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Search tags: Christopher-Priest
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review 2017-06-14 15:17
Meh
Catalyst Prime: The Event (FCBD) - Christopher Priest,Joe Illidge,Marco Turini,Will Rosado,Jessica Kholinne

There is nothing wrong with this graphic novel.   It's well written and well illustrated.   I just didn't connect to the characters, and while I found the final reveal compelling, it was too little too late.   The story took such a long time getting there, I found myself bored.   

 

I'd be interested in seeing if most of their ongoings are like this, or not.   So I may or may not pick up another comic just to see what's what later on.   

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review 2017-04-30 13:38
Blinded, Beaten, Broken
Deathstroke (2016-) #14 - Christopher Priest,Jeromy Cox,Bill Sienkiewicz,Norm Rapmund,Joe Bennett

This is what the cover promises.   I knew that the fact that Matt Murdock was blind was part of the connection to that character, so I was intrigued to see if I liked this more given the promise of this cover.   It turns out a lot of this is about not-Deathstroke, and the revelation comes at the end - which is bizarre since that would've been a big twist had it not been on the cover.   Since it was on the cover, I'd been hoping this issue would be about Deathstroke dealing with that blow. 

 

It was not.   And because of my expectations, I was let down by the content in this issue.   It was still well written, I just kept hoping they'd get to this part on the cover that they didn't until the last couple of pages.  I was annoyed enough to knock down one star, but I still blew through this, and I would have liked it had this not been the cover. 

 

I'm hoping the next couple of issues will be more interesting as they deal with, from the descriptions on Comixology, with the very issue that I'd hoped would be at heart in this issue.

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review 2017-04-13 01:15
I will continue with this, but not an absolute favorite
Deathstroke (2016-) Vol. 1: The Professional - Christopher Priest,Carlo Pagulayan,Mark Morales,James Bennett,Belardino Brabo,Jason Paz

It got a little better when Rose/Ravager got involved.   Still, Deathstroke was a distant asshole, even with his daughter, and that made it hard for me to really enjoy this series.  I want to like the anti-hero I'm rooting for - and I kept wanting to see Deathstorke get hurt badly, because he was such an asshole.    (It was pretty awesome when he did get hurt, because I cheered.   Is that really what you want in a villain?   Well, I guess some people do...)

 

Still, the relationship between him and Rose, her being his second chance, was fascinating, mostly because it could have been too much for her to bear, but it wasn't.    She actually enjoyed knowing that he cared for her, no matter how much the words 'I worry for you, because you make bad, bad choices' came out as 'you're an idiot.'   

 

I also found the Rose storyline - the one that will continue in volume two - more interesting than the first storyline, which I got confused by - partly because I found it so uninteresting I wasn't really paying attention. 

 

Still, Rose made this for me, I'll read at least volume two and then make a decision.   Not for a while, though, as I'll end up reading volume two on Hoopla, too.

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review 2017-03-29 19:36
Deathstroke Rebirth Volume 1 The Professional
Deathstroke Vol. 1: The Professional (Rebirth) - Christopher Priest,Carlo Pagulayan

2 stars. And it's all for the artwork.

 

I can't tell you how much I was looking forward to this title. And that makes the resulting mess all the more hard to stomach. It's my own fault really, I should have paid closer attention to the name on the front cover. Not the artist; Carlo Pagulayan's art is the sort I like. Clear and concise. Reader friendly with plenty to look at but not so busy that things get lost in the detail. Some really great panels.

No, my issue was with the writer, Christopher Priest, and he's a writer I've had issues with before. I dnf'd his collection of Black Panther stories for being incomprehensible, boring, and written from a random pov.

In Deathstroke I found myself at a total loss. The story, such as it is, jumps about in timeframe with no indication where the reader is in the timeline. There is no attempt to explain to the reader who any of the characters are or their connection to Slade Wilson. For a first book in a new line I would expect some attempt to fill in backstory for the new readers in manner that doesn't have them scrabbling for wiki at the first opportunity. (I held out until the appearance of Wintergreen, and then found myself reaching for my phone.) There is no attempt to explain who Deathstroke is, what happened to Slade to make him become DS, what his enhancements are, where they came from, who any of the side characters are. With no prior knowledge of DS and his origins, the reader is completely lost in this comic.

For a character with no moral compass to work the reader needs to have some empathy for them. With little to no explanation for his actions, and such a fractured telling of his backstory it is impossible to have any empathy or understanding for Slade.

Also, almost every character in the story seems to have their own agenda so you literally have no reliable narrator to hang the 'story' on.

 

For something I'd been so looking forward to, I finished this book frustrated as hell.

 

 

While Christopher Priest continues to write this line I think I'd be better served going back in time and checking out some of the earlier Deathstroke titles.  

 

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review 2017-01-13 10:32
The Affirmation - Christopher Priest

Peter Sinclair has broken up with his girlfriend, lost his job, and is miserable. He has moved from London to the country to renovate a house for a family friend while he tries to rebuild his life. He starts to write a book about...

 

Peter Sinclair has won the lottery and left his home city of Jethra to travel across the impossibly vast Dream Archipelago to undergo an operation that makes him immortal. He carries with him a book about a version of himself living in an imaginary city called London...

 

At the start of the book, it appears clear that the first Peter’s world is reality and the other is a wish-fulfilling fiction, but these two worlds merge and interact to the point that initial perception is challenged. What you have here is effectively a rolled cake of two realities then sliced in such a way that you can see the distinct layers but not the swirl.

 

And the jam in between these layers is absolutely packed with scrumptiousness. This book has a lot to say about the nature of creativity, memory, and the perception of reality. Is an imagined London any more real than an imagined Jethra simply because a physical version of the former exists?

 

There are surprises and revelations throughout the book, both stories are engaging, but it’s best to approach the book with dream-like acceptance. Don’t get too hung up on teasing the two threads into something clinically logical, but instead delight in their entwining. The ending is absolutely perfect for the book. It ends like a dream.

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