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text 2017-03-09 03:33
U.S. Kindle Sale: Miscellaneous
The Cruelest Month - Louise Penny
Berlin Diary: The Journal of a Foreign Correspondent 1934-41 - William L. Shirer,Gordon A. Craig
An American Tragedy - Theodore Dreiser,Richard R. Lingeman
Edward III: The Perfect King - Ian Mortimer
2010: Odyssey Two - Arthur C. Clarke
The First World War: A Complete History - Martin Gilbert
A Passage to India - E.M. Forster,Pankaj Mishra,Oliver Stallybrass

Currently $1.99: An American Tragedy, by Theodore Dreiser.  2010: Odyssey Two, by Arthur C. Clarke.  A Passage to India, by E.M. Forester.

 

Currently $2.99: The Cruelest Month, by Louise Penny.  Berlin Diary, by William L. Shirer.  Edward III: The Perfect King, by Ian Mortimer.  The First World War: A Complete History, by Martin Gilbert.

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review 2016-03-17 02:02
Books of 1915 (Part Five)
Lady Chatterley's lover, The Rainbow, Sons and lovers - D.H. Lawrence
Sexual Politics - Kate Millett
Women in Love - D.H. Lawrence
Aaron's Rod - D.H. Lawrence Aaron's Rod - D.H. Lawrence
The Voyage Out - Virginia Woolf
Psmith, Journalist - P.G. Wodehouse
Leave It to Psmith - P.G. Wodehouse
Oakleyites - E. F. Benson
Complete Mapp and Lucia (Pulp Humour) - E.F. Benson
Vainglory - Ronald Firbank,Richard Canning

The Rainbow by D.H. Lawrence

 

I loved Sons and Lovers, and who doesn’t love “The Rocking Horse Winner”? So I figured I would like this one too. The Rainbow follows several members of a family through different generations. They live on a farm in the East Midlands of England. There was something incredibly irritating about this novel. I couldn’t quite put my finger on it, but as I was reading it, I was inwardly wailing, “Wheeeennn will this be oooover??” There were a lot of men who didn’t know how to interact with others or have real relationships, especially with women, which I guess is stark realism but was frustrating for me to read. Also, I have no problem with florid prose per se, just this wasn’t doing it for me. One highlight was a grisly alcoholism-related fatal farming accident.

 

The last family member was a young woman, Ursula, who has a bleak and depressing relationship with another women. You would think I would like that part but I think it was too dark for me. Then she has a bleak and depressing job as a teacher at a brutal school, which degrades Ursula so much that at one point she just loses it and starts hitting a student. And she has a bleak and depressing relationship with a man. Apparently I have blocked out what happens in the end.

 

Luckily, when I complained to my brother about this elusive annoying quality in The Rainbow, he told me that Kate Millett had gotten to the bottom of D.H. Lawrence in her legendary book Sexual Politics. So, here is what your auntie Kate has to say:

 

Millett explains that Lawrence is suffering from womb envy, which I would back her up on, and that the “new woman” (like Ursula) intimidates him. She points out that the chapter where Ursula has an affair with another woman is called “Shame,” which I actually didn’t even notice. (Sometimes I am so steeped in my own attitude that I can’t even imagine what the author intended, which has advantages and drawbacks.) Millett also paid attention to what happened at the end of the novel, unlike me, which was: Ursula fails her university exams and becomes a contented housewife. Millett chalks up the irritating quality of The Rainbow to an underlying sexist oinker agenda. BTW, I am not supposed to be reviewing the books of 1969, but Sexual Politics is nothing like what I expected. I had no idea that it was mostly literary criticism!

 

Anyway, I’m not sure if I can handle Lawrence’s sequel, Women in Love, but I am intrigued by the 1922 offering Aaron’s Rod. With a title like that, what could go wrong?

 

Still to come-Unread

 

The Voyage Out by Virginia Woolf

 

I know, I know; why didn’t I read this one? I think I was a little intimidated so I was putting it off. I know Virginia Woolf is super famous and this is probably actually the best book of 1915, so I really will read it.

 

Psmith, Journalist by P.G. Wodehouse

 

I am perpetually one book behind in the Psmith series, so I haven’t read this one yet. Here is my brother’s review:

 

“In the third novel about Mike and Psmith they visit New York, where Mike prepares for a cricket match.  Psmith befriends Billy Windsor, the sub-editor of the children’s journal Cosy Moments.  Billy is fed up with the treacly material it is his job to edit, so when the editor goes on vacation Psmith persuades Billy to revamp the journal.  The current contributors are all fired and Cosy Moments features a new column about the pugilist Kid Brady and a hard-hitting series about tenement slumlords.  It is unusual for PG Wodehouse to focus on the dark underbelly of capitalism, but he does so in his own way.  When a criminal syndicate pressures Psmith to stop publishing the tenement exposé, he declares “Cosy Moments cannot be muzzled.”  It is nice that Mike is not the slightest bit jealous of the relationship between Psmith and Billy, and at the end of the novel Mike and Psmith return to England, where they conclude their saga in Leave it to Psmith, a novel of 1923.”

 

 

 

The Oakleyites by E.F. Benson

 

Thanks heavens my brother read and reviewed this book for me too! As follows:

The Oakleyites chronicles the lives of the leisure class of the seaside village of Oakley, apparently based on Rye, where E.F. Benson lived.  Here we see the Dante classes, picture exhibitions and amateur piano recitals encountered subsequently in his more famous Mapp and Lucia novels.  Among the Oakleyites are three middle-aged sisters, each a devotee and exponent of vegetarianism, Yoga and Christian Science, respectively.  Their rivalries are as funny as anything Benson ever wrote.  The difference from Benson’s later novels is that the Queen of Oakley society, Dorothy Jackson, is a romantic heroine.  She falls in love with the author of facile novels about Marchionesses when he moves to Oakley with his mother on account of her health.  Dorothy dreams of inspiring him to write a really worthwhile novel (apparently this was a very common aspiration a hundred years ago).  I wanted to give Dorothy a little hint:  “girlfriend, there’s a reason this guy is still living with his mother at the age of thirty-five!”  But Benson apparently felt he could not tell the real story...”

 

 

Vainglory by Ronald Firbank

I got this out of the library but it’s due back soon. Firbank’s Wikipedia page says he was an openly gay man who was very inspired by Oscar Wilde, and “an enthusiastic consumer of cannabis.” So that sounds like fun!

 

 

The Little Lady of the Big House by Jack London

This is about a love triangle. I bought this novel but, I’m going to be completely honest here, I will probably never get around to reading it. 1916 beckons!

 

Will Never Read, and why

 

The Genius by Theodore Dreiser

 

The Titan was tough going last year. As described on the Wikipedia page, The Genius is a semi-autobiographical novel about a man who is unable to remain faithful and his “affair” with a teenage girl and then his wife dies in childbirth. I just couldn’t face it.

 

Boon by H.G. Wells

 

This is a satirical novel written under a pseudonym in which Wells lampoons his former friend Henry James. I was interested to read about it, but didn’t want to read the actual book.

 

The Return of Tarzan by Edgar Rice Burroughs

Look, there are over 20 more of these books to come. I’m sure I’ll read another one at some point.

 

That's all! See you in 1916!

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review 2016-03-13 19:15
Theodore Dreiser - An American Tragedy
An American Tragedy - Theodore Dreiser,Richard R. Lingeman
“intermingled and furnished it in some nondescript manner which need hardly be described.”

I dare you to find a funnier joke in all of history of the world. Only Robert Jordan’s death can compete with this. Theodore Dreiser overwrites like no other, and he is telling us twice that something is nondescript and there shouldn’t be described. I don’t know whether it’s a moment of self-awareness, or whether it’s definitive proof there was no editor.

You better laugh, because An American Tragedy is a heavy novel. It’s heavy in every sense of the word. The book is long. The writing is dense, overwritten, everything is repeated and reptition is everywhere. The subject matter is the same, the nature of crime and ambition and other big topics about life. The psychology is just as deep, with Dreiser refusing to cast anyone as pure evil.

Dreiser does the impossible here. Authors write great books by sticking to principles of good writing. They each have their own unique spin, but you can draw general rules that these books have in common.

Dreiser breaks every conventional rule. The end of the novel is obvious from the title. The writing is the worst you can find. I can never say enough how Dreiser overwrites. Plenty of things get described and every thought in the characters’ heads is spelled out for us. Dreiser never shows but always tells. The novel is just one psychoanalysis of his characters, but he doesn’t even give us the privilege of letting us do the hard work. He shows both the evidence and the conclusions.

Good thing that Dreiser can back it up. The reason all the overwriting is forgiven is because Dreiser has too much to say. By trying to show the story rather than tell it, he would have lost of the information he wanted to convey.

Is it the easy way out? I don’t know. Showing this story means writing a lot less. By telling everything, Dreiser has to grapple with his ideas head-on. An American Tragedy may be a busy novel, but it has clear themes you can follow. It also has an abundance of them.

It feels so epic, yet the story itself is simple. You could probably tell it in 5 pages. The thing is, what makes literature remarkable is less what happens. The meaning behind it counts far more. That’s why we can tell stories of rise and fall until the heat death of the universe and we don’t get sick of them because they each have different themes.

I doubt many of them can hold a candle to Dreisser’s work. He was blessed with the unique ability of reading minds. That’s the only way to explain the characters. They feel real because they’re each understandable. There’s a murderer, but there’s no villain. By the end, the reverend who constantly begs for mercy isn’t just the character but Dreisser itself.

Weren’t oracles always portrayed as being greatly affected by their visions? This novel shows how understanding the human mind can affect a person. Dreisser doesn’t just overwrite. He wrestles with the tragedy of the human condition. I know this is a huge word and it makes me sound pretentious (and a white straight male). How else to describe this novel, though?

We puny humans are always in conflict. All of us think we’re right. The man who can cure cancer, the soldier who kills a terrorist, Ian Watkins abusing kids, the person who prevents suicides and the suicidal person all sure that their worldview is current. They also all come in conflict. Now, when you only thing your side is right it’s easy. Just keep attacking the other side no matter what. What do you do when you can understand everyone? What do you do when you see both the selfishness of heroics and altruism of it? What do you do when you understand a cruel murderer but can’t ignore the pleas of the victims?

These questions always pop in the novel. American Tragedy is confusing not because of silly things, like ‘it could mean anything’ or because you can’t understand what’s going on. It’s confusing like real life is confusing. There are no shades of grey. It’s one whole kaleidoscope. Dreiser has some answers. Clyde is definitely guilty, but beyond that Dreiser leaves us with questions and keeps us wondering.

While it’s a tragic novel, it’s not a depressing one. A novel that tries hard to understand everyone isn’t a product of a nihilist. It’s a product of someone who loves humanity. Love is a problem like it is a blessing. Like Clyde, Dreiser is trapped between people because of his love for them. Unlike Clyde, Dreiser is trapped between more than just two women and he’s unsure who to choose. Seeing how much compassion he writes this novel with, it only inspires me to be as compassionate to others like Dreiser is to his characters.

Be careful when starting this. The novel takes time to read. The langauge is complex. The paragraphs are long and the plot is very slow. It also took me about 90 pages before I got used to the writing style. It might be inaccessible, but it’s well worth the effort. The novel wouldn’t work if it wasn’t so clogged with Dreiser’s own thoughts on his characters. That’s how he reveals to us all the grey areas in the novel.

As inaccessible and hard to read as it is, I’d recommend to everyone. If literature is about enriching our understanding of ourselves, then this is definitive literature. It loses a few points for dragging, but as difficult as it is I know I will return to it someday.

5 murders out of 5

Also posted on my blog:
https://allcoloursdotorg.wordpress.co...
 
 

 

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text 2015-01-05 04:17
Best of 1914: Part Two
Tarzan of the Apes - Edgar Rice Burroughs
The Titan - Theodore Dreiser
The Ragged Trousered Philanthropists Volume I [Easyread Comfort Edition] - Robert Tressell
Arcadian Adventures with the Idle Rich - Stephen Leacock
The World Set Free - H.G. Wells
Our. Mr Wrenn - Sinclair Lewis
Delia Blanchflower - Mary Augusta Ward
Personality Plus: Some Experiences of Emma McChesney and Her Son, Jock - Edna Ferber
Penrod: His Complete Story - Booth Tarki... Penrod: His Complete Story - Booth Tarkington
The Revolt of Angels - Anatole France

Tarzan of the Apes by Edgar Rice Burroughs

 

This book was a lot of fun, however you will not be surprised to learn that it is marred by horrible racism toward Africans. Things that might surprise you about the world of Tarzan:

  1. apes have fangs
  2. apes eat lots of big game
  3. Tarzan had an innate sensibility that stopped him from eating humans
  4. although Tarzan could not speak, having been raised by apes, he learned to read and write English by looking at books

Tarzan fell in love with Jane, and rescued her (and everyone else in her party) from terrible danger, and behaved like a complete gentleman to her. He left her love notes, however she did not understand that they were from him, since she did not know he could read and write. Then Tarzan found someone to teach him to speak. Unfortunately he was taught to speak French! His one aim was to go to Baltimore where Jane was, and on the way he learned to eat cooked food with a knife and fork, speak English, etc. He arrived just in the nick of time to rescue Jane from a terrible fire. Unfortunately Jane had just gotten engaged to be married to another guy because she and her father were broke, but Tarzan threatened the guy into breaking the engagement, and Tarzan also gave Jane and her father a big treasure chest of gold. Then Jane decided that although she loved Tarzan, she’d better marry someone else because Tarzan was too wild. When Tarzan proposed, Jane realized she wanted to marry him after all but she’s just agreed to marry Tarzan’s cousin. Then Tarzan got the result of his fingerprint analysis (don’t ask) that proved he was the real Lord Greystoke. But since Jane was going to marry the supposed Lord Greystoke, Tarzan nobly suppressed this information, and told people that he was the son of a human woman and an ape. I know I’ve focused a lot on Jane, but this book was mostly swinging on ropes and adventure and killing and other good clean fun.

 

 


These two covers are surprisingly similar, yes?

 

 

The Titan by Theodore Dreiser

 

I really enjoyed Dreiser’s other books Sister Carrie and Jennie Gerhardt, but didn’t like this one so much. I’m only now learning that this is a sequel to a previous book, which makes me feel kind of stupid. It’s about a man named Cowperwood who wants to become really rich and successful. At the opening of the book, he’s just getting out of the penitentiary for stock exchange fraud or something along that line. His mistress Aileen has been waiting for him. He moves to Chicago, divorces his wife, marries Aileen, and makes a ton of money by hook or by crook buying up the streetcar system and other concerns. The financial/political part was not very appealing to me but that’s just a matter of taste. The one element that was interesting to me was how much homo-eroticism plays into business and finance in this book. All these different men meet Cowperwood and are magnetised by how handsome and charismatic and commanding he is, and they end up supporting him in his schemes. The back of the book promises that his every triumph will become a hollow defeat, but they read as hollow to me all the way through.

 

Cowperwood cheats on Aileen with a lot of different women, but the one he is really in love with he has known since she was a teen, which is pretty gross. Aileen is angry and decides she will cheat too to get back at Cowperwood and picks out an idle society man. When she invites the man to her house, he date rapes her. They end up “having an affair,” but Cowperwood doesn’t care. Aileen is also disappointed that she’s not a social success. Cowperwood was a pretty unlikeable character.

 

Even though the Enneagram (a personality typing system) is not really my thing, I couldn’t help seeing Cowperwood as a 3 with a 4 wing (because all he cares about is status and success, but he has an artistic side.) So I kept trying to picture him as David Bowie, a legendary 3 with a 4 wing, to make myself like him more, but it didn’t work. At the end of the book, Aileen slits her wrists and Cowperwood stops her and scolds her. He resolves to avoid her as much as possible in the future and decides that she won’t try again. I feel Dreiser’s female characters are more real and easier to relate to, which is probably why I enjoyed those other two books. So you can imagine how surprised I was to read in the afterword that Cowperwood was very similar to Dreiser himself and that Dreiser’s women characters are “unconvincing.” My other complaint about this book is that there are one million minor characters and they all have funny names. But I have to take my hat off to Dreiser for not being a racist as so many other writers of 1914 are. He has a couple of Jewish characters who speak with an accent, but not offensively so, and they are no more money-grubbing than every other single character in the book.

 

Booklikes has a really strange search engine. Why would it only link to a copy of this book that has a weird picture on the cover of Dutch men from the wrong century? This is a better cover!

 

 

The Ragged-Trousered Philanthropists by Robert Tressell

 

This book, the exact opposite of The Titan, was completed in 1910 but published posthumously, as the Irish author died of TB at the age of 40 a year later. It’s an unabashedly socialist novel that follows the lives of a group of English working men. They earn poverty wages and live in constant fear of being unemployed. While a lot of conditions described in the book seem as true of the working poor today as a century ago, the one striking difference is that there was no safety net whatsoever. If the men were out of work for too long, they and their families would literally starve to death, and the only alternative was going to the workhouse, which is not really described in this novel but seems to be feared as an equivalent fate to death. The most harrowing part is when one of men believes he should murder his wife and bright young son and then himself to spare them a worse fate, and is mulling over the best way to do it. That was Stephen King-level horror. There are a lot of long speeches about socialism that are meritorious but boring and I ended up skimming through them. It was mostly this one guy Owen making the speeches, but the other men dismissed him as a nut. I think this book deserves its status as a classic.

 

Arcadian Adventures With The Idle Rich by Steven Leacock

 

Satirical short story collection about the lives of the American upper class. I enjoyed this one. I think my favorite story was about a pretend guru who gathers bored rich women to learn his “oriental” wisdom and then makes off with their jewelry. Or maybe it was the one about the great financial genius who turns out to be a country man who knows nothing and just struck it rich by accident and just wishes he could get back to his old home.

 

The Last War (also known as The World Set Free) by H.G. Wells

 

The most notable thing about this sf novel is that in 1914 Wells predicted atomic energy and atomic warfare. It’s too bad no one heeded his warning. In fact it seems his ideas inspired the scientists who worked on the atom bomb. This is the only book of 1914 I encountered that admitted the possibility of a war that would kill millions, even as such a war got underway. This book doesn’t have a plot or main characters in a traditional way. It’s a history book from the future, and the first chapter (the “prelude”) covers actual history. The rest of the book covers the development of atomic power which essentially creates free energy that destroys the world economy, and then atomic war destroys all the major cities, killing everyone and leaving a radioactive landscape. However, after that the book becomes remarkably upbeat as the survivors create a world government that unifies the planet. You get snapshots of life from different people throughout the book. Other than a kind of dismissive attitude toward India, this book isn’t even racist. The edition I read had an actually interesting introduction, by Greg Bear, comparing Henry James and Wells, who were frenemies. Bear says that this was the moment when speculative fiction and literary fiction parted ways. Spec fic (along with my bff Arnold Bennett) was dismissed as trying to get people to believe in something and too action/plot oriented. Literary fiction was elevated for being sexless, bloodless, and more about money and people’s inner lives than stuff happening. Bear puts forward the non-dual POV that there’s no reason these two styles had to be opposed to each other. Anyway, I thought it was notable that this was one of the few books of 1914 that has been reprinted by a reputable press with attention paid to the book design—because actual normal humans might want to read this book.

 

Our Mr. Wrenn: The Romantic Adventures of a Gentle Man by Sinclair Lewis

 

This was Sinclair Lewis’ first published book for grown-ups. It was about a milquetoast kind of guy who lives not far from where I grew up in NYC who quits his job and travels to Europe looking for adventure. But he’s actually a pretty bourgeois guy so he doesn’t want too much adventure. He meets a young bohemian woman who seemed just like the kind of unreliable bright young thing you would still meet today. She was probably my favorite part of the book because she was so vivid and realistic. But when Mr. Wrenn gets back to NYC it seems to him that he’d be better off with a more normal young lady—like this nice girl he’s just met. The downfall of this book: racism. I did enjoy it when I read it but it was strangely forgettable. I brought it on a trip with me thinking I hadn’t read it yet and I was dumbfounded when I opened it up and realized I’d just read it a few weeks earlier. But what’s to blame here, the book? Or the lack of cover art? Or my demented mind?

 

 

Delia Blanchflower by Mrs. Humphrey Ward

 

I enjoyed Mrs. Ward’s 1913 offering, but this anti-suffragette novel was hard to take. The eponymous character is a rich, beautiful, and charismatic young woman whose father has just died. But instead of inheriting her fortune outright, she’s been saddled with a guardian/trustee because her dying father correctly believed that she would devote all her money and all her to life to the cause of woman’s suffrage if she had control. Of course the guardian is a magnificent unmarried middle-aged man who is handsome, noble, etc etc, and sparks fly between him and Delia Blanchflower. Delia is under the sway of an unscrupulous older suffragette. They live together and are devoted to each other. Although it’s explained that the older woman only wants Delia’s money for the cause and doesn’t really care about her, she appears to get jealous of the guardian and basically cuts Delia off. There was a lot of stuff about how their group was blowing up mailboxes, which seemed ridiculous to me, but it turns out that suffragettes really did blow up mailboxes. One woman complains about how her former servant was sick and dying and wrote a letter to her, but it was blown up, so the servant died thinking her mistress didn’t care about her. (I learned from this book that the most important part of noblesse oblige is taking care of your servants when they’re sick.)

 

There are a number of anti-suffrage women role model characters in the book, and also a woman who believe that women should get the vote, but she doesn’t care if it’s in her lifetime or her daughter’s lifetime or neither, and that it’s wrong for women to do anything except patiently wait for the vote. The stuff that these women say makes absolutely no sense and reminds me of the stuff that people say today that makes absolutely no sense. It’s not about content, it’s about being dignified and an upstanding member of society. People just want everything to be comfy and pleasant. Anyway, there’s a beautiful old historic home that the suffragettes want to blow up (I’m assuming this is based on Lloyd George’s home that really was bombed) and in the end even though Delia and her guardian try to prevent it, the wicked suffragette lady sets it on fire, killing a little disabled girl who has no function in this book other than to be sacrificed—and the suffragette lady dies too. Is this book racist? Of course. Here’s a sample line: “From her face and figure the half savage, or Asiatic note, present in the physiognomy and complexions of her brothers and sisters, was entirely absent.”

 

 

Personality Plus by Edna Ferber

 

This was the most disappointing book of 1914 for me. I really loved Roast Beef Medium last year and this is the sequel. But I could tell Edna was just phoning it in. It’s about Emma McChesney’s son going into the advertising industry and triumphing. But you can tell Edna Ferber didn’t know anything about the advertising industry so there’s a curious lack of substance to it. It’s okay, Edna, I still believe in you! I see there’s another sequel next year and I bet that one is going to be great!

 

Penrod by Booth Tarkington

 

I read most of this. It’s fairly funny, about a little boy who gets into different scrapes. Think Otis Spofford. But it’s also pervasively racist, with many casual racial epithets for African-Americans, and talk of “Congo man eaters.” I got to a part where Penrod makes friends with three African-American brothers. One has a speech impediment, one is missing a finger, and I forget what was the deal with the third brother. Penrod decides he’s going to open a freak show starring the three brothers. I just couldn’t take it anymore and brought the book back to the library. I think the fact that it’s a children’s book is what makes it the most awful.

 


 

 

Revolt of the Angels by Anatole France

 

I only made it through a couple chapters of this book before I ran out of time. It seems good so far. No angels have appeared yet. It’s just some family history and a description of a library. Speaking of libraries, this book is not due back at the library for another two weeks so we’ll see how I do.

 

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review 2014-07-18 05:32
Sister Carrie by Theodore Dreiser
Sister Carrie - Theodore Dreiser

3/7 - This is a little slow so far, mostly because of the number of words Dreiser uses to say something simple - about three words to every one an author of today would use. The words themselves aren't particularly difficult, it's just that there's a lot of them. The story itself is interesting, though, so will push through all the words. To be continued...

 

4/7 - Drouet is exactly the kind of man/person I don't like. The kind who puts famous and/or more wealthy people on pedestals. Like, just because they're a famous opera singer or own a department store means they couldn't possibly commit a heinous crime, and if they did there must have been exceedingly understandable extenuating circumstances - they didn't do anything wrong, in fact they did the world a favour when they ran down that little old lady while driving drunk - and their pal the Chief of Police or the mayor will make sure they don't do any time. I really dislike the glorification of famous people just because they're famous, just because of the luck of the draw of being spotted by a talent agent in the local diner or ice skating rink - they're no better than any other person on the street, they just have more money than most other people on the street. Note: My view of Drouet's character may be slightly coloured by a recent Law and Order: Criminal Intent marathon. To be continued...

 

7/7 - It's funny, what Drieser wrote about Carrie's struggle to get work 114 years ago completely applies to what today's younger generations (makes me sound like I was around when this book was first published) are going through. Their wages don't pay enough to cover rent/mortgage, bills, food, transport, and other bare essentials. Companies aren't looking for inexperienced school/university graduates, they want employees with experience in their chosen industry. But the age old question of how anyone can get experience if no one will hire them and give them the opportunity to gain that experience in the first place, continues to be asked. It's not fair and it's a never-ending circle that's only going to get worse as year after year of highly educated, but inexperienced, uni graduates are forced into basic admin or data entry positions. The country is going to end up with a work force of entry-level workers and no one qualified to manage the more specialised positions - one of the many worrying trends that disturbs me about the direction the country's headed in. To be continued...

Page 91 - I don't know how they did things in 1900, but what Drouet just invited Hurstwood to sounds like some kind of orgy or some other situation that's going to involve the seduction (really should be rape, but I don't think it'll be described as such) of Carrie and her introduction to the world of 'kept women' or mistresses (not necessarily for Drouet's exclusive use). Oh dear! To be continued...

9/7 - I must be dense, for I seemed to have missed the hint, or the spot in the narrative where you're supposed to assume that Drouet and Carrie are now having sex, living together as 'man and wife'. Some pages back, when he first offered her a place to stay, there was mention of him not wanting to hurt Carrie and I took that to mean physically, mentally, and reputationally. That he would keep their relationship platonic, just one friend helping another (not that he wouldn't want more, just that it wouldn't be expected). That's why I wrote what I did about the supposed upcoming seduction of Carrie by Drouet and Hurstwood, I didn't understand that it was assumed that it had already happened, now I just sound a naïve old fool. Damn these overly prudish classic books, not saying what they mean, leaving things to the reader's imagination. Now I have to wonder what hasn't been said about Carrie and Hurstwood's relationship, if we're supposed to assume that they're having sex as well. Although, if they are having sex I don't see where they could have realistically fit it in as they've had very little time alone. To be continued...

 

18/7 - I enjoyed this, but can't really say why.  It was quite slow, certainly slower than my normal reading choices; there were no big events and no climatic ending; and none of the main characters were people I wanted to barrack for, for more than a few pages at a time.  Carrie had her sympathetic moments, but there were times when I wanted to sit her down and explain the ways of the world or shake some sense into her.  I was happy that Carrie finally managed to 'make it' on her own without the help of a man (what I imagine would have been a minor miracle in those days), and almost wanted to say to her "See, you can do it on your own.  Drouet and Hurstwood were just dragging you down and holding you back."  It was a blessing in disguise that neither of them actually married her.

 

If you read my reviews regularly you might have read my views on themes and messages within books - that they're not for me and tend to go straight over my head - I just don't see them, unless they're shoved down my throat (and books that do that are another story altogether).  So, I don't really know what Dreiser might have been attempting to say with this book, but I did get a feeling of feminine empowerment from Carrie's ability to survive with or without the two men who came into her life.  If that's not what Dreiser was trying to say then obviously I wasn't meant to understand it, but I still managed to find enough to interest me and keep me reading (which was a feat in and of itself as at 557 pages this is now the longest book I've read this year).

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