The continuation of the classic story of an unremarkable young man who finds himself rising to the leadership of his nation.  Sword & Citadel by Gene Wolfe is the omnibus collection of the last two volumes of The Book of the New Sun tetralogy, The Sword of the Lictor and The Citadel of the Autarch, following the travels of exiled torturer Severian.

The Sword of the Lictor finds Severian arrived in Thrax performing his duties until he doesn’t kill someone for the city’s Archon and runs for the hills.  He ultimately meets up and battles Dr. Talos and Baldanders in which his sword is destroyed.  The Citadel of the Autarch finds Severian continuing his wanderings towards the war in the North when he stumbles upon it.  Through his war experience he meets up with the Autarch and becomes his successor after eating him.

The opening volume of the book, Sword, is the nader of the entire series as I came to dislike Severian as a character and Wolfe as a writer because of awful everything was.  What made it worse was that the concluding volume of the book, Citadel, began well and gave a false promise about redeeming the entire series then Severian meet up with the Autarch and it quickly went into the abyss.  Wolfe wrote five “in-world” stories, one in Sword and four in Citadel as part of a storytelling contest, which were all better than either one of these volumes.

I had high hopes for this classic series by Gene Wolfe, however Sword & Citadel concluded one of the most overrated series I’ve ever read.

The Sword of the Lictor (1.5/5)

The Citadel of the Autarch (2/5)

The classic story of a young man journey from the only home he’s known and finding himself interacting with the strange wider world.  Shadow & Claw by Gene Wolfe is the omnibus collection of the first two volumes of The Book of the New Sun tetralogy, The Shadow of the Torturer and The Claw of the Conciliator, following the life of the guild of torturer journeyman Severian.

The Shadow of the Torturer follows the last year of Severian’s life in The Citadel of Nessus and his few days after leaving into exile after breaking the greatest rule of the guild of torturers.  Severian finds himself challenged to a duel and explores greater Nessus in preparation while coming into contacting with numerous interesting characters.  The Claw of the Conciliator picks up a bit after the previous book with Severian performing his duties in a small mining town before going on a series of journeys going to the seat of government the House Absolute and leaving, all the while trying to figure out everything he’s involved in while trying not to dishonor his guild once again.

The first volume of the book, Shadow, was very intriguing and while somethings were clear—as might have been the plan—there was enough there to make me look forward to continuing on Severian’s journey.  However the second volume, Claw, was all over the place with quality, interest, and frustration as one the main problems from the first volume, namely the first-person narration by Severian was all over the place.  Add in an entire chapter that described a line-by-line recreation of a nonsensical play just to setup an attack by one of the characters on the audience in the next, much short chapter just added to my dislike of this particular volume.

I had high hopes for Shadow & Claw given that it was the first half of what is considered a classic tetralogy by Gene Wolfe.  While I did like the first volume of the omnibus, the second one has made me wonder why this is considered a fantasy-science fiction classic by many.

The Shadow of the Torturer (3.5/5)

The Claw of the Conciliator (2/5)

Very dark chocolate. Blatantly part one of a quadrilogy (my copy is the SF Masterworks imprint which bundles ‘Shadow’ with ‘The Claw Of The Conciliator’) what we have here is low on action, high on characterisation, a through-the-roof central idea and much subtlety, particularly of prose. Probably a candidate for a re-read at some stage. I’m not yet running into the street shouting about its status as a genre-defining masterpiece – I need to progress on and chew it over a bit more – but, hey, Alastair Reynolds provides the intro so consider me on-board.

Dictionary Corner: Eschatology, n. The part of theology concerned with death, judgement, and the final destiny of the soul and of humankind. Awareness of Wolfe’s Catholicism puts a lot of ‘Shadow’ in context and gives it real heft. Daytime in this world is blood red thanks to the meagre light of the dying sun bleeding into everything, lending a terrible “end of days” feel to proceedings while – hello, ‘Star Wars’ fans – the ruins of a previous space-faring civilisation are all around. This is the delicious central premise (after Jack Vance) of the ‘Book Of The New Sun’ sequence: the events are all taking place after every other science fiction novel. Man has been and done the whole interstellar exploration thing and very believably he’s stuffed it up. Like Rome and the British empire it has all collapsed and contracted back down to this singularity, this dying Earth and the ruins are everywhere. So in amongst all the cod-medievalism we have fliers, genetically engineered creatures, apes with dog heads, rats that can talk, “animal species resulting from biogenetic manipulation”, “extrasolar breeding stock”, bamboo huts that appear to hold 3D snapshots of the past, a woman who can see the past, present and future…. Wolfe isn’t implying any of this, it is wholly explicit and the secret sauce of the novel is wondering what on (or off) Earth happened. If ever humanity needed the ability to decamp elsewhere it’s when the Sun is dying. Now is not the time to have bollocksed up your intergalactic empire and lost the ability to travel faster than light. Humanity is in deep trouble.

With all that merriness as background, we have Severian the trainee torturer; a job title that is an immediate barrier to entry, cleanly separating him both from our initial sympathies and from the rest of humanity. However, it’s complicated. Young Severian is a kindly soul, inclined to compassion (Dorcas specifically mentions his kindness), helping the rebel Vodalus, then tending to the put-upon pooch Triskele (a swift short-cut back into the sympathies of the reader) and then to his beloved prisoner Thecla (Wolfe is great on names). Then again Severian isn’t above half-strangling another apprentice or coldly fulfilling his role as executioner. We never actually see Severian a-torturin’ in ‘Shadow’ but he can be cold as well as kind. As narrator of his passage from star apprentice to reviled outcast he throws forward a lot (notably to his position as Autarch, going to be interesting to see how that comes about), cites events he previously omitted and has characters referencing moments he skipped over (Dorcas states he was very sick after executing Agilus). He also abruptly severs the narrative at the end of ‘Shadow’ and warns us “It is no easy road” ahead. We leave him passing through a gigantic wall of black metal in the company of mysterious actor Dr Talos (Christoph Waltz), the giant Baldanders (Bernard Bresslaw), the voluptous actress Jolenta, Severian’s own new love Dorcas and Hethor, the requisite holy fool babbling cosmic gobbledegook. In Severian’s items list is his executioner’s sword Terminus Est and ‘the Claw of the Conciliator’, a cosmic gem that provides the title for novel two and much mystery.

‘The Expanse’ this is not. It takes a certain amount of work at the outset but it’s worth it for the way it takes up residence in your thoughts; I put the novel aside for a while then returned after finding I was mulling it over. If you don’t start getting goose bumps when the mysterious Father Inire starts talking of the lost secrets of faster than light travel then it’s probably not your bag. I feel ‘The Shadow Of The Torturer’ is one of those works of prose art that is wholly in and of itself. You have to approach it aware it’s not going to make many friendly concessions to you. It just is, and entirely successfully so. It’s an operatic cosmic vision set against the misery of human existence. “If you're killed this evening, I'll feel badly for a fortnight.”

These are the six best books I read (for the first time) last year.

  Soldier of the Mist - Gene Wolfe  

Combine the Greek pantheon with an amnesiac soldier trying to discover himself and you get one of my new favorite fantasy novels. Wolfe has a reputation for both beautiful prose and unreliable narrators; these are on full display here. This was the first novel I've read by Wolfe; it will not be the last.

  The Paper Menagerie and Other Stories by Liu, Ken (March 8, 2016) Hardcover - Ken Liu  

A brilliant collection of short stories, some magic realism, most SF. Tears through quite a few subgenres, including alternate history and cyberpunk. Themes of alienation, parenthood, and racism repeat throughout.

  700 Sundays - Billy Crystal  

A beautiful, and hilarious, remembrance about the author's parents, especially his father. There are a few painful moments, but also a lot of laughs.

  The Underground Railroad - Colson Whitehead  

The first Pulitzer-winning novel I've read, this is a fantastic piece of magical realism / speculative fiction, with an emphasis on racial prejudice. This book imagines the Underground Railroad as a literal train route, and we follow an escaped slave on the various legs of her trip. Through various means, Whitehead examines many historical crimes against Black Americans, including several that took place well after slavery. How the author does this should be discovered through the reading; this book is magic.

  The Wide, Carnivorous Sky and Other Monstrous Geographies - John Langan  

One of the best horror collections I've read in years. Many of these stories are post-modern in their approach to horror, using the genre's themes and tropes (as well as formal experimentation) to examine it. Good stuff.

  Whip Hand - Dick Francis  

A great suspense/mystery novel that centers around horse-racing. It also deals with grief, confidence, and despair. Loved it.

I would highly recommend these books to anyone; they're all amazing.