There are so few "Aladdin" retellings out there, and so this wasn't quite the retelling I wanted it to be.
What I would like is a retelling that really delves into the potential historical and cultural setting of the original tale, sticking fairly close to the bones of the story because that hasn't really been done yet. I feel like after a few rich, close-to-original retellings have been published, that's when you can start doing funky things with a story, and "Aladdin" just isn't at that point yet. So, after getting over my disappointment that this retelling was not particularly true to the original, I tried to enjoy it on its own merits.
But my enjoyment ended up being somewhat uneven. It takes place in a vaguely Middle-Eastern fantasy world that borrows more from current YA tropes than from the original tale or the historical or cultural context in which it is based. There is a love triangle, of course, mostly focused on Aladdin and the genie, who is female. The love story didn't particularly grab me, which is the driving force in the book -- I was more interested in the princess and her struggles to come into her own amidst political turmoil and being constantly undermined by her power-hungry uncle and hounded by her cousin, who was also her betrothed. The tale also seemed to owe just as much to Disney's rendition of "Aladdin" as to the original tale, both in its description of Aladdin's appearance and personality and in its emphasis on the importance of freedom to a genie and the role a master's wish can play in granting that desire.
So while I know I shouldn't hold too much against this book for not being the "Aladdin" story I wanted it to be, I also feel like it probably wouldn't have particularly interested me if it were not billed as an "Aladdin" retelling -- and its relationship to the original tale was thin enough that it could have just been a story about a genie who falls for her human master.