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Zora Neale Hurston
Zora Neale Hurston was born on Jan. 7, 1891, in Notasulga, Alabama. Hurston moved with her family to Eatonville, Florida, when she was still a toddler. Her writings reveal no recollection of her Alabama beginnings. For Hurston, Eatonville was always home. Growing up in Eatonville, in an... show more

Zora Neale Hurston was born on Jan. 7, 1891, in Notasulga, Alabama. Hurston moved with her family to Eatonville, Florida, when she was still a toddler. Her writings reveal no recollection of her Alabama beginnings. For Hurston, Eatonville was always home. Growing up in Eatonville, in an eight-room house on five acres of land, Zora had a relatively happy childhood, despite frequent clashes with her preacher-father. Her mother, on the other hand, urged young Zora and her seven siblings to "jump at de sun." Hurston's idyllic childhood came to an abrupt end, though, when her mother died in 1904. Zora was only 13 years old. After Lucy Hurston's death, Zora's father remarried quickly and seemed to have little time or money for his children. Zora worked a series of menial jobs over the ensuing years, struggled to finish her schooling, and eventually joined a Gilbert & Sullivan traveling troupe as a maid to the lead singer. In 1917, she turned up in Baltimore; by then, she was 26 years old and still hadn't finished high school. Needing to present herself as a teenager to qualify for free public schooling, she lopped 10 years off her life--giving her age as 16 and the year of her birth as 1901. Once gone, those years were never restored: From that moment forward, Hurston would always present herself as at least 10 years younger than she actually was. Zora also had a fiery intellect, and an infectious sense of humor. Zora used these talents--and dozens more--to elbow her way into the Harlem Renaissance of the 1920s, befriending such luminaries as poet Langston Hughes and popular singer/actress Ethel Waters. By 1935, Hurston--who'd graduated from Barnard College in 1928--had published several short stories and articles, as well as a novel (Jonah's Gourd Vine) and a well-received collection of black Southern folklore (Mules and Men). But the late 1930s and early '40s marked the real zenith of her career. She published her masterwork, Their Eyes Were Watching God, in 1937; Tell My Horse, her study of Caribbean Voodoo practices, in 1938; and another masterful novel, Moses, Man of the Mountain, in 1939. When her autobiography, Dust Tracks on a Road, was published in 1942, Hurston finally received the well-earned acclaim that had long eluded her. That year, she was profiled in Who's Who in America, Current Biography and Twentieth Century Authors. She went on to publish another novel, Seraph on the Suwanee, in 1948. Still, Hurston never received the financial rewards she deserved. So when she died on Jan. 28, 1960--at age 69, after suffering a stroke--her neighbors in Fort Pierce, Florida, had to take up a collection for her funeral. The collection didn't yield enough to pay for a headstone, however, so Hurston was buried in a grave that remained unmarked until 1973. That summer, a young writer named Alice Walker traveled to Fort Pierce to place a marker on the grave of the author who had so inspired her own work. Walker entered the snake-infested cemetery where Hurston's remains had been laid to rest. Wading through waist-high weeds, she soon stumbled upon a sunken rectangular patch of ground that she determined to be Hurston's grave. Walker chose a plain gray headstone. Borrowing from a Jean Toomer poem, she dressed the marker up with a fitting epitaph: "Zora Neale Hurston: A Genius of the South."
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Birth date: January 07, 1891
Died: January 28, 1960
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Community Reviews
Words of a Bibliophile
Words of a Bibliophile rated it 2 months ago
Their Eyes Were Watching God combines poetic narration and vernacular dialogue to tell the life story of Janie Crawford, an African-American woman in 1930s Florida. It took me some time to get used to the dialect-heavy speech but once I familiarized myself with the patterns it got easier and quicker...
Merle
Merle rated it 4 months ago
In general, readers should be suspicious when a long-unpublished work by a famous author comes to light. More often than not, these mostly seem to be cash grabs by the publisher (see, for instance, Go Set a Watchman). Barracoon has some interesting content (and at least it isn't just an early draft ...
Chris' Fish Place
Chris' Fish Place rated it 1 year ago
While Hurston’s Their Eyes Were Watching God is a deeply loved masterpiece, many people do not know about her work collecting oral folklore and oral history. It is okay that we have the rediscovery/recovery of this manuscript to add to her important work in such areas.Hurston visited Cudjo Lewis sev...
Thewanderingjew
Thewanderingjew rated it 1 year ago
Barracoon: The Story of the Last "Black Cargo" Zora Neale Hurston (Author), Robin Miles (Narrator) This brief book, tells a story that has never before been published, written by Nora Neale Hurston. It summarizes the interviews she had with Cudjo Lewis, who was thought to be the oldest slave brought...
Chris Blocker
Chris Blocker rated it 1 year ago
Barracoon: The Story of the Last “Black Cargo” is immensely important because it presents a first-hand narrative of the last-known survivor of the transatlantic shipment of Africans to the Americas and because it gifts the reading world with a lost work of Zora Neale Hurston's. Barracoon is an impor...
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