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When Stars Collide by Susan Elizabeth Phillips
My rating: 5 of 5 stars
Phillips puts her best foot forward when she speaks to the heart. When the Stars Collide is a conversation with the heart. Olivia and Thad are a mystery that really shouldn't work, yet they are at their best when they are being their worst. From intriguing to dramatic, Phillips sets off sparks with an uproar that deserves a standing ovation.
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Susan Elizabeth Phillips ist wahrlich eine Meisterin ihres Genres und zählt seit Jahren zu meinen absolut favorisierten Autorinnen in Sachen „Frauenschmöker“. Mit ihrem neuesten Roman „Und wenn sie tanzt“ liefert sie meiner Meinung nach auch wieder eine solide Geschichte, die alles bietet, was man sich von solch einem Buch wünschen könnte. Tess und Ian sind die Hauptprotagonisten – beide Mittdreißiger mit jeweils einigen persönlichen Baustellen und Nöten im Leben. Und wie man sich vorstellen kann, sind sich beide zunächst nicht besonders gut gesonnen. So begibt man sich als Leserin also auf den Weg der beiden zueinander, mit allen Höhen und Tiefen – oder auch verbalen Unwägbarkeiten. Insgesamt liest sich der Roman wie erwartet sehr flüssig und die Grundthematik ist interessant und authentisch. Die Protagonisten sind zu Beginn noch recht undurchdringlich und wenig durchschaubar, was sich im Verlauf der Story natürlich aufklärt. Lediglich die manchmal ein wenig politisch anmutenden Randthemen gefielen mir nicht immer so gut. Da hat es Susan E. Phillips evtl etwas zu gut gemeint. Meines Erachtens erwartet man in diesem Genre dann doch vorwiegend Wortwitz, Romantik, ausgeklügelte sympathische Figuren und einen kurzweiligen Erzählstrang, der Up & Downs, sowie ein paar raffinierte Wendungen zu bieten hat und weniger gesellschaftskritische Inhalte. Da „Und wenn sie tanzt“ all diese „Frauenschmöker-Kriterien“ allerdings trotzdem sehr wohl erfüllt und der Plot im Gesamten eine richtig gute Unterhaltung darstellt, kann ich das Buch nur absolut empfehlen. Es wird zwar nicht mein persönliches Lieblingsbuch der Autorin werden, aber dennoch fand ich den Schmöker sehr lesenswert, deshalb volle 5 Sterne.
If you can make it through the first half of this, especially the first 15%, you'll enjoy the heroine's story in the second. The first 15% is all about the mother and how the heroine is conceived, it does play an important part in showcasing her mother's personality and the circumstances and players that shape the heroine's existence, but before you see the payoff in the second half, there is definitely a feeling of "what is the point?".
The second half is the redemption and finding her strength for the heroine. A blank canvas of a mother who wants to get her self-worth only from Hollywood stars and an old lecherous father (he is her step-father but not known to heroine until start of second half), emotionally damages Fleur (heroine) enough, that she runs away from her modeling and acting life to live obscurely and in hiding from her step-father, for a couple years. When she matures enough to gain her strength again, she starts to build a life for herself. The last quarter is Fleur building up her business and friendships and I really enjoyed her character and personality; she can be self-depreciating but also witty, strong, sassy, and fearless.
Her wit and sass really shine through in the relationship between her and the hero Jake, her co-star in her first movie. Jake has quite the background story with his PTSD from the Vietnam War but it is just about buried, until the end, in favor of the dramatics involving Fleur's mother and step-father. I loved when Fleur and Jake got to be the center of attention together, they were fun to read but I would guess their romance is only around 30% of this story. Jake was a hero I would have loved to have seen delved into more and given more page time.
This was kind of a mish mash of women's fiction and romance and until you read the last half, you can't really appreciate all the lecherous old men wanting adolescent women to make them feel young again, that you had to suffer through to fully understand what shaped Fleur's circumstances and give it emotional heft. Fleur and Jake were a pleasure but I'm not sure I was given enough of them to make up for having to read about Fleur's step-father's (he's around 70ish to her 19) dream of creating a perfect child with her because she was the child of Errol Flynn, his lecherous old friend in arms.
Older published books really take my "building blocks are needed and wanted" to the extreme, the first 15% of this is the heroine's mom having an affair with Errol Flynn (all before heroine born). Wild, y'all.
I could really do without the grooming, or "seducing" as the heroine's mom calls it, between the heroine and who she thinks is her father. ICK