The Holy Terrors
Cocteau's novel Les Enfants Terribles, which was first published in 1929, holds an undisputed place among the classics of modern fiction.Written in a French style that long defied successful translation—Cocteau was always a poet no matter what we was writing—the book came into its own for...
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Cocteau's novel Les Enfants Terribles, which was first published in 1929, holds an undisputed place among the classics of modern fiction.Written in a French style that long defied successful translation—Cocteau was always a poet no matter what we was writing—the book came into its own for English-language readers in 1955 when this translation was completed by Rosamund Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Lehrmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter because for Paul and Elisabeth a drug too magical to resist. The crime which finally destroys them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.
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Format: paperback
ISBN:
9780811200219 (0811200213)
Pages no: 184
Edition language: English
Category:
Classics,
Novels,
Literature,
European Literature,
Cultural,
Literary Fiction,
20th Century,
Plays,
Theatre,
Poetry,
France,
French Literature,
International
Cette espèce de confort n'influençait guère les enfants, car ils avaient le leur et il n'était pas de ce monde. (This kind of comfort hardly influenced the children, because they had their own and it wasn't of this world.) Not of this world, truly. Paul and Elisabeth, brother and sister, 14 and...
A Bizarre Story- In 'Les Enfants Terribles', Cocteau gives the reader a melodramatic view of adolescence, void of innocence and filled with darkness; a peculiar relationship between brother and sister of excessive indulgence, petulance, childish pettiness and selfishness. Paul and Elisabeth contri...
When me and my sister were younger – like four and five, or five and six – we used to play these epic games in the back seat of our parents' car on long journeys. The car was a big old Citroën estate, like the vehicle from Ghostbusters, and the back seat folded down to form a huge play area (this wa...
A sort of surrealist reading. A love and hate experience of two orphan siblings (Paul, Elisabeth) which includes games (The Game, actually - their game) and plays that replace the real life. These games and especially the plays require partners and, mostly, an audience (Gerard, Agathe). And when the...