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text 2014-11-28 17:20
NZ Classics: Ronald Hugh Morrieson
The Scarecrow - Ronald Hugh Morrieson

"The same week our fowls were stolen, Daphne Moran had her throat cut."

-- Ronald Hugh Morrieson, the opening words to "The Scarecrow"


Morrieson (1922-1972) always feared, in his lifetime, that he would be "another one of those poor buggers who gets discovered when he's dead", which very sadly turned out to be true. Most of his books were published in Australia years before they got published in NZ, and that in fact didn't happen until after his death. 


Still I reckon most kiwis my age remember that first sentence to the Scarecrow by heart.


The book "The Scarecrow" was published in 1963, but was made into a movie in 1982, starring a bunch of local unknowns and John Carradine. I am to this day still scared of that man. The Scarecrow is described by the publishers as "A tragicomic story of a sex killer in a small town", and I can tell you it scared the bejeebers out of me when I was young. Giving this to 13 year olds to study was maybe not well thought out! 


Plotwise, it's fairly straightforward (from the blurb): Fourteen-year-old Neddy Poindexter and his mate Les take swift revenge on the chook*-rustling Lynch Gang, but things turn sinister when vulture-like Hubert Salter stalks into Klynham. There’s a sex killer on the loose, and Neddy is in deep fear for the safety of his sister.


One newspaper reviewer described it as "a brilliant, hallucinatory mixture distinctively his own", and another with "Had Dickens begun his career in the twentieth century and with a novel whose major theme was sex he might very well have produced a book like The Scarecrow."


Came a Hot Friday is another tragicomic (yes, that word is used a lot for Morrieson, and it fits) morality tale about a couple of jack-the-lad types who come up with a scheme to rip off a bookie in another of Morrieson's finely drawn kiwi small towns. Helped along (or not so much) by a lunatic maori man who is convinced he is a mexican bandito. 


Both were made into films that are most beloved in NZ, but I like the books better. The film version of The Scarecrow manages to hit all the horror/scare notes of the book, and miss a good deal of the comedy, while "Came a Hot Friday" does the exact opposite, it's one of the funniest movies I've ever seen, but it has none of the gothic tragedy of the novel. 


In any case, Morrieson wrote only four novels, and I think all of them were adapted into films at one point or another.  Still, the movies are a lot easier to get hold of than the books, so:


Came a Hot Friday is on youtube (this is a playlist in 7 parts):  and was (finally) released on DVD in 2011. 

Some info and an excerpt from the movie The Scarecrow is available at the NZ On Screen film database.

Also here's a really nice (and quite recent!) review of one of his other books, Predicament, in the Telegraph.

The final book was called "Pallet on the floor", also made into a movie in the 80's, but I really think The Scarecrow is the one to read.


And more kiwi fun on the NZ Classics reading list.


* Chook being kiwi for Chicken of course :)

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text 2014-11-23 13:07
The Last Will & Testament of Zelda McFigg by Betsy Robinson
The Last Will & Testament of Zelda McFigg - Betsy Robinson


Zelda McFigg was born the antithesis of Hollywood perfection and unintentionally knew what her purpose in life would be. She would have the audacity to live her life and remind everyone, she would meet on her journey, of everything they did not want to be. In fact, she was everything the winners feared and despised. The sight of her made them stagger in resentment. In life's experiments she would become a one-woman control group.

Born to an absent father, a drunken mother, dependent on herself for survival, and a mission to become an actress, she had no moral compasses from anyone to guide her through the pitfalls of adulthood. It resulted in her making big mistakes that would ultimately catch up with her later in life. She ended up being an illegal teacher for more than thirty years as well.

The only love she understood was food. And more food. And then some more food. Until she became so obese that no one in their right social mind would want to be in her presence. At the age of 14 she knew she had to leave her mother's house. Thus began a journey of survival in which she exchanged her intellectual abilities for a roof over her head; watched ruthless people steal her horses and plow themselves all the way to successful lives; experience the shock of betrayal where she least expected it. But in the end she did not give up. She stood up for herself and wrote her memoir, just to prove a point! 

"Do the right thing. It will gratify some people and astonish the rest." , - Mark Twain.

The story is a tragicomedy in which a sensitive, soft hearted young lady discovers more than the brutal truth behind the 'winnerisms', or should it be called winner mentality, and what it really entails. Despite the treatment she must endure, she remains a fighter with talent and insight to survive any challenges coming her way. It is remarkable story of a young woman who managed to survive on her own, dodge the foster care system, with no backup support and nobody to to take care of her, while she had enough compassion to assist other people to become the best people they could ever be. Her joie-de-vivre is refreshingly original.

The story is in memoir form and well-structured. The plot is slowly building up to a crescendo and a tension line is subtly snaking through the tale. The final moment of truth, in which she also must address her own problems, happened when her life slowly turned stale, like the old peanut butter sandwiches she often nicked from the school cafeteria and her patience just took a final hike. 

"In July of 2009, to pick up some extra money, I had agreed to teach a two-week summer school course called The Basics of Writing.

The class was packed due to Moose Country parents’ alarm at the propensity of their instant-messaging, texting adolescents to mistake abridged, abbreviated, acronymed vocabulary and butchered syntax for acceptable writing. Sitting in the front row of my first class was Walt Edelman. How I loathed the boy.

“Miss McFugg,” he said, mispronouncing by design, “can you please tell us how many and what brand of pencils we should have for this class? My mother will only allow me one number two with a half-eaten eraser. My baby sister likes to chew.”

“Mr. Edelpuss,” I began with no idea what would ensue, “are you so dense or naïve as to think that I would believe the president of the PTA would send her progeny to this esteemed establishment of remedial education with only one half-eaten pencil? Your attempts at creative disruption are matched only by the thimble of grey matter sitting atop your neck that only a loving mother could mistake for a brain.”

For the moment of stunned silence that followed I thought I had achieved a victory.

“Miss McFuggle,” responded Edelman, his attempted cheerfulness belied by the redness expanding across his normally pasty face, “your ineptitude for teaching a remedial writing course is matched only by your delusions of literacy. Charlotte’s Web is an old fashioned movie for kindergartners!” He threw up his arms in a victory gesture and the class roared. Then, milking the moment, Edelman rose from his chair, bowed, and parodying my savior, my idol, Mr. Cronkite, he removed his eyeglasses and mimicked, “And that’s the way it is.”

As the class applauded, I felt something slip loose inside me. Some sliver of a thing that keeps one from strangling contemptible children with flaccid mouths on under-sized cantaloupe heads. I don’t know whether it was his disparagement of the work of Mr. E. B. White, or his insult to Mr. Cronkite, or my grief at my loss of the American dream, but before I knew it, I was on Edelman, pushing him into his chair, my fingers closing around his insolent, toothpick neck. I felt his heart pounding as I squeezed and twisted, and I will not lie to you—it was delicious.

And that was the last thing about the incident that I remember. The next I knew, I was lying on the A-frame table, a vestige of the pre-computer days of shop, in Principal Appleton’s office, and Mrs.Lambert was jumping and flailing like a crazed band conductor, screaming, “I think she’s dead. I never changed her mailbox tag. Oh God, she’s dead!”

Although the narrative is presented in the first person, and with often hilarious moments build into the tale, the protagonist never became narcissistic or egocentric at all. She helped other people more than she helped herself. Her inexperience made her trust the wolves in sheep's clothing, and had to learn a lesson late in her life. But she did not gave up her fight for survival. She never gave up on the American dream. It made her one of those rare winners in life who could celebrate the true spirit of real leadership and what it was suppose to be about.

The wit was often unexpected.

"Although it is commonly diagnosed as a disorder, in my opinion, lactose intolerance is only a problem if one lives in the company of others."

It took me quite a few moments to grasp the meaning of the above statement, and when it did, I rolled around laughing. Honest, in-your-face writing like this, takes a huge amount of guts from a female author. I absolutely loved her spunk to do it.

"One flew over the Cuckoo's Nest" came to mind in spending time with this remarkable, feisty, driven girl. The situation is outrageous, weird and unbelievable. Yet we all know it is possible, tragic in its truth. 

"New Age gurus tell you, love does not cancel hate. Or hurt. Or resentment. Or a desire for rectification. I am living proof of that.
That boy that I sometimes miss, he also disgusts me. And even though I want no contact, I cherish the fact that we are forever connected.
Yes, I want him to hurt, but I also long for him to succeed, to be happy, to know love. I have always wanted these things—from
the day I met him to now. So you see I do know something: I know that even though I may have done it badly, even if it made me somewhat crazy, even if it was unreciprocated, mocked, and pitied, I am grateful that I took the risk.

Since being known to be a rebel myself, and always rooting for the underdog, being one myself in so many ways, I can state without any doubt, that I would have loved to have Zelda McFigg as a friend. Gold comes molded in so many forms. 

I am a devoted Mark Twain fan. I imagine him in my life in those self-indulgent moments when I can feel so very sorry for myself. He would probably tell me to get over myself, I am simply not important enough, and that will jolt me back to reality in no time. In fact, he did say at one point, 'Don't go around saying the world owes you a living. The world owes you nothing. It was here first.' And if that is not the compassionate, sobering words by a friend, what is?! Hehehe. 

Betsy Robinson's writing constantly has a 'Mark Twain-esque' under current flowing through it: direct, call-a-spade-a-spade honesty, that had me laughing, while I actually wanted to cry. She has a chutzpah to her that I have not found in any female author anywhere, anytime, ever. She has a new devoted admirer in me, for sure. 

Zelda McFigg's survival kit contains a healthy dollop of humor which is the most important lesson she is teaching us in this book. Would I recommend her as a role model for young people? Of course not! A person who eats her problems away, seek love in mountains of fodder, makes catastrophic decisions and becomes an experienced lock-picker? Nope, it ain't gonna work, right ? But still, everyone should read this book to understand how the American dream worked for her. She was dirt poor, unattractive, unlovable, and undoubtedly obese. But she did have something else: a cheek to persist. And a gentle grace which defined everything for her. 

This is everyone's story who had to take on the world single handedly and won (or lost). The narrator's voice is so authentic, it does not fit into any literary molds. But it is this individualistic cry for recognition that makes this book worth reading.

 However, I will repeat what I have said in another review: 

"The mother of all No-No's in my book always was, and still is, an over-indulgence in 'logue-fests'. You know, those epi-, pro- and other logue-paraphernalia, such as an additional introduction and foreword, destroying, even polluting, an otherwise promising novel." Another pet peeve of mine: adding too many reviewer comments to the introduction turns the actual book suspect. Lose it! For these reasons the book loses a star.

But overall, I loved this entertaining, insightful seriocomic fictional memoir. Absolutely recommended, for sure. 

Source: something-wordy-reviews.blogspot.com/2014/11/the-last-will-testament-of-zelda-mcfigg.html
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review 2014-11-15 02:01
The Casual Vacancy - J.K. Rowling

J.K Rowling admits to being a big Jane Austen fan and I think it's very easy to see the Austen influence in both the narrative voice and the stream of consciousness she uses. personally, I love it- to me It feels like being wrapped in a cocoon and carried through the story.


It was quite well publicised that the casual vacancy was/is a big departure from Harry Potter but, exactly like Harry Potter, the characterisations are brilliant. I felt like every single character had been stolen from someone I knew in real life and my view of them changed constantly as I was shown the different faucets and layers to their personalities. Don't let the blurb put you off- it doesn't sound all that exciting, but it's absolutely brilliant.


*slight spoiler here, but it's something revealed in the first few pages of the book anyway*

The book is set in the small rural town of Pagford which seems on the surface to be pretty idyllic and quintessential English. The story starts with the death of a local council member named Barry. As his seat opens up we are shown the seedy underbelly and complicated web of this little town as people fight over the seat to push their different agendas alongside struggling with their own day to day lives. Although there are definitely some characters you root for and ones you actively dislike, it is a sliding spectrum and most people (as in real life) fall into a shade of grey.  It sort of reminds me of 'Love, Actually' (the Richard Curtis film) in which everyones lives are interlinked and even when someone does something that makes you cringe or makes you angry it is completely believable and if you can't sympathise with them you can at least see where they are coming from.


The pacing is brilliant, everything feels like it is revealed to you as it is revealed to the characters themselves and yet somehow it's not slow. J.K is a master of the 'show don't tell' school of writing and the story deals with the issues of class, prejudice and privilege head on without seeming preachy or overly simplistic. Why is my review titled "Welp" you ask? Well because that's what I felt like once the book started to reach it's conclusion. I felt like I had the wind knocked out of me. J.K Rowling described it as a "tragi-comedy" and I couldn't agree more. I laughed, I cried and I got angry on behalf of J.K Rowling because I honestly feel like this book didn't get the attention it deserved- I feel like if she hadn't wrote Harry Potter people would be raving about this book, but people are refusing to approach it seriously. If you are thinking about reading this book, then do it and I promise you will not regret it.



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review 2014-10-13 22:00
Waiting for Godot
Waiting for Godot: Tragicomedy in 2 Acts - Samuel Beckett

They don't lie when they say that 'Waiting for Godot" isn't for everyone, and that not everyone will understand it. For me I didn't really have an option on the matter as this was mandatory reading for my IB English curriculum. 

I found it to be the written equivalent of Dali or Picasso, whose work I liked as soon as I saw them but couldn't grasp the full concept of. It took time for it to grow on me and the full understanding to take root. The same, I feel, can be said with Godot.

The laughs came mostly in the first quarter of the book, after which confusion took root mostly. The worst part for me was the original encounter of Estragon and Vladimir with Lucky and Pozzo, which is when my confusion skyrocketed. The second act was much clearer as well much more intriguing with the exchanges and the developments in the characters of Vladimir and Estragon. 

This one will grow on me, I know it. It'll take some time as I've gotten the bigger picture and some of the smaller details, but need some time to digest the smaller parts and understand their purpose as cogs in the general working of the play's mechanism.

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review 2014-03-22 00:00
Waiting for Godot (Eng rev): A Tragicomedy in Two Acts
Waiting for Godot (Eng rev): A Tragicomedy in Two Acts - Samuel Beckett pretty entertaining way of saying nothing and everything all in one
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