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review 2019-02-09 14:10
Never Say I Can't- Philip Catshill

     This is a wonderful true to life book, written by the sufferer of a major cerebrovascular accident experienced at the very young age of thirty. Having just received his sergeant’s strips as a British Policeman, Catshill is cut down to a physical half, with a severely damaged long and short-term memory and at first a total lack of coherent speech. He had to learn how to regain control of his motor functions, especially those on the entire right side of his body, and his mind. The man even had to ‘retrain’ his injured brain to see through what had become a suddenly ‘disconnected’ right eye. His courage, honesty, and determination shine through in proverbial buckets.

     Catshill has survived not only this story’s devastating stroke, but two more less severe episodes since. That is that they were considerably less severe than the first, but by no means inconsequential. In his rebuilt life he has become a first class autobiographer and in another genre fiction writer. This is the sort of story that should fortify the determination of any one of us having fallen into some form of severe health crisis. Except sadly, our own minds are likely to be so shattered or simply pre-occupied that we will fail to benefit from any memories from this amazing story about the will to recover.

     This is an immensely humorous book, though of course often of a very black nature, but one that raises genuine belly laughs at that, and so it should for live is unbearable if we try to treat every unfortunate situation with only the gravity it naturally generates. It goes without saying that it also inevitably moistens one’s eyes. I felt at liberty to laugh at Catshill’s struggles, laughing with him, but taking the seriousness, the mental depression, the physical distress on-board.

     In many ways this will always be a unique book, as it is rare for anyone to recover from such major trauma, and to also have the intellectual ability to subsequently write so well about the event. When the trauma is of the nature of a stroke, a literal cerebral infarction, then this book must be seen as all the more remarkable. This isn’t a some imagined third person narrative or ghost-written augmentation of the victim’s capacity, this is true, direct, gritty autobiography.

     Some living individuals don’t come out of this narrative at all well, as brutal honesty extends beyond the author himself. I trust that their identities are well hidden. Arguably, biography can only be real when the wide field is truly accurate. There is no implied criticism on my part, only reason that would always prevent me getting to close to publicly disclosed personal truth. Memoir is an often-painful genre. As we read in this story, we notice how a simple sentence, spoken or written, can be totally devastating or by tone or tiny change be the greatest of empowering gifts. Recovery is always easier with the kindness of others and can hang in the balance either way on very few targeted words. The words in this book are chosen and ordered to strong affect.

AMAZON LINK

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review 2012-08-05 00:00
They Say/I Say: The Moves That Matter in Academic Writing - Gerald Graff,Cathy Birkenstein Very interesting premise, namely, looking at academic writing as participating in a dialogue. It's a fascinating idea that goes back to at least Greek roots in the Socratic dialogue. (Come to think of it, some Eastern teachers use that technique as well; I'm just not well-versed in non-Western history). I think it's a technique that helps a student place their work in a larger conversation, and elevate an academic essay above the "explanatory" work into a work that defends or promotes a viewpoint. The writers' mission can be summed up: "Yet despite this growing consensus that writing is a social, conversational act, helping student writers actually participate in these conversations remains a formidable challenge. This book aims to meet that challenge. Its goal is to demystify academic writing by isolating its basic moves, explaining them clearly and representing them in the form of templates."Broken into four parts, the first part is called, "They Say," and gives students examples of how to take a position, then summarize and quote others in their works. The second section, "I Say," leads the writer how to respond to the "they say" arguments, and how to distinguish one's own position from differing ones. (Incidentally, my professor had us read Martin Luther King's "Letters from a Birmingham Jail" which uses nearly every instance of these techniques, and is a truly impressive essay. For that alone, I'm grateful to her). The third section addresses analysis and conclusions, and shows how to connect the parts, using one's own voice and metacommentary.The last section addresses writing within specific settings, namely, writing for science, in the social sciences, entering class conversations and deciphering author viewpoints.Each chapter ends with a few exercises which lead the reader through understanding the technique and how to implement it.Contains templates to help beginning academic writers formulate ideas, and has a number of specific suggestions throughout to help writers integrate these techniques.Overall, an interesting read for an academic book. It was required reading for an English Composition class. I wouldn't have mind having run into this in high school or college when I first started academic writing. Four stars for quality of ideas, approachability and useful techniques, if not actual enjoyment.
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review 2011-07-15 00:00
Aklından Bir Sayı Tut - John Verdon,Cemile Özyakan Yazarın ilk kitabı olduğu düşünülürse gayet iyi bir kitaptı. Katilin 658 sayısını nasıl tahmin ettiği kitapta beni en çok meraklandıran şeydi. Aslında tamamen istatistik bilgisine dayanan bir yolla bağladı ki bence iyi bağladı. Kitap emekli dedektifimizin ağzından anlatılıyor, onun kişisel özellikleri, geçmişi, yaptığı hatalar, gösterdiği başarılar derken karakteri iyice tanıyorsunuz. Bazen öyle sahneler oldu ki karısının ondan daha iyi dedektif olabileceğini düşündüm. Sonlara doğru katili tahmin edebiliyorsunuz, hatta öyle bir şeydi ki ondan başka kimse mantıklı gelmiyor. Ama yine de güzel bir kurgusu vardı, ana kahramanın olayı ele alış biçiminden Poirot romanları okurken hissettiğime yakın bir şeyler hissettim ki bu yapabileceğim en büyük övgüdür benim için. Kısacası iyi kurgusu ve ilginç konusuyla okunmaya değer bir kitap.
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review 2008-07-08 00:00
They Say/I Say: The Moves That Matter in Academic Writing
They Say/I Say: The Moves That Matter in Academic Writing - Gerald Graff,Cathy Birkenstein http://pro-libertate.net/node/28
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