Wade Whitehouse is an improbable protagonist for a tragedy. A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks' artistry and understanding that Wade comes to loom in one's mind as...
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Wade Whitehouse is an improbable protagonist for a tragedy. A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks' artistry and understanding that Wade comes to loom in one's mind as a blue-collar American Everyman afflicted by the dark secret of the macho tradition. Told by his articulate, equally scarred younger brother, Wade's story becomes as spellbinding and inexorable as a fuse burning its way to the dynamite.Author Biography: Russell Banks was raised in New Hampshire and eastern Massachusetts. The eldest of four children, he grew up in a working-class environment, which has played a major role in his writing. Mr. Banks (who was the first in his family to go to college) attended Colgate University for less than a semester, and later graduated Phi Beta Kappa from the University of North Carolina at Chapel Hill. Before he could support himself as a writer, he tried his hand at plumbing, and as a shoe salesman and window trimmer. More recently, he has taught at a number of colleges and universities, including Columbia University, Sarah Lawrence, University of New Hampshire, New England College, New York University and Princeton University. A prolific writer of fiction, his titles include Searching for Survivors, Family Life, Hamilton Stark, The New World, The Book of Jamaica, Trailerpark, The Relation of My Imprisonment, Continental Drift, Success Stories, Affliction, The Sweet Hereafter, Rule of the Bone, and Cloudsplitter. He has also contributed poems, stories and essays to The Boston Globe Magazine, Vanity Fair, The New York Times Book Review, Esquire, Harper’s, and many other publications. His works have been widely translated and published in Europe and Asia. Two of his novels have been adapted for feature-length films, The Sweet Hereafter (directed by Atom Goyan, winner of
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