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text 2018-11-23 17:17
24 Festive Tasks: Door 8 - Penance Day, Task 1 (Comfort Reads)
The Complete Sherlock Holmes - Arthur Conan Doyle
Poirot: The Complete Battles of Hastings, Vol. 1 - Agatha Christie
Poirot: The Complete Battles of Hastings, Vol. 2 - Agatha Christie
Gaudy Night - Dorothy L. Sayers
A Man Lay Dead / Enter a Murderer / The Nursing Home Murder (The Ngaio Marsh Collection) - Ngaio Marsh
The Clock Strikes Twelve - Patricia Wentworth
Envious Casca - Georgette Heyer
Margery Allingham Omnibus: Includes Sweet Danger, The Case of the Late Pig, The Tiger in the Smoke - Margery Allingham
The Great Detectives - JULIAN SYMONS,TOM ADAMS
The Golden Age of Murder - Martin Edwards

It's probably no secret that my comfort reads are Golden Age mysteries -- I'm slowly making my way through the works of the members of the Detection Club, including the forgotten and recently republished ones, but most of all, I keep coming back to, again and again:

 

Arthur Conan Doyle / Sherlock Holmes: Still the grand master -- both the detective and his creator -- that no serious reader of mysteries can or should even try to side-step.  I've read, own, and have reread countless times all 4 novels and 56 short stories constituting the Sherlock Holmes canon, and am now making my way through some of the better-known /-reputed Holmes pastiches (only to find -- not exactly to my surprise -- that none of them can hold a candle to the original), as well as Conan Doyle's "non-Holmes" fiction.

 

And, of course --

 

The Golden Age Queens of Crime

Agatha Christie: Like Sherlock Holmes, part of my personal canon from very early on.  I've read and, in many cases, reread more than once and own (largely as part of a series of anniversary omnibus editions published by HarperCollins some 10 years ago) all of Agatha Christie's novels and short stories published under this name, as well as her autobiography, with only those of her books published under other names (e.g., the Mary Westmacott romances) left to read.

 

Dorothy L. Sayers: My mom turned me onto Sayers when I was in my teens, and I have never looked back.  I've read all of her Lord Peter Wimsey novels and short stories, volume 1 of her collected letters (which covers her correspondence from childhood to the end of her career as a mystery writer), and some of her non-Wimsey short stories and essays.  Gaudy Night and the two addresses jointly published under the title Are Women Human? are among my all-time favorite books; not least because they address women's position in society decades before feminism even became a mass movement to be reckoned with, and with a validity vastly transcending both Sayers's own lifetime and our own. -- Next steps: The remainder of Sayers's non-Wimsey stories and of her essays, as well as her plays.

 

Ngaio Marsh: A somewhat later entry into my personal canon, but definitely a fixture now.  I've read all of her Inspector Alleyn books and short stories and reread many of them.  Still on my TBR: her autobiography (which happily is contained in the last installments of the series of 3-book-each omnibus volumes I own).

 

Patricia Wentworth: Of the Golden Age Queens of Crime, the most recent entry into my personal canon.  I'd read two books by her a few years ago and liked one a lot, the other one considerably less, but Tigus expertly steered the resident mystery fans on Booklikes to all the best entries in the Miss Silver series, which I'm now very much looking forward to completing -- along with some of Wentworth's other fiction.

 

Georgette Heyer: I'm not a romance reader, so I doubt that I'll ever go anywhere near her Regency romances.  But I'm becoming more and more of a fan of her mysteries; if for no other reason than that nobody, not even Agatha Christie, did viciously bickering families as well as her.

 

Margery Allingham: I'm actually more of a fan of Albert Campion as portrayed by Peter Davison in the TV adaptations of some of Allingham's mysteries than of her Campion books as such, but I like at least some of those well enough to eventually want to complete the series -- God knows I've read enough of them at this point for the completist in me to have kicked in long ago.  I've also got Allingham's very first novel, Blackerchief Dick (non-Campion; historical fiction involving pirates) sitting on my audio TBR.

 

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text 2018-03-05 15:35
Reading progress update: I've read 39 out of 222 pages.
Mystery Mile - Margery Allingham

If anyone needs a book with an annoying character for the Lydia Bennett victim card, an Albert Campion mystery would be a perfect fit.

 

"Hallo!" he said. "Seeing London? I come next in importance after the Tower, I always think. Come in."

Yeah, right! Anyway, Albert, I´m going to use you for another card, even though you are weird and annoying and irritating.

 

 

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review 2018-01-10 21:00
Mr. Campion of 17A Bottle Street, Piccadilly, London
The Tiger in the Smoke - Margery Allingham,David Thorpe
The Fashion in Shrouds - Margery Allingham,Francis Matthews
Flowers for the Judge - Margery Allingham
Sweet Danger - Margery Allingham
Mystery Mile - Margery Allingham
Dancers in Mourning (Albert Campion Mystery #8) - Margery Allingham
Police at the Funeral - Margery Allingham
Death of a Ghost - Margery Allingham
The Case of the Late Pig - Margery Allingham
Look to the Lady - Margery Allingham

I started the new year with a minor Allingham binge and, having now read a fair number of her Campion mysteries (12, i.e. 2/3 of the 18 novels that she herself completed), I think I can safely say that while I won't ever like this series as much as I do those of Christie, Sayers, and Marsh, when Allingham is good, she is really good and can easily measure up to the other Golden Age "Queens of Crime."

 

Campion starts out as a fairly thinly-drawn cipher in The Crime at Black Dudley, but that is due to the fact that Allingham wasn't initially intending to make him her main detective: he was her publisher's preference over the character that Allingham herself had had in mind as the lead.  So, in the following novels, she willy-nilly had to put some more flesh onto his hitherto meager bones, and pronto.  Unfortunately, she didn't do likewise for the plots (nor for her books' other characters), which in books 2 and 3 (Mystery Mile and Look to the Lady) remain variations on the same theme -- a treasure hunt with murder interlude, complete with an international crime syndicate led by a master criminal, various abduction schemes, and supporting characters so unrealistic and twodimensionally cardboard they'd go up in flames if you only held a lighter vaguely in their direction. 

 

That said, in book 2 (Mystery Mile) already Allingham did come up with one of the greatest sidekicks ever in the history of mystery writing -- Campion's "gentleman's gentleman" Maggersfontein Lugg, who (being an ex-burglar) is anything but gentlemanlike -- and even by the time she wrote this book, she had already made great strides towards finding her style, and she'd definitely also learned a thing or two about tightening up a meandering plot.

 

The first one of her books that I really enjoyed (or had, on an earlier occasion, even though I didn't revisit it for this particular exercise) is book 4, Police at the Funeral: There still is a bit too much of a "woman in distress" element for my liking at the very beginning of this book, but essentially it's a classic country house mystery with a clever plot and a cast of unusual characters that are definitely showing signs of being more rounded than their confrères of the earlier novels -- the whole thing could easily give Agatha Christie a run for her money (even though the solution won't surprise anyone who knows their Conan Doyle and Christie tolerably well).

 

With book 5, Sweet Danger, we're back, alas, to the "treasure hunt with murder interlude and crime syndicate led by a master criminal" plot phenomenon, this time even with one of the Golden Age's most overused tropes thrown in (a tiny fictitious principality in the Balkans as the origin of the unsavory doings on British soil), all of which by this point had me thorougly gritting my teeth.  What elevates this book (somewhat) above its earlier predecessors, however, are its characters; first and foremost, then-17-year-old Lady Amanda Fitton, who even at that age is completely Campion's equal and manages to bowl him over completely in no time at all.  (She'd return in several subsequent novels and eventually end up as his wife; not without first having taken up a careers as a mechanic engineer.)

 

Book 6, Death of a Ghost, is based on an ingenious idea, set in the arts world, featuring a range of fairly over the top (although not necessarily always likeable) characters and, though Campion tumbles to "whodunnit" fairly early on, the "howdunit" and "whydunit" are far less clear.  One of my favorite installments from the bunch that I've read so far (albeit speaking from memory -- I haven't revisited this one recently, either ... I probably should).

 

Book 7, Flowers for the Judge, begins like a classic Golden Age locked room mystery set in the world of publishing: halfway into the story it becomes clear we're on a sort of treasure hunt yet again (or rather, on the hunt for a manuscript that may or may not exist and provide a vital clue to the murder), but it's clear here that the manuscript is merely a tool and Allingham's chief interest is in the characters -- one in particular --, so I'm willing to forgive Allingham for (semi-)falling back on her favorite ploy here.  (Also, I really like the ending, which provides a twist that rather made me smile, and which for a Golden Age mystery is anything but P.C.)

 

Book 8, The Case of the Late Pig, is an oddity in that it's told from Campion's point of view -- what with its distinctly outlandish plotline and the exchanges between Campion and Lugg it reads like Allingham's take on Jeeves and Wooster (though it's less clear who is supposed to be who), with another locked room puzzle thrown in for good measure and, like in Death of a Ghost, some monkey business associated with a (not-so) dear departed.  I rather liked its twists when I first read it; I've only ever revisited it on screen since, though, where the different narrative point of view isn't as apparent as in print.  Probably I should reread it at some point to see whether the first person narrative voice bothers me more now that I've read more books of the series overall.

 

Book 9, Dancers in Mourning, is Allingham's visit to classic Ngaio Marsh territory -- the world of the London stage --, combined once more with a country house setting.  At this point Allingham is very assured in creating interesting characters and a plot that holds together (also, this book is firmly within established Golden Age traditions), all of which makes for a rather enjoyable read. -- Side note: This is also the last book in which Campion is shown as unlucky in love with one of the story's female characters; in this particular instance, a married woman, which makes for quite a bit more depth than his previous forays into the territory of romance, mostly with the sisters and daughters of his friends and / or clients.

 

Book 10, The Fashion in Shrouds, sees Campion reunited -- of sorts -- with Amanda Fitton, who is now working as an engineer: what starts as a (purported) ploy of Amanda's designed to disentagnle her employer from the married star actress he has fallen in love with ends up with Campion and Amanda taking the first steps towards a bona fide union.  Topically, this is Allingham's take on career women; besides Amanda and the aforementioned vampish actress, the third woman on whom the story focuses is is Campion's sister Valerie, co-owner and chief designer of a fashion house.  In approach and execution, this novel is nowhere near as accomplished as Dorothy L. Sayers's Harriet Vane novels (particularly Gaudy Night, which was published three years before The Fashion in Shrouds) -- and the only truly independent and self-assured female character is Amanda, as well as Campion and Valerie's "Tante Marthe", the co-owner of the fashion house -- but I suppose given its publication date, it's worth mentioning that Allingham is placing career women center stage in a (mostly) favorable light at all.

 

Book 11, Traitor's Purse, to me is a hot mess; a fallback of the worst kind into Allingham's early "treasure hunt with assorted villainy" plotlines, replete with incomprehensible decisions on Campion's part that not even a head injury can satisfactorily explain away (in fact, in light of that head injury they're even more inexplicable), cipher characters, and a thoroughly implausible plot.  Seems Allingham, like Christie, got caught up in the "5th column" / "enemy at home" noise echoing through Britain (like through most, if not all European countries) in WWII, when this book was published; and again like Christie, she just simply didn't know enough about the world of espionage to pull it off convincingly.

 

Books 12 and 13 (Coroner's Pidgin and More Work for the Undertaker) are, as yet, on my TBR -- I don't know when I'll get around to them, but after this recent little binge, I doubt it will be anytime soon.

 

Which finally brings us to Book 14, The Tiger in the Smoke; in terms of characterization and atmosphere undoubtedly one of Allingham's strongest -- at least of the first 14 Campion novels.  Yet again we find about halfway through the book that we are on a treasure hunt, but for once even the villains -- and we know who they are almost from the get-go -- are fully rounded characters with an inner life and both a past and a present (albeit not much of a future if it's down to Campion and the police).  Campion's Scotland Yard sidekick of the earlier books, Stanislaus Oates, has climbed the career ladder all the way to the top, so the day to day police work is now being done by a very sympathetically drawn and, again, fully rounded new character, D.C.I. Charles Luke (side note: like Amanda's path from teenager to career woman to (now) Campion's wife and equal opportunity "lieutenant", another instance showing that unlike Christie, Allingham allowed her characters to age in real time).  And towards the end of the book, just before the final resolution, we even get a finely-drawn downright Dostoevskyan exchange between a priest and the worst of the bad guys that a younger Allingham might have given her eye teeth to write, but would not have been able to pull off anywhere near as accomplished. What's not to like?!

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review 2017-11-20 13:23
16 Tasks of the Festive Season: Square 16 - Kwanzaa: Headless Chicken Parade Part 2: Albert Campion
Traitor's Purse - Margery Allingham,David Thorpe

 

Well, I suppose that's what I get for not checking a book's online blurbs before reading it.  I downoladed this book purely because it was available on Audible and it was one of Allingham's Campion books that I hadn't read yet.  Turns out its plot chiefly rests on not one but two mystery tropes I don't particularly care for: the amnesiac detective and "Fifth Column" shenanigans, Golden Age mystery writer variety.

 

A few hours before the beginning of this book, Campion -- out on a secret mission whose full details are only known to him and Oates -- has gotten himself coshed on the head.  The book opens with him waking up in a hospital not knowing who he is and how he got there.  From an overheard conversation he concludes that he has been involved in a violent altercation that ended in the death of a policeman.  Within minutes, a young lady named Amanda whom Campion doesn't recognize but who seems to know him very well appears next to his hospital bed and whisks him away in what he discovers is his own car, to the house of an eminent scientists where, it turns out, Amanda and he are staying.  Campion also discovers that he seems to be involved in some sort of highly charged top-secret mission.  Now, instead of lying low until he has regained his wits and knows precisely who he is, what his role in that ominous mission is, whom he can trust, and what not to do if he doesn't want to give himself away -- and despite the fact that that same evening a death occurs that may well be connected with the ominous mission -- Campion starts running around like a headless chicken trying to bring the whole thing to completion.

 

Full marks for implausibility so far, Ms. Allingham.

 

Which brings us to trope no. 2, and which in its details is just about as ridiculously implausible as is the amnesia part of this book's plot.  Yet, the saving grace of this second part of the plot is (alas) that in the days of Russian meddling with the American and European democracies' political process via Facebook campaigns, "fake news" and other instances of rumor mongery, the mere concept of an enemy power's meddling with a country's political process

(here: by way of manipulating the target country's monetary politics)

(spoiler show)

does unfortunately no longer sound quite as ridiculous as it might have even a few years ago.

 

Still I really would have wished Allingham hadn't tried to match Christie in the wartime spy shenaningans game -- which was not a particular forte of either of them.

 

I listened to this book for Square 16 of the 16 Tasks of the Festive Season, Kwanzaa: Read a book written by an author of African descent or a book set in Africa, or whose cover is primarily red, green or black.

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review 2017-10-09 22:30
Halloween Bingo 2017: Update 6
The African Queen - C.S. Forester,Michael Kitchen
The Crime at Black Dudley - Margery Allingham,David Thorpe
The Snowman - Jo Nesbø
The Devil in the Marshalsea - Antonia Hodgson

 

 

My Square Markers and "Virgin" Bingo Card:

"Virgin" card posted for ease of tracking and comparison.


Black Kitty:
Read but not called


Black Vignette:
Called but not read

Black Kitty in Black Vignette:
Read and Called

Black Kitty Center Square:

                  Read = Called

 

 

Current Status of Spreadsheet:

(Note: Physical print editions unless stated otherwise)

 

 

Books Read / Listened to - Updates 5 & 6:

 
C.S. Forester: The African Queen

C.S. Forester's wartime story about a trip down a mighty African river -- OK, so it's typically billed as a blend of romance and adventure (which is doubtlessly correct), but there are also enough elements of suspense for me to feel justified to claim it as a "Romantic Suspense" read -- heck, there's even a court martial.

Forester's original Rose Sayer and Charlie Allnutt are English, not American as in the movie starring Katharine Hepburn and Humphrey Bogart, of course (and just in case you forget, Michael Kitchen's -- excellent -- reading leaves absolutely no doubt about this fact), which to a certain extent makes them different from the characters in the well-known movie adaptation, insofar as socialization impinges on behavior: both Rose and Charlie are class-conscious products of Edwardian Britain, and they have thus even more unwritten hurdles to overcome than the movie adaptation's characters.  Yet, they rally admirably, and their exchanges are great fun to follow along. -- The book doesn't answer my one big personal eyebrow-raiser any more satisfactorily than does the movie (namely, how Rose manages to not only learn to navigate at all, but to navigate skillfully enough to successfully steer the African Queen through a series of vicious rapids in a matter of days since she first grasped the meaning of terms such as "starboard" and the basic functioning of the boat's steering mechanism), but I suppose realism is a priority only up to a certain point in an adventure story, and by and large the fun and excitement in the narrative maintains the upper hand, and I am glad to have finally listened to a book that's on my TBR for way too long.

 

 

 
Margery Allingham: The Crime at Black Dudley
(David Thorpe audio)

 

Oh, good grief, can you say repetitive, redundant and stuffed with filler?  There is a story in there somewhere in this book, but by the time of the main characters' third (re)capture at the hands of the bad guys and subsequent failed escape attempt I'd essentially forgotten -- and stopped to care -- what the book's actual murder mystery was supposed to be concerned with.  If the whole kidnapping thing was in service of misdirection, then Ms. Allingham managed to direct me clean out of the book ... or she would have, if it hadn't been for David Thorpe, whose narration makes the most of the novel's characters and is the only reason this audiobook ever even got beyond the 2 star mark on my radar.  Even aside from the obvious filler and repetitiveness, the story is flat-out ridiculous (even more so than that of Look to the Lady, and that is decidedly not one of my favorite Campion books, either) -- the Golden Age mystery reading public must have been one forgiving sort of readership if Ms. Allingham was able to build a career as a mystery writer on the basis of this particular book.  If I hadn't already read other books from the series and thus didn't know that the quality of the plots actually did improve later on, this first book certainly would not have been an incentive for me to continue with the series at all.

 

That said, knowing that Albert Campion wasn't the star of the book I was surprised to see him being given more stage time than I had expected, and next to Mr. Thorpe's narration he was one of this book's saving graces for me; even though he is decidedly more of a cipher than in the later books, and even though the one voice I didn't care for in this audio version was Campion's, of all things.

 

Final note: Not even the cover of this audio recording is correct -- the murder weapon is a dagger, not poison or something else being imbibed.  Oh well.  Onwards and upwards from here, I suppose!

 

 


Jo Nesbø: The Snowman

I debated giving this book a 4.5 star rating for the addictive quality of Nesbø's writing alone -- but let's face it, I don't particularly like serial killer novels, I found few characters here with whom I could truly empathize; and between Harry Bosch, John Rebus and Kurt Wallander I've also reached a certain saturation level when it comes to policeman protagonists with a seriously bruised and damaged ego.  So, even if I will likely be reading more books from this series, I probably won't be rushing back to it.  That said, the story was well told; Nesbø certainly has a way with words (and with scenery and atmosphere), and even though I had an inkling early on where things would end up -- based both on the clues given at the very beginning as much as based on the inner dynamics of virtually every serial killer story

(namely, the personal duel between the killer and the policeman in pursuit of him, and the killer's desire to hit the policeman where it will hurt him most)

(spoiler show)

-- the book held my attention until the very end, and I could certainly have picked a much inferior book for this particular Halloween square.

 

May thanks to Tigus for the recommendation -- as I said, Nesbø is an author I'll likely want to return to at a given time, even if not in the very immediate future.

 

 

Currently Reading:

 

 

First Bingo (Update 3 -- Sept. 23, 2017): Squares and Books Read:

  

 

 

Second Bingo (Update 5 -- Oct. 7, 2017): Squares and Books Read:

   

                                                                           

                                                   

                                                   

 

 

Books Read / Listened to - Update 1:



Terry Pratchett: Equal Rites

 

 



Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)

 

 

 

Martin Edwards / British Library:
Miraculous Mysteries - Locked-Room Murders and Impossible Crimes

 

 



Agatha Christie: Mrs. McGinty's Dead
(Hugh Fraser audio)

 

 

Books Read / Listened to - Update 2:



 Donna Andrews: Lord of the Wings

 

 


Ruth Rendell:

The Babes in the Wood

& Not in the Flesh

 

 

Robert Louis Stevenson: Dr. Jekyll & Mr. Hyde

 

 


Cornell Woolrich: The Bride Wore Black

 Raymond Chandler:

Farewell, My Lovely

  The Long Goodbye

The High Window

 

 

Books Read / Listened to - Update 3:

 
Martin Edwards: The Story of Classic Crime in 100 Books

 

 

 
Emily Brontë: Wuthering Heights
(Prunella Scales & Samuel West audio)

 

 

 
Simon Brett: An Amateur Corpse

 

 

 

The Medieval Murderers: House of Shadows

 

 

 

Shirley Jackson: We Have Always Lived in the Castle

(Bernadette Dunne audio)

 

 

  


Murder Most Foul (Anthology)

Edgar Allan Poe: The Dupin Stories -- The Murders in the Rue Morgue / The Mystery of Marie Rogêt / The Purloined Letter

(Kerry Shale audio)

 Agatha Christie: Endless Night
(BBC full cast dramatization)

 Dick Francis: Knockdown (Tim Pigott-Smith audio)


 

 Ngaio Marsh:

Artists in Crime (Benedict Cumberbatch audio)

Overture to Death (Anton Lesser audio)

Death and the Dancing Footman (Anton Lesser audio)

Surfet of Lampreys (Anton Lesser audio)

Opening Night (aka Night at the Vulcan) (Anton Lesser audio)

 

 

Books Read / Listened to - Update 4:

 
James D. Doss: Grandmother Spider

 

 


Terry Pratchett: Men at Arms

 

 


Ovid: Metamorphoses
(German / Latin parallel print edition and David Horovitch audio)

Apollodorus: Library of Greek Mythology

Plutarch: Life of Theseus

 

 

The Book Pool:

Most likely: Donna Andrews: Lord of the Wings

Alternatively:

* Diane Mott Davidson: Catering to Nobody
* One or more stories from Martin Greenberg's and Ed Gorman's (eds.) Cat Crimes
* ... or something by Lilian Jackson Braun




Most likely: Emily Brontë: Wuthering Heights
(audio return visit courtesy of
either Michael Kitchen or Prunella Scales and Samuel West)

Alternatively:

* Wilkie Collins: The Woman In White
(audio version read by Nigel Anthony and Susan Jameson)

* Jane Austen: Northanger Abbey
(audio return visit courtesy of Anna Massey)
* Isak Dinesen: Seven Gothic Tales
* Carol Goodman: The Lake of Dead Languages
* ... or something by Daphne du Maurier




Candace Robb: The Apothecary Rose

Change of plan:

C.S. Forester: The African Queen




Most likely: Simon Brett: A book from a four-novel omibus edition including An Amateur Corpse, Star Trap, So Much Blood, and Cast, in Order of Disappearance

Alternatively:

* Georgette Heyer: Why Shoot a Butler?
* Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Shape of Snakes




Most likely: Something from James D. Doss's Charlie Moon series (one of my great discoveries from last year's bingo)

Or one of Walter Mosley's Easy Rawlins mysteries

Alternatively:

Sherman Alexie: Indian Killer




Terry Pratchett: Carpe Jugulum




One or more stories from Martin Edwards's (ed.) and the British Library's Miraculous Mysteries: Locked-Room Murders and Impossible Crimes




Most likely: Agatha Christie: Mrs. McGinty's Dead
(audio return visit courtesy of Hugh Fraser)

Or one or more stories from Martin Edwards's (ed.) and the British Library's Serpents in Eden: Countryside Crimes

Alternatively:

* Carol Goodman: The Lake of Dead Languages
* Josephine Tey: Brat Farrar, To Love and Be Wise, or The Singing Sands
* Georgette Heyer: Why Shoot a Butler?
* Peter May: The Lewis Man
* S.D. Sykes: Plague Land
* Arthur Conan Doyle: The Mystery of Cloomber
* Michael Jecks: The Devil's Acolyte
* Stephen Booth: Dancing with the Virgins
* Karen Maitland: The Owl Killers
* Martha Grimes: The End of the Pier
* Minette Walters: The Breaker




One of two "Joker" Squares:

 

To be filled in as my whimsy takes me (with apologies to Dorothy L. Sayers), either with one of the other mystery squares' alternate books, or with a murder mystery that doesn't meet any of the more specific squares' requirements.  In going through my shelves, I found to my shame that I own several bingo cards' worth of books that would fill this square alone, some of them bought years ago ... clearly something needs to be done about that, even if it's one book at a time!




Isabel Allende: Cuentos de Eva Luna (The Stories of Eva Luna) or
Gabriel García Márquez: Crónica de una muerte anunciada (Chronicle of a Death Foretold)




Most likely: One or more stories from Charles Dickens: Complete Ghost Stories or
Sharyn McCrumb: She Walks These Hills

Alternatively:

* Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)

* Stephen King: Bag of Bones




Terry Pratchett: Men at Arms




Obviously and as per definition in the rules, the second "Joker" Square.

 

Equally as per definition, the possibles for this square also include my alternate reads for the non-mystery squares.




Most likely: Cornell Woolrich: The Bride Wore Black

Alternatively:

* Raymond Chandler: Farewell My Lovely or The Long Goodbye / The High Window

* James M. Cain: Mildred Pierce
* Horace McCoy: They Shoot Horses, Don't They?
* David Goodis: Shoot the Piano Player or Dark Passage
* ... or something else by Cornell Woolrich, e.g., Phantom Lady or I Married a Dead Man




Most likely: Ruth Rendell: Not in the Flesh or The Babes in the Wood (audio versions read by Christopher Ravenscroft, aka Inspector Burden in the TV series)

Alternatively:

* Carol Goodman: The Lake of Dead Languages
* Sharyn McCrumb: She Walks These Hills




Most likely: Peter May: Coffin Road

Alternatively:

* Stephen King: Bag of Bones or Hearts in Atlantis
* Denise Mina: Field of Blood
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Breaker
* Jonathan Kellerman: When The Bough Breaks, Time Bomb, Blood Test, or Billy Straight

* Greg Iles: 24 Hours




Most likely: Sharyn McCrumb: She Walks These Hills

Alternatively:

* Karen Maitland: The Owl Killers
* Greg Iles: Sleep No More




Most likely: Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)

Alternatively:

* One or more stories from Martin Edwards's (ed.) and the British Library's Murder at the Manor: Country House Mysteries
* Georgette Heyer: They Found Him Dead
* Ellis Peters: Black is the Colour of My True-Love's Heart




Most likely: Something from Terry Pratchett's Discworld / Witches subseries -- either Equal Rites or Maskerade

Alternatively:

* Karen Maitland: The Owl Killers

* Shirley Jackson: The Witchcraft of Salem Village




Most likely: Antonia Hodgson: The Devil in the Marshalsea

Alternatively:

* Rory Clements: Martyr
* Philip Gooden: Sleep of Death 
* Minette Walters: The Shape of Snakes
* Ngaio Marsh: Death in Ecstasy

* One or more stories from Martin Edwards's (ed.) and the British Library's Capital Crimes: London Mysteries




Most likely: Robert Louis Stevenson: The Strange Case of Dr. Jekyll and Mr. Hyde
(audio return visit courtesy of Sir Christopher Lee)

Alternatively:

* H.G. Wells: The Island of Dr. Moreau 

* ... or something by Edgar Allan Poe




Most likely: Something from Ovid's Metamorphoses

Alternatively:

* Robert Louis Stevenson: The Bottle Imp
* Christina Rossetti: Goblin Market
* H.G. Wells: The Island of Dr. Moreau




Most likely: Jo Nesbø: The Snowman

Alternatively:

* Val McDermid: The Retribution
* Denise Mina: Sanctum 
* Mo Hayder: Birdman
* Caleb Carr: The Alienist
* Jonathan Kellerman: The Butcher's Theater
* Greg Iles: Mortal Fear




Most likely: The Medieval Murderers: House of Shadows
or Hill of Bones

Alternatively:

* Sharyn McCrumb: She Walks These Hills
* Shirley Jackson: The Haunting of Hill House
* Stephen King: Bag of Bones
* Carol Goodman: The Lake of Dead Languages
* Michael Jecks: The Devil's Acolyte




Ooohhh, you know -- something by Shirley Jackson ... if I don't wimp out in the end; otherwise something by Daphne du Maurier.

 

 

 

 

 

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