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text 2017-09-23 16:31
Halloween Bingo 2017: Update 3 -- BINGO!

Diagonal, top left corner to bottom right corner.

 

 

The "bingo" squares and books read:

 

  

 

Plus a bingo-"ready" completed column (second from right) ... and two more bingos in the making once I've read my books for "Diverse Voices" (=> all 4 corners plus center square) and "Werewolves" (=> center row) -- and once the "Classic Noir" and "Classic Horror" squares are called.

 

Considering that I've approached this bingo chiefly in "mood reader" mode, the calls have been extraordinarily lucky for me so far!  That being said, guess what my next two reads are likely going to be ...

 

 

 

My Square Markers and "Virgin" Bingo Card:

"Virgin" card posted for ease of tracking and comparison.


Black Kitty:
Read but not called


Black Vignette:
Called but not read

Black Kitty in Black Vignette:
Read and Called

Black Kitty Center Square:

                  Read = Called

 

 

 

Current Status of Spreadsheet:

(Note: Physical print editions unless stated otherwise)

 

 Reviews for the books I've read most recently to follow separately!

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text 2017-09-23 15:03
Reading progress update: I've read 357 out of 357 pages.
The Story of Classic Crime in 100 Books - Martin Edwards

Finished; full review to come as part of my next bingo update.  Right now, my head is still too much in a whirl, brimming with the names and information that Edwards has crammed into it.

 

The book's final chapters explore specific topics and methods of narration pioneered by some of the classic crime writers: psychology -- the forerunner of thrillers and suspense novels such as by Minette Walters, and Ruth Rendell in her Barbara Vine identity --, serial killer stories, inverted mysteries (think "Columbo": you know whodunit; rather, the thrill lies in the cat-and-mouse game between the killer and the detective), and irony as a narrative method; as well as taking a look at some writers that, despite having published one successful crime novel, never wrote another (nicknamed "singletons"), as well as at the major early to mid-20th century represetatives of crime fiction in the U.S., on the European continent, and in South America (well, really just Argentina) and Japan; and finally, the books that stylistically built a bridge towards the crime writing of the second half of the 20th century, as well as today.

 

My reading lists culled from the book, for those who are interested, are up to chapter 15 at present:

 

The "100 Books" specifically presented -- and

Other books mentioned:

Part 1: Chapters 1 - 5

Part 2: Chapters 6 & 7

Part 3: Chapters 8 - 10

Part 4: Chapters 11 - 15

 

... with the lists covering the final chapters due to follow once I've caught up on my bingo reviews -- and some real life stuff that is interfering with my reading pleasure at the moment.

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text 2017-09-23 14:01
Golden Goose Cognitive Neuroscience

 

"More specifically, it reduces one's risk of developing chronic conditions such as high blood pressure, diabetes (type II), and high cholesterol. These chronic conditions have a negative impact on the brain likely through compromised blood flow to the brain," said LiuAmbrose, a researcher with the Aging, Mobility, and Golden Goose Cognitive Neuroscience Lab at the University of British Columbia in Vancouver.

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The deal will see Blum Capital and Golden Gate take over Payless ShoeSource, one of the largest footwear retailers in the world, and Collective's international licensing business. The businesses together had sales of about $2.4 billion last year."The Payless business' operating margins are still well below historical levels and private equity typically can improve efficiencies and margins so the deal makes a lot of sense," Monness, Crespi, Hardt Co analyst Jim Chartier said.Collective's remaining businesses, consisting of the Sperry TopSider, Saucony, Stride Rite and Keds brands, will stack up with Wolverine Worldwide's brands like Merrell, Hush Puppies, and Caterpillar Footwear.Wolverine, which reported fiscal 2011 sales of $1.41 billion, said the addition of the acquired brands will create a company with annual sales of $2.5 billion.The company's long established distribution relationships and international infrastructure will help Collective's brands grow faster in international markets, Wolverine CEO Blake Krueger said on a call with analysts.Analyst Chartier said the deal gives Wolverine, which has one of the best international distribution networks, an opportunity to grow sales by taking Sperry and Saucony overseas.Collective Brands, led by CEO Michael Massey, is in the midst of a turnaround and said in August it would close nearly 500 Payless stores over the next three years.The stock, which has doubled since the company announced it would conduct a strategic review in August, has been recently propped up by media reports linking South Korean retailer ELand and Wolverine with takeover interest in Collective Brands.Wolverine said the deal, seen closing later this year, will have a minimal impact on its 2012 results, but is expected to add 25 cents to 40 cents per share to its earnings in 2013.Including debt, the deal is valued at about $2.0 billion.Perella Weinberg Partners and Sullivan Cromwell LLP advised Collective Brands, while Wolverine Worldwide was advised by Robert W. Baird and Barnes Thornburg LLP.

 

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review 2017-09-22 19:53
The Crime at the Black Dudley by Margery Allingham
The Crime at Black Dudley - Margery Allingham

I read this one for Country House Murder, and it is a good example of that particular type of mystery. It would also work for Murder Most Foul and Amateur Sleuth

 

The Crime at the Black Dudley is designated as the first of the Albert Campion mysteries, but as others have noted, his appearance is pretty minimal. The main character is Dr. George Abbershaw, who seems to be at Black Dudley primarily to cement his relationship with the adorable Meggie. 

 

Shades of The Big Four, Abbershaw and his friends seem to have stumbled into some sort of an inexplicable criminal gang conspiracy involving a German man who is referred to as the Hun, who plans to set the place on fire and burn them up with it. The plot is bizarre, convoluted and somewhat incomprehensible. No one seems to be able to figure out why Campion is there or who invited him. 

 

I am going to reserve judgment on Allingham and her detective, since I don't think that this book is a particularly good example of her work. As a country house mystery, it was just all right, no where near as good as The Mysterious Affair at Styles or Peril at End House. As a detective, Campion isn't flattered by comparison to Poirot and his leetle grey cells or Peter Wimsey and the fabulous Bunter. 

 

The next book in the Campion series is Mystery Mile, but I'm wondering if I wouldn't be better off digging deeper into the series. Martin Edwards mentioned Traitor's Purse & The Case of the Late Pig in The Story of Classic Crime in 100 Books, and I've heard good things about The Tiger In The Smoke, so I'm thinking of trying one of those the next time I give Campion a try.

 

 

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text 2017-09-22 11:15
Reading progress update: I've read 219 out of 357 pages.
The Story of Classic Crime in 100 Books - Martin Edwards

From the chapters covering some of the key locations of classic British mysteries (the countryside, including and especially country manors, as well as London -- of course -- and domestic and international vacation resorts), we've now moved to an exploration of how the various writers used their "original" professional experience in their writing, and how classic mysteries worked when set in the worlds of science, engineering, politics, teaching -- and of course, the world if the professional investigator, the policeman. 

 

I find I am particularly enjoying these chapters; while those dealing with the various geographical settings were a huge enterprise of cramming as many titles into the introductory chapters as possible (with considerable "name recognition" value -- this is, after all, the Golden Age mystery world 101, and you can't possibly read classic British crime fiction without coming across at least a fair share of the novels mentioned in those chapters somewhere or orther eventually) -- now we're back to an analysis as to what exactly made the novels, and their writers and protagonists, tick ... and how it impacted the various storylines.  That, in addition to being introduced to a plethora of new authors to read, was a major draw for me in the initial 5 chapters, too, where the focus was on how the "conventions" and hallmarks of classic British crime fiction were shaped.

 

Now off to working on another "books mentioned" reading list ...

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