Thanks to Net Galley and to Scribner for offering me a free copy of this memoir in exchange for an unbiased review.

I knew who Kenneth Tynan was before I read this book. Although well before my time, I do love theatre, I’ve lived many years in the UK and I’d heard of his reviews, his wit, and remembered having seen pictures of him, but didn’t know much about his life. I didn’t know anything about his first wife, American writer Elaine Dundy, or his daughter Tracy, and I must admit that I’m not a big clothes buff. Having said all that, I thoroughly enjoyed reading this book. The clothes give name to the chapters and form the backbone of the book, assisting the author in organising her memories. I guess we all have things we remember, music, movies, books, and they help bring to our mind momentous happenings in our lives. Why not clothes, especially when they were so meaningful to herself and the people she cared about?

Tracy Tynan’s life isn’t ordinary, whatever our definition of an ordinary life might be. Both her parents were popular, talented, brilliant and social butterflies. Their parties and events read like the who is who, first of London and then of the LA of the era. But they weren’t particularly gifted as parents. They seemed wrapped up on their own relationship, the people they knew and their careers. Their daughter was often an afterthought, and even when they tried to connect they weren’t very skilled at it. But the author is generous to a fault and makes an effort to be fair and not to dwell or overdramatise matters. She tries hard to understand and does not moan or complain, despite having lived through pretty harrowing experiences due to her parents’ rocky relationship and to their difficult behaviour. She is sympathetic towards other’s plights and never self-apologising, something extremely refreshing.

The book is full of anecdotes but despite the many famous people the writer has met through her life this is not a scandalous book trying to exploit her connections and throw dirt at others. She always has a good word to say, even about people or actors she had a hard time with, and I got the distinct impression that she subscribes to the idea that if you don’t have anything good to say, you shouldn’t say anything at all. It’s a book full of passion for clothes, for life, for her friends and family. It’s a touching and warm book although it avoids sentimentality, cheap thrills and pulling at heartstrings.

This first-person account is a beautifully written book (she seems to have inherited the writing talent from both her parents), a page turner, understated, and we get to feel as if we were reading the memoirs of a friend. The chapter about her daughter, who was born premature, reminded me of my goddaughter, who was born in similar circumstances, and it resonated especially with me.  Her reflections about getting older, her experience of losing loved ones, and her more recent activity volunteering with homeless organisations and those looking after women victims of domestic violence made me realise I had more in common with this woman than I could have ever guessed when I started reading.

If anybody is worried about reading these memoirs because they aren’t familiar with the people involved or are not interested in clothes, don’t let that stop you. The book can be enjoyed by readers who know the era and many of the famous actors, writers, directors, clothes designers… who formed the social circle of Tracy Tynan’s family, but also by all those who have an interest and a passion that has accompanied them throughout their lives, who’ve survived complicated family lives, who love their friends and their families, and who don’t fear reinventing themselves once over again.

I’m not sure if the paper copies will have pictures. The Kindle review copy I was sent didn’t, but that did not diminish my enjoyment.

I was given this book as an opening night present by the costume designer I assisted a few months ago. It's taken me a while to read this cover-to-cover, as it is a reference text, but I'm really glad I did. There is a wealth of information in here. The authors guide you through all steps of the design process: what to consider when reading the script; the differences between rough/thumbnail sketches to show the director and fully rendered illustrations for the shop, and how each should be approached; the realities of shopping and building (including using stock costumes or rentals if available/necessary); how to manage a budget.

There are lots of tips and tricks in here as well--for instance, in the section on drawing, in addition to describing various media and illustration techniques, the authors also offer their preferred types of brushes and technical pens, and the best way to maintain and clean each, as well as creative ideas for incorporating several different media in one drawing. In the section on swatching fabric, they advise carrying a reducing glass (the opposite of a magnifying glass) to see if a print will "read" on stage. There are instructions for quickly improvising a light table, blocking watercolor paper in a time crunch, and the best way to ship fabrics when you are purchasing them across the country from where they will be built. These little bits of wisdom were my favorite parts, which are often left out of other guides. The authors also offer a great deal of advice about communicating with the producer, director, and other designers on the show, which can be a huge source of stress in any team effort like theatre. For instance, what do you do when the director completely disagrees with your costuming choices? The colors the set designer has chosen clash horribly with the costume colors? Or the lead actor decides he hates his costume? Don't fear, Ingham and Covey will tell you exactly how to discuss these sensitive issues!

The final chapter is all about "The Costume Design Business" and is exactly what it sounds like--it lists the various different jobs involved in the world of costume design and how to get them. There's some great advice on how to write a cover letter and resume, as well as how to organize your portfolio. There is also a little bit of information about contracts and how to protect yourself as a freelancer.

I thought this book was extremely thorough, and covered all aspects of costume design that I knew I needed to know, as well as providing some information I wouldn't have even thought about! There are lots of inspirational illustrations and photos scattered throughout the text (but never enough!), and it was all presented in a clear, straightforward manner, with even a little humor thrown in from time to time. This is a valuable resource that I'm sure I will be continuously referring to.