is the voice of reason, and we eventually get to understand her circumstances well. Although the ending is perhaps a bit rushed, it is satisfying and its message of tolerance and acceptance of difference is a very welcome one.

I’ve seen this book described as magical realism and as an allegory and both concepts are fitting to a certain extent, although I suspect this is a book that will mean different things to different readers and its interpretations will probably tell us as much about the reader as about the writer (as should be the case). I recommend it to readers interested in historical fiction (particularly within a British setting) of the late XIX c /beginning of the XX c, those interested in novels that explore gender and gender identity issues in new ways and who don’t mind a touch of the unexpected, and to anybody intrigued to try a fairly original take on the subject. A word of warning: there is some sexual content (only one scene and not the most graphic I’ve read, but it is there) and there is violence, particularly in the scene of the repression of the Suffragist event. 


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review 2017-06-01 19:27
Review: The Night Brother by Rosie Garland
The Night Brother - Rosie Garland

I would like to thank HarperCollins UK for providing me with an advanced reading copy of this book.


The Night Brother is a unique and unusual read and is unlike anything that I've read before. It's also a book that is hard to discuss without spoilers so this review will be rather brief and to the point.


At its heart, The Night Brother is a historical fiction novel but it also has a touch of magical realism and fantasy. It explores both gender identity and fluidity, and sibling rivalry. The plot was original and unique and the writing style appealing, but the overall concept wasn't clearly explained in the end.

I did enjoy it, the authors writing was engaging, it was a pleasure to read and it easily held my attention, but I am left with lots of questions. For example: Why was this happening to Edie and Gnome? Is it a curse placed on them and their family? Who placed it, when and for what reason? If it wasn't a curse then what was it? Was it medical? Psychological? There's was no clear explanation given. Had there been then this would probably have been a 4 star read for me but the lack of explanation knocks it down to 3 stars.





Reviews also posted to my blog: Scarlet's Web
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