(Original Review, 1981-05-30)




Why do I read? To learn, to experience worlds, emotions, interactions that I don't experience in my reality, to think, to be, to become.

If not for Huxley - recommended by an English teacher at school - I'd have remained a working class racist, sexist homophobe, would never have smoked haxixe, gone on to study philosophy, met my children's mother, have had wonderful kids or stepped out of a culture of impoverished imagination.
I might have been 'a happy pig' rather than an "unhappy philosopher," (to paraphrase Plato) it's true, but it's been a richer life for it.

If you're into stuff like this, you can read the full review.

(Original Review, 1981-05-20)



I am reading the English version of Pinocchio; I read it, obviously many times in my language and the other day I found a small book with this title and I was curious to see how it was in a different language from mine. I also want to "invite him for dinner" as it is the title of a context of a famous Italian newspaper (writing an invitation for a character of a book at your choice) but I have not yet written a word. I am not too keen on inviting to meals, it means extra work and I did it enough. But maybe by reading it I’ll get inspired.

If you're into stuff like this, you can read the full review.

(Original Review, 1981-05-15)




If you like your novels simple and straightforward, don’t read “Hopscotch”.
If you have an allergy to extended brainy digressions and convoluted debates, you better avoid “Hopscotch”.
If you abhor puns, double entendre and wordplay, I most seriously advise you to stay clear of “Hopscotch”.
If you can’t stand literary, philosophical, musical and artistic references cramming your narrative, I sincerely prompt you to veer off taking “Hopscotch” from the bookseller’s shelf.
If you like your narrative to be free of phrases, expressions and vocabulary from languages you don’t know and don't care for, maybe “Hopscotch” is not a book for you.

If you're into stuff like this, you can read the full review.

(Original Review, 1981-05-12)


I’m always impressed by the influence of mediaeval mystical texts on 'Four Quartets'. This was the subject of a chapter in my thesis. These days, I would probably want to change some of the argument of that chapter, but I would not change the overall conviction that a primary concern of the poems was the maintenance of an almost intolerable tension between the way of affirmations

If you're into stuff like this, you can read the full review.