Elena Michaels is the world’s only female werewolf. And she’s tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her–her temper, her violence–but requires it. Worst of all, she realizes she’s growing content with that life, with being that person.
So she left the Pack and returned to Toronto where she’s trying to live as a human. When the Pack leader calls asking for her help fighting a sudden uprising, she only agrees because she owes him. Once this is over, she’ll be squared with the Pack and free to live life as a human. Which is what she wants. Really.
I read this for the “Werewolves” square of my 2017 Halloween Bingo card.
I keep reminding myself that this is a first book in a series and that I often like later books better, once the author has found their groove. I’m fence sitting with a 3 star rating on this one because I’ve got some issues with it, but I found it interesting enough to finish it, and not just for the sake of my Bingo game!
Elena, the main character, drove me crazy. She should actually be a cat of some kind, because no matter where she was, she thought she wanted to be somewhere else. If she was in Toronto, she was thinking she’d be happier in Stonehaven. Then she’s pissed off when she gets summoned to Stonehaven and wants to be back in Toronto. She’s supposedly trying to build an ordinary life for herself with Philip in Toronto, but pretty much immediately is having sex with Clayton when she returns to the werewolf fold. Rinse and repeat the pattern above—whichever man she’s currently with, she wants the other one.
Philip, although we see very little of him (and never from his point of view), haunts the background of most of the book. He’s an unusually patient man, who spent months trying to get to know Elena and who seems to have been stealthily sneaking more ties into their relationship as time passes. What he finds attractive is somewhat of a mystery—he is sleeping with a woman who sneaks out in the middle of the night regularly and doesn’t explain why. She’s slim, of course, from all that nocturnal wolf running and starving herself so as not to display her amazing werewolf appetite, but she admits that she hates clothes shopping and doesn’t concentrate too much on her appearance. She’s secretive, understandably to those of us in the know, but not the slightest bit creative about her excuses for her behaviour and Philip doesn’t seem to have the wherewithal to interrogate her in the way I think a normal lover would.
In the foreground is Clay, who doesn’t care about people at all, just werewolves. He liked Elena, so he made sure to bite her in order to trap her in his world. He’s not the alpha (that would be Jeremy) but he’s still an overbearing a-hole who only listens to Elena when he wants to. Mind you, he has some reasons for that, since she seems to lie to herself quite regularly about what she truly wants and what is realistic for a woman in her situation.
So the ending of this volume was no surprise to me—there was only one way things could resolve, it was just a matter of the path that Armstrong took me on to get there. I know that a lot of my GR friends who like urban fantasy love this series, so I am going to persevere for a book or two more to see if I can get into it. After all, I would love to support a Canadian writer and to read fantasy set in my own country.