The Hare With Amber Eyes: A Family's Century of Art and Loss
The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none... show more
The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.
Publish date: August 31st 2010
Publisher: Farrar, Straus and Giroux
Pages no: 368
Edition language: English
, Book Club
, Biography Memoir
, Art History
Edmund de Waal's book traces the history of an art collection from the nineteenth century through today. My reaction to the book is a combination of wanting the story to move faster and wanting to know more.Read my full review at: http://memoriesfrombooks.blogspot.com/2014/01/hare-with-amber-eyes.h...
I was intrigued by the title of this book which, ultimately, is what made me pick it up once I saw it on one of the tables of a bookstore. My general rule is that if a book interests me I will first read it at the library and then, if I really love it and know I'll definitely want to reread it in th...
Part family history, part European history and all centred around netsuke, small Japanese figures.
The Hare with Amber Eyes is one of the most original books I have ever read.It was a compulsory read for an auto/biography course I'm taking and I can see how it will spark intriguing discussion when we get to talking about it (if people dare speak up this time, that is..) It is hard to define what ...