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review 2019-10-13 20:34
A must read for anybody interested in London crime history
The 19th Century Underworld. Crime, Controversy & Corruption - Stephen Carver

Thanks to Rosie Croft, from Pen & Sword, for providing me a hardback copy of this book, which I freely chose to review.

I am not a scholar in the topic of XIX century Britain, London in particular, although I have read a number of fictional books set on that period and place (it has always proved popular, especially with crime writers, for evident reasons) both recent and from the era, and also some historical books (some of the best coming from Pen & Sword as well) on specific aspects of the era, like children’s deaths. I was therefore not sure about what I would find here but hoped that it would enhance my understanding and give me a better sense of what life might have been like, away from the sometimes romanticised version we have of the Victorian era. This volume did that and more.

The book, which contains illustrations of the period as well (some black and white photographs, but mostly sketches and ink drawings that appeared in publications of that era, with a separate table of illustrations), contains facts and descriptions of the less savoury aspects of the XIX century life in London, but the emphasis is not on a XXI century perspective, but on written (and illustrated) sources of the period, and how the different topics were approached by the press, literature, and theatre of the time (movies are also mentioned, although those are references to later versions of the stories and characters discussed). Although most of us will be familiar with the penny dreadfuls, the author shares his expertise and offers us a catalogue of publications, authors (quite a few anonymous), publishers, guides and popular venues that reflect the fact that the hunger for certain types of subjects and the morbid interest in crime and vice are nothing new.

The book combines scholarship (there are detailed footnotes including information and sometimes explanations about the quotes and sources used in the text, at the end of the book, and also a lengthy bibliography and an index) with an engaging writing style, and manages to include plenty of information in each chapter, without cramming too much detail or leaving us with the impression that we are missing the most important part of the story. Although I’m sure most readers will be intrigued by some of the events and characters mentioned in the book and will want to learn more about them, Carver facilitates that task with his sources, and this book is a goldmine for researchers, writers, and anybody interested in the era in general. I usually mark passages I find interesting, to research later or to mention in my review, and in this case I can honestly say I broke the record for number of notes.

To give you an idea of the topics, I’ll briefly (-ish) go through the chapters. Chapter 1: Various Crimes and Misdemeanours, where the author explains that our view of the XIX century underworld is a product of popular culture, and he explains the efforts the society of the time made to try to categorise and control the crime in the capital. Patrick Colquhoun, a Scottish businessman and magistrate who liaised with Jeremy Bentham (a philosopher and social reformer we studied in Criminology for his ideas about prisons and reforms) wrote a book called A Treatise of the Police of the Metropolis in 1796, where he classified the criminals in London into 24 separate categories and estimated that there were around 115000 of them. The Radcliffe Highway murders and how these influenced some of the legal reforms are also discussed in detail.

Chapter 2: A Corinthian’s Guide to the Metropolis, talks about bare-knuckle boxing, betting, and also about a number of articles, guides, and books, purporting to inform discerning gentlemen of the entertainments and lifestyle that could be found in this part of town. We learn where Tom and Jerry came from (Pierce Egan’s writings and his characters seem to have inspired Hanna and Barbera), and the author notes that at this point (early in XIX century), the underworld was not represented as the gothic nightmare it would become later.

In Chapter 3: Bad Books for Bad People, we hear about authors that are more familiar to us, like Dickens and Thackeray, although also some others who’ve faded into oblivion mostly because their take on the topic lost the favour of the Victorians. They chose to write about criminals and outlaws (like Dick Turpin), but not in an overly moralistic or condemnatory manner, and although that was popular at first, later reformists condemned that stance, and it resulted in their loss of popularity and later ruin. There are wonderful examples of the use of jargon and vernacular, very popular at the beginning of the period but that would later fall out of fashion.  (This chapter reminded me of the gangster movies of the 1930s, which could depict violent and immoral characters as long as they ended up getting their just deserts).

Chapter 4: Invasion of the Body Snatchers, looks at the Resurrectionists, those who stole bodies from graves and sold them to medical schools. Although I’ve read some fiction about the subject and knew about Hare and Burke, I didn’t quite realise it was such an organised trade and the huge amounts of money involved. The inquiries and the law changes these incidents caused are discussed, and it is difficult to imagine how such events could have been ignored for so long, but there were powerful interests at play.

Chapter 5: The Real Oliver Twist, focuses on how life was like for children living in poverty, and it reminds us that studies of the 1840s showed that half the children born in the UK at that time died before age five. Children living of picking up dog’s dung, or being trained to become pickpockets or worse were not only the protagonists of fictional stories. They were all too real.

Chapter 6: Fallen Women, talks about prostitution, and I was fascinated by the author’s account of the biography and writings of French writer and activist Flora Tristan, a woman who was a feminist, a social commentator and reformer, who rather than blame prostitution on women’s lack of morals, blamed society and the lack of opportunities for women to get an education and make an honest living. She talked to prostitutes and wrote about what she found in 1840 and she anticipated some of Marx and Engels ideas. A woman I definitely want to learn more about.

Chapter 7: The Greeks Had a Word for It, talks about pornography, the ups and downs its publishers went through (as the period grew less and less tolerant), and it starts by reminding readers of the fact that pornography as a subject is very ancient, as people digging in Pompeii and Herculaneum found out. Many ancient objects of this nature that were recovered made it into private collections, mostly those of discerning gentlemen, and many museums had (and still have) hidden stashes of them. I was surprised by how much I enjoyed this chapter, not because of the topic, or the content of the books mentioned (although some of the samples are hilarious) but because of the cat-and-mouse games writers and publishers played with the authorities and also of the evident hypocrisy of the whole endeavour.

Chapter 8: The Death Hunters, treats about what the author describes as “another type of pornography”, the interest in crimes and murders. True murder is not a new genre and although there were not many murders in London (or even the whole of Britain) at the time, the public appetite for it was huge, and sometimes writers would make them up. I had a chuckle at some of Illustrated Police News headlines (‘A Burglar Bitten by a Skeleton’ and ‘A Wife Driven Insane by a Husband Tickling her Feet’ are my favourites). The chapter ends up with Jack the Ripper’s murders, which the author elaborates further on Chapter 9: A Highly Popular Murder, where he notes that much of the speculation about the murders was created by media, and Jack the Ripper has become a phenomenon that combines reality with fiction. He does note that while the Ripper has grown in attention and popularity over the years, little time is dedicated to the victims. I am pleased to say that there is a new book due to be published by Pen & Sword about the victims of Jack the Ripper, and I hope to comment on it in the future.

I recommend this book to anybody interested in London history, history about crime in the XIX century, researchers and writers keen on exploring and writing on any of the topics covered in the book, and to anybody who wants to gain a different perspective on the London of the Victorian era. Highly recommended.

 

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text 2019-05-26 12:20
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review 2017-12-20 19:27
Rebecca's Redemption (Call to the Jungle Book 3) - Lee Carver

REBECCA’S REDEMPTION by Lee Carver

Have enjoyed the other books in this series although they are also stand alone books, love the locations and so much more.

Three things I like about a book: has a bit of romance, I have to learn something new and I have to be taken away. This book provides all 3!

This one starts out with Rebecca and she's arriving in the jungle to help as a missionary at the hospital center.

Dr. Ed is the main doctor when she arrives and he has two girls that live nearby. There are other nurses and one is hoping the doctor will pay attention to her now that his wife has been gone over a year.

Rebecca just does what she's told and tries to stay out of the nurses way, she wants no conflict.

What I liked about this book was it took me away from the very first page on the plane just about to land and I felt like it was me sitting there as I've experienced small plane travel.

Very descriptive details of the scenery and all the medical things done to patients. Like how they all get along so smooth. Especially liked how they get the things they need and the trips to other areas to enjoy themselves.

Love the books the children get and was so surprised when Rebecca was given a gift. Learned so much about the fauna and nature, animals and procedures.

Conflict does occur when an agency arrives to investigate and you wonder if they will shut the hospital down...

Loved hearing of the scriptures and how that helps Rebecca and Dr. Ed open up to each other about their pasts.

Thought this was the best out of the series but all are very good and so detailed and descriptive.

I was given the book by the author via Book Fun (The Book Club Network) and this is my honest review

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review 2017-12-14 19:13
Rebecca's Redemption (Call to the Jungle Book 3) - Lee Carver

This book is really by Lee Carver, not Raymond at all   Hope somebody can correct his:

 

REBECCA’S REDEMPTION by Lee Carver
Have enjoyed the other books in this series although they are also stand alone books, love the locations and so much more.
Three things I like about a book: has a bit of romance, I have to learn something new and I have to be taken away. This book provides all 3!
This one starts out with Rebecca and she's arriving in the jungle to help as a missionary at the hospital center.
Dr. Ed is the main doctor when she arrives and he has two girls that live nearby. There are other nurses and one is hoping the doctor will pay attention to her now that his wife has been gone over a year.
Rebecca just does what she's told and tries to stay out of the nurses way, she wants no conflict.
What I liked about this book was it took me away from the very first page on the plane just about to land and I felt like it was me sitting there as I've experienced small plane travel.
Very descriptive details of the scenery and all the medical things done to patients. Like how they all get along so smooth. Especially liked how they get the things they need and the trips to other areas to enjoy themselves.
Love the books the children get and was so surprised when Rebecca was given a gift. Learned so much about the fauna and nature, animals and procedures.
Conflict does occur when an agency arrives to investigate and you wonder if they will shut the hospital down...
Loved hearing of the scriptures and how that helps Rebecca and Dr. Ed open up to each other about their pasts.
Thought this was the best out of the series but all are very good and so detailed and descriptive.
I was given the book by the author via Book Fun (The Book Club Network) and this is my honest review

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review 2017-12-06 00:00
Raymond Carver's What We Talk About When We Talk About Love: Bookmarked
Raymond Carver's What We Talk About When... Raymond Carver's What We Talk About When We Talk About Love: Bookmarked - Brian Evenson https://msarki.tumblr.com/post/168266456393/raymond-carvers-what-we-talk-about-when-we-talk

What a multi-faceted memoir and critical review focusing on the work of Raymond Carver as well as the writing career of the author [a:Brian Evenson|48355|Brian Evenson|https://images.gr-assets.com/authors/1237495626p2/48355.jpg]. This engaging work highlights the parallels and genesis devolved within both their somewhat parallel literary relationship with the infamous editor [a:Gordon Lish|232097|Gordon Lish|https://images.gr-assets.com/authors/1267719924p2/232097.jpg]. Learning the history of Evenson’s development as a writer and scholar, and being privy to a few of the trials he sustained while maturing to become the elder Evenson of today, by turns, is an interesting story. And much will still come to be written of Gordon Lish. Other writers who have worked under the tutelage of this great teacher and editor will also add their personal experience to an already growing oeuvre.

Brian Evenson’s fiction was first introduced to me in seasonal increments discovered in the Lish-edited litmag titled The Quarterly originally published by Random House beginning in 1987. That early work of Evenson’s scared the bejeezus out of me as I recognized a budding genius perhaps the measure of another favorite writer of mine going by the name of [a:Cormac McCarthy|4178|Cormac McCarthy|https://images.gr-assets.com/authors/1414695980p2/4178.jpg]. Unfortunately (and perhaps unfairly) I eventually tired of Evenson’s fiction but always kept his character and personage in high esteem due to his extensive Lilly research into the Carver-Lish relationship as well as his own struggles with the Mormon church. This book not only details his Mormon troubles but eventually describes a segment of his important scholarly research regarding the Carver-Lish relationship. Evenson’s eventual discarding of this critical study he had for so long revised and attempted to have published has now been acquired and stored in academia for other scholars to one day have a go again regarding the primary subject of ethical editing.

If you visit the Lilly Library in Bloomington, Indiana as I did several years ago, it is surprising to see first hand the actual re-writing of Carver’s manuscript by Lish’s own pen. The collection that made Carver a household name, highlighted within the title of this very book, can be fairly credited to the editing and revisions of Gordon Lish. It was perhaps unfair to Carver that Lish did what he did. Perhaps the overzealous Lish had ideas of his own on his way to being famous in his own right. I can attest that Gordon Lish as my editor and teacher never re-wrote anything of mine. However, he did teach me how to more critically read and to write. The most he ever did as my editor was circle a word and tell me to beat it. He may have crossed out a line or even an entire page he felt was not strong enough and marked the spot in which I might start over, or a few times suggest a possible word or two as teacher, but never did he write words for me and let me call them my own. And as time crept on the majority of my submitted poetry was accepted by Lish as written, he adding no marks nor demands for me to better it, just adding his customary ✔︎ as approved or his occasional word of Great! or Yes! written in the margins. It was not long after I had finally gained his predictable approval of my submitted work that I grew restless to try my hand at other literary endeavors. Subsequently our relationship began to evanesce without the constant mutual nurturing that previously existed.

Evenson details similar editing practices in his own personal relationship with the editor Lish. To Evenson’s credit he admits to sometimes happily, and at times reluctantly, accepting a Lish revision, but he also had the courage to resist him. Carver did not exhibit the same courage in confronting the great Lish until Carver was already famous. Raymond Carver holds his own personal place setting strapped into the yoke and hardware of sin of their collaborative endeavor. And as much as I love and admire the fiction of Raymond Carver, he was not exactly honest in his portrayal of what really did occur. His sin of omission exists for all interested parties to witness for themselves. Meanwhile, Brian Evenson lives to tell us his most fascinating story regarding this piece of literary history.
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