According to Michael Kozlowski, Editor in Chief of Good e-Reader, the leading news website devoted to digital publishing, e-books, and e-reader news I'm a bad writer.
How does he come to that conclusion? In his own words, "You are only considered a real author if you can make your living solely from the book sales. If you can’t, you are merely a writer... the industry needs to define the good writers from the bad. The primary way we can do this is by sales figures; if authors make their living from publishing, they are often considered good writers. Once we can define a good writer from a bad, we can start to segregate them."
Which brings us to another of his suggestions, segregating self-published books according to sales.
"My suggestion is for all major online bookstores that take submitted indie content to create their own sections for self-published writers. These titles should not be listed side by side with the traditional press. Indie titles should have their own dedicated sections until such time as they reach a certain threshold in sales. Once they can attain an arbitrary sales milestone, they are drafted to the big leagues and listed in the main bookstore."
Why, you ask, does Kozlowski think this is necessary?
"There are a copious number of online self-publishing companies that promise aspiring authors the opportunity to distribute their e-book all over the world. Millions of authors publish with Amazon Kindle Direct Publishing, Draft2Digital, Kobo Writing Life, Nook Press and Smashwords. Most “authors” who self-publish an e-book never sell more than a handful and over seventy-five percent of all authors never earn a living through their writing."
And the result of this plethora of self-published dreck (my word) is that "We live in a world full of terrible e-book titles that ruin e-book discovery and make it difficult to find a good book. It is no small wonder why e-book sales have plummeted in recent years."
The comments on Kozlowski's blog https://goodereader.com/blog/author/michael-kozlowski on this topic are mostly specious in that they don't respond to the problem he's addressing. They range from outright denial to dismissing his ideas because there's a typo in his text.
As one who actually reads and reviews the work of unknown, randomly selected indie authors I'd have to agree with his assessment and his solution.
When I decided to write fiction about ten years ago I had about forty years of journalism as a formative base. But even though I'd written hundreds of thousands of words up to that point it, fiction was a different style of writing. To learn how to write fiction I attended writer's groups, joined online critique sites and read dozens of books and I continue to do so.
Writing fiction is a craft and it can be learned and mastered, to some degree, by learning the fundamentals and then practicing - a lot. It's evident that the vast majority of the indie authors I've read haven't even bothered to learn the basics and have spent no where near enough time practicing.
As Kozlowski says "Indie titles have no quality and control, often they are merely submitting a Word document to Amazon and clicking publish."
Kozlowski's not suggesting all self-published books are crap and all traditionally published books are classics, just that "there is some expectation of quality" in reading a traditionally published book", and that's definitely not the case with reading a self-published work.
From the beginning of my venture into writing and publishing fiction it became apparent to me the only way to measure success was with book sales. This is an industry of illusion and delusion and the majority those involved are, as Kozlowski suggested, subject to the Dunning-Kruger Effect.
“Unskilled individuals that suffer from illusory superiority, mistakenly rating their ability much higher than is accurate. This bias is attributed to a metacognitive inability of the unskilled to recognize their ineptitude.”
I have come to accept that I am "inept" until my book sales prove otherwise.
Accordingly, I'm prepared to have all my books segregated in "dedicated sections until such time as they reach a certain threshold in sales. Once they can attain an arbitrary sales milestone, they are drafted to the big leagues and listed in the main bookstore."
I'm sure there will be very good books that never attain that threshold (mine?) and I'm just as sure there will be those who, rather than hone their craft to the point they can write a good book, will find ways of attaining that threshold fraudulently.
However, this is a solution I am prepared to considered in hopes "the cream might rise to the top".
If Kozlowski's is right that by 2020, fifty percent of all digital books will be written by indie authors and that will account for 25,000 new titles a month being submitted to online bookstores than something, indeed, has to be done.
Amazon has author and sales ranking graphs that are updated hourly. On Sept. 5, 2017, someone purchased one (1) e-book edition of my novel Saving Spirit Bear. That single sale boosted the novel's ranking from 8,787,432 to 201,692 an increase of 8,585,740 points. My author ranking subsequently increased 582,673 points from 825,278 to 242,605.
What do these numbers mean? I'd say a few sales a month and an indie author would be among the top 100,000 selling authors on Amazon. Would that get you into "the majors"?
Who cares, you'd still be making peanuts.
Stay calm, be brave, watch for the signs.
Find reviews, blurbs and buy links to my eight novels and two plays at
Facebook for writing news, my experience as a writer as well as promotions, contests, and discounts regarding my books
Video book reviews of self-published authors now at
Not Your Family, Not Your Friend Video Book Reviews: https://www.youtube.com/channel/UCH45n8K4BVmT248LBTpfARQ
Cover Art of books by self-published authors at
More of my original photographs can be viewed, purchased, and shipped to you as GREETING CARDS; matted, laminated, mounted, framed, or canvas PRINTS; and POSTERS. Go to: http://www.redbubble.com/people/rodraglin
View my flickr photostream at https://www.flickr.com/photos/78791029@N04/
Or, My YouTube channel if you prefer photo videos accompanied by classical music
Not recommended for those who have children and/or are sensitive to violence against children.
Milly knows she is different from other children. From other people. But she maybe doesn’t realize just how different. You see, Molly’s mother is a serial killer and she has forced Milly to be Satan’s little helper. It’s much easier to snatch a child if you have one of your own in tow.
What conscience Milly has left has sent her to the police. Yes, she felt bad for the children lying dead in their basement, but what she was truly dreading was the “birthday party” that her mother was planning when she turned “sweet sixteen.” So before the invitations go out to people to come & brutalize her, Milly turns her mother in.
But she had no idea how hard it was going to be to leave her mother behind. Or how difficult it will be to act like she is “normal,” especially when she has been taught by an expert how to read body language, how to manipulate people, how to tell them what they want to hear. She can’t seem to fit in to her foster situation, because she can see altogether too clearly what is going on in their home—and how can she trust a social worker who can’t see that his wife is an addict and his daughter is well on her way to the same state.
If you like this book, I would recommend I Hunt Killers by Barry Lyga. It is a young adult work, but really well done in my opinion. Another child struggling to right himself after being raised by a serial killer dad.
Feyre has returned to the Spring Court, determined to gather information on Tamlin's manoeuvrings and the invading king threatening to bring Prythian to its knees. But to do so she must play a deadly game of deceit – and one slip may spell doom not only for Feyre, but for her world as well.
As war bears down upon them all, Feyre must decide who to trust amongst the dazzling and lethal High Lords – and hunt for allies in unexpected places.
When I sit down to read these tomes by Sarah Maas, I always wonder as I begin if I will find this volume as engaging as the last one. So far, so good. Once I started Wings and Ruin I couldn’t stop until I was done. I reluctantly went to bed (late) on Saturday night and picked the book right back up again on Sunday morning. Why do I like this series, when writers like Christine Feehan and J.L. Ward leave me annoyed? Because there’s some PLOT here. The first two books got us set up for the big war scenes that we experience in W&R.
Yes, there is romance and there’s some sex, but there are plenty of friendships too, all kinds of relationships really. Indeed, because Feyre & Rhys are an established couple, Maas can concentrate on the other relationships. Enemies, frenemies, relatives, chosen families, unknown quantities, close friends, useful acquaintances….they’re all in here. Many of them had a place in the earlier books and now we see them in a new light. Will Feyre’s sisters fight with her or against her? Will they accept their transition to the Fae world or will they cling to their past humanity?
Feyre makes mistakes, admits it, and works on fixing them. What I like the most is the circle of chosen family that Rhysand has assembled for himself and how Feyre is finding her way into their hearts as well and vice versa. Yes, its all a bit melodramatic and unrealistic, but I got swept along with the story and didn’t notice too much until I thought back on it after finishing. Not sure if it would actually be possible for Morrigan to keep her sexual preference a secret for over 500 years—especially not since in the High Fae world, it seems like anything goes, so why would she bother?
So, it has its idiosyncrasies and silliness, but I still found it to be an enjoyable read. Although this one actually felt final, I see there are future volumes planned. At this point, I’ll be willing to give the next one a try.