The Cherry Orchard
Anton Chekhov was a master whose daring work revolutionized theatre. Robert Burstein declared that “there are none who bring the drama to a higher realization of its human role.” In The Cherry Orchard, his last full-length play, an impoverished landowning family is unable to face the fact that...
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Anton Chekhov was a master whose daring work revolutionized theatre. Robert Burstein declared that “there are none who bring the drama to a higher realization of its human role.” In The Cherry Orchard, his last full-length play, an impoverished landowning family is unable to face the fact that their estate is about to be auctioned off. Lopakhin, a local merchant, presents numerous options to save it, including cutting down their prized cherry orchard. But the family is stricken with denial. The Cherry Orchard charts the precipitous descent of a wealthy family and in the process creates a bold meditation on social change and bourgeois materialism.
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Format: paperback
ISBN:
9780802144096 (0802144098)
Publish date: January 6th 2009
Publisher: Grove Press
Pages no: 128
Edition language: English
I know that I am meant to love Checkov, but I was not terribly inspired by this. I feel that I would like to see it performed and I may end up watching it on You Tube. The play concerns an aristocratic family fallen on hard times and forced to sell everything that they own. The action is oblique ...
Quite interesting, but I think Chekhov was right when he predicted the "Russian-ness" of the play would not work as well for foreign audiences.
bookshelves: play-dramatisation, slavic, published-1904, re-read Read from January 19 to 25, 2010, read count: 2 Translated by Sasha Dugdale.A new production of Chekhov's timeless study of a Russian aristocratic family forced to sell their house and beloved cherry orchard during the great social...
What really sucks is when you have just finished reading a play and a tram trundles by the pub that you are in with an advertisement for that particular play, which finished the day before. Okay, maybe I should have my ear to the ground of the Melbourne theatre scene a little bit more, but still, th...