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review 2017-10-17 09:57
That rare thing. A strong second-book in a trilogy.
Lindisfarne (Project Renova Book 2) - Terry Tyler

When I read (and reviewed) Tipping Point, the first novel in the Project Renova series, I guessed that setting the next story in Lindisfarne would bring things to the boil. If the first book introduced us to the main characters and set up the background of the story (how the population of the world had been decimated by a virus, the conspiracy that was behind what had happened, and a group of survivors set on creating a new life for themselves), the second one moves on from there and places a number of characters, with their personal crises, their problems, and their different origins and values, together in a very restricted environment. Lindisfarne is a wonderful place, but as I had observed before, is it not easy to hide there, and emotions are bound to ride high when people who would not normally have chosen to live together are thrown in close proximity to each other with no easy way out.

The author does a great job, again, of creating and developing characters that are real, with complex motivations (not all black or white), and whom we get to care about (well, some we get to truly dislike). The story is told the points of view of several characters. Some of the accounts are in the first person. Vicky, the woman who was the main character of the first book is still the central character here, but she shares her first-person narration with her daughter Lottie (who just becomes more and more fabulous as she grows, and she talks and thinks like a girl her age, even if a very strong and determined one) and Heath, the man she loves (but whom she has difficulty committing to). Some are in the third person. We are given a privileged insight into Wedge’s twisted mind (he is a biker who escaped prison in the first book and he reaches the island looking for revenge, and well, yes, he finds it), and the story of Doyle (a guy who was a data analyst and was involved in the running of the Renova project at a worker-bee level) who wanders alone most of the time until he stumbles across the next stage of project Renova is also included, although he is not part of the community. The stories of those two, Wedge and Doyle, are told in the third person, perhaps because they are the characters that are more closed-off and we are less likely to identify with (although we still see things from their points of view, not always pleasant, I might add). Doyle’s character also allows us to get a glimpse into what is going on in the world at large and what the forces pulling the strings are planning next. There is a chapter, a particularly dramatic one, where several points of view are used, for very good reason, but in the rest, it is clear who is talking, and there is no head hopping. The different points of view help give readers a better sense of the characters thanks to the varied perspectives and also provide us with some privileged information that makes us be less surprised by what happens than some of the characters are.

Vicky, who matured during the first book, continues to get stronger, but she goes through quite a few harrowing experiences in this book, she still finds it difficult to make decisions (she always thinks about everybody else’s needs first) and is sometimes two steps forward and one step back. When she comes face to face with the man she thought she could not live without again, she makes an understandable choice, but not one we’ll like. Later on, things take a turn for the better, but… The rest of the characters… I’ve mentioned Lottie. She’s great and I loved the chapters from her point of view. And we have an official psychopath baddie, but, well, let’s say he’s not the worst one of the lot. (To be truthful, I prefer an all-out ‘honest’ baddie to somebody who pretends to be good and do everything for others when he’s a lying, good-for-nothing… Well, you catch my drift).

I don’t want to give you too many details about the plot, but let’s say that we discover quite a few secrets, we come to meet characters we’d only heard about before and see them in all their glory (or not), there are strange alliances, issues of law and order, cheating, fights, and even murders. And we get a scary peep into what the future holds.

As I had said in my review for the first one, due to the care and attention given to the characters, and to the way the small community is configured (we get to know everybody and it is a bit like soap opera but in a post-apocalyptic environment), this book will be enjoyed also by people who don’t usually read this genre of novels. There is a fabulous sense of place and the author manages to use the island (its history, its landscape, and its location) to its utmost advantage. The books need to be read in order to truly understand the story, the development of the characters, and their motivation. If you haven’t read Tipping Point, I recommend you start with that one and keep reading.

I know there is a book of short-stories being published later in the year and the third novel next year. I can’t wait to see what will happen next after the epilogue (and what Dex will be up to next). A great series and one that makes us question what makes us human, what do we really need to survive, and what makes us civilised (if we are).

I was provided an ARC copy of the novel that I freely chose to review.

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review 2017-09-11 14:56
Rezension | Joe Hill: Fireman
Fireman: Roman - Ronald Gutberlet,Joe Hill
Wer den Klappentext verfasst hat las den Titel und nicht das Buch. 
 
Was habe ich erwartet: 
Eine Geschichte über eine apokalyptische Krankheit und einen mysteriösen Fireman. Irgendwas mit einem coolen Endzeithelden, gespickt mit feinen Mystery- und Horror - Elementen. (Entschuldige, Joe Hill, aber ja, ich messe dich an Daddy.) 
 
Was habe ich bekommen:
Ja, was habe ich bekommen? Ein Endzeit-Dschungelcamp? Eine Gesellschaftsstudie am Rande einer Apokalypse? 
 
Man hätte es genau so gut „Marlborough -Mann“ nennen können und behaupten, eben jener wäre die größte Gefahr der Menschheit.  Ja, ein „Marlborough- Mann“ kommt vor und ja, er ist eine Gefahr. Zumindest für einen Teil der Menschheit. Damit wären wenigstens zwei Aussagen des Klappentextes als wahr erfüllt, denn es gibt tatsächlich einen „Fireman“ in diesem Roman, aber er ist nicht die letzte Rettung der Menschheit. 
 
Die Krankheit ist cool. „Dragonscale“, feine Muster, die auf deiner Haut erscheinen und dazu führen, dass du in Flammen aufgehst. Mit dem Menschen nach und nach die ganze Welt. Gut, dieKrankheit zu haben ist nicht so cool, aber die Idee ist gut.  Verschwendet, aber gut. 
 
Harper, die Protagonistin folgte ich sehr gern durch den Verlauf der Geschichte. Sie ist erfrischend normal, nicht perfekt, aber auch keine Damsel-in-Distress. 
 
Der Firmen war am Anfang als mystischer Retter interessant, wurde aber sehr schnell de-mystifiziert. Er ist nett. Also nicht im Sinne von „nett ist die kleine Schwester von…“, sondern nett. Mehr aber auch nicht. Er kommt nicht so oft vor und er macht auch nicht sonderlich viel. Aber er ist … nett. 
 
Die Romanze fand ich zu erzwungen und fehl am Platz. Sie tut nichts für die Geschichte und macht wenig Sinn. Lass die beiden sich mal verlieben, weil … Keks. Das ist eine „Thor“ - Romantik. Kennen sich ein paar Stunden und verlieben sich unsterblich weil es der Plot so will. Nein, nicht der Plot, der Autor. 
 
Joe Hill arbeitet mir epischer Vorausdeutung. Das erfüllt seinen Zweck, man möchte weiter lesen, aber es verrät auch viel. Zu viel Info zu früh nimmt Überraschung weg. Ich mag es lieber, wenn ich nach und nach herausfinde, wer die Antagonisten sind, als wenn ich vorweg mit der Nase darauf gestoßen werden. Ein oder zwei Wendepunkte der Geschichte lässt er offen, die größten, aber weniger vorweg greifender Erklärung hätte dem Buch gut getan. 
 
Längen gibt es. Der Mittelteil im Camp zieht sich hin, während das aktionsreichere Ende im Vergleich recht kurz ausfällt. Ich wünschte mir mehr und früher Aktion und weniger Aufbau. Die Etablierung des großen Personals braucht Zeit, ja, aber Joe Hill sollte auf sein Talent vertrauen viele Figuren differenziert darzustellen. Das kann er nämlich. Hat gut von Daddy gelernt.
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review 2017-08-30 22:26
A post-apocalyptic story of a Britain that is so familiar it is truly scary.
Tipping Point (Project Renova Book 1) - Terry Tyler

This book is a post-apocalyptic novel set in the near future (2024 to be precise) in the UK. Although some of the specific locations are fictional, the author explains in a note at the end where the original inspiration for some of them came from, and indeed, some are real. The setting is one of the great achievements of the novel. For those of us who live in the UK, it is all too real and familiar (with the shops, facilities, political and social organisation, TV programmes, food, language, and even typical behaviours of the population) and that makes it, in many ways, scarier than novels that are set either in imaginary locations, or in vague settings, that in their attempt at representing everywhere sometimes become too unfamiliar and alienating. Another one of the things that differentiate this novel from others in the genre (and I’m aware that the author writes in many different genres and is mostly interested in the stories rather than the labels attached to them) is its attention to characters. Whilst many post-apocalyptic novels spend a lot of the time, either on the cause and the development of the said apocalypse or on descriptions of the new world and post-apocalyptic society, sometimes the characters are little more than superheroes that had not discovered yet they had special survival skills, and spend most of the novel demonstrating us their awesomeness. Although I am not an expert in post-apocalyptic novels, I have read some (the one I best remember in recent times is Station Eleven by Emily St. John Mandel) and I’d dare to say that some readers who might not usually read novels in this genre would enjoy this one.

The time frame of the story is somewhat fragmented. The novel starts plunging us in the middle of the action, as the two main characters, Vicky and her teenage daughter Lottie, are escaping from their town and the enforced isolation and transportation its inhabitants face due to the epidemic. The novel (mostly narrated in the first person by Vicky) then goes back to explain how the situation reached the ‘tipping point’ of the title. The first person narration makes us experience the story close and personal, whilst at the same time limiting the amount of information we get to what Vicky can get hold of. Although her partner, Dex, was well-informed and had been warning her about the world governments attempts at gathering information about the population through social media with shady intent, she always dismissed his concerns and now realises he might have been right all along. (As I have included the description of the novel and want to avoid spoilers, I won’t discuss the whole plot in detail, but let’s say population control is taken to the extreme).

 As I have commented more than once regarding first-person narrations, there are readers who like them more than others, and often it depends on how we feel about the narrator. I must confess that on many occasions I found Vicky very annoying, especially at the beginning of the story. She refuses to believe anything that falls outside of her comfort zone, as if she was wearing blinkers; she is uncritical of official versions of the truth, despite her partner’s attempts at enlightening her. She has little confidence in herself (even when she acknowledges that she has brought up her daughter alone and has achieved much despite her difficult circumstances), and places a lot of responsibility and trust in Dex (although she does not share his ideas or even listen to him at times), her partner for the last six years. He is a fair bit older than her, savvier, and seems to be the one who has to make the decisions and who is expected to come up with answers and solutions to all the problems. (I thought the fact that when they moved they only kept a car, and now he’s the only one to drive and she has lost confidence in her driving seems to encapsulate their relationship). Of course, we do not know him directly, as we only have Vicky’s memories of him, and we learn later those might have been rose-tinted. From the little snippets we get, I found their relationship a bit difficult to understand, as they don’t seem to have much in common (as some of the other characters note, including her daughter) and we learn that she was quite naïve about him.  But she grows and matures through the novel, and although, thankfully, she does not become Wonder Woman, she proves herself resourceful and capable, she dares to try new things and does whatever is necessary to ensure her survival and that of her daughter. I am curious to see how the character will develop in the coming books and also to find out what role she will ultimately end up playing (as the narration seems to be addressed at the readers at times, rather than just being something she is writing exclusively for herself).

I really liked Lottie. She is a credible teenager, determined where her mother is hesitant, flexible and adaptable while remaining a teenager, naïve at times, eager to discover who she is and what she likes, and to fight for her individuality and independence. She brings much of the humour to the story and the relationship mother-daughter is a joy to read (apocalypse or not).

There are some chapters told in the third-person by an omniscient narrator who gets into the head of different characters, some that will evidently play a part in future instalments of the series, and others that provide a clearer background and explanation of how and why everything developed.

The writing is fluid and flows well. The first-person narration is convincing and the reported speech patterns of the different characters are distinctive and help create a clear picture in the reader’s mind. The pacing is steady, at times faster (especially when there is an acute threat to deal with) but at others it slows down to allow for some moments of contemplation and reflection.

Although I said before that the story is not focused on the science behind the illness or on a blow-by-blow account of the spread of the epidemic, that does not mean we do not gain insight into the destruction the virus causes or how it results in a collapse of the usual niceties of civilisation, but rather that we see these on a small scale and from a human-sized perspective, that, if anything, makes it scarier, as it is easier to visualise how this could happen around us. And, as quite a few readers have commented, one feels very tempted to withdraw completely from social media after reading this book, so convincing its plot is.

This first novel in the Renova trilogy sets up the characters and the background situation for the rest of the series. I am intrigued by the number of diverse characters who are set to come together at Lindisfarne. Holy Island, a place I have visited, is fascinating, but not very large for such a crew of people, and it is not somewhere where one can easily hide or even escape from. The confluence of so many people with such different expectations and agendas is bound to be explosive, and I can’t wait for the next book, that luckily should be out in September 2017.

I recommend this novel not only to readers of post-apocalyptic literature, but also to those who enjoy stories that question our beliefs, our society, our values, and that are interested in people, their relationships, and the way they see themselves and others.  I am sure this series will go from strength to strength and I look forward to the next two books.

 

Thanks to the author who kindly offered me an ARC copy of this novel that I freely chose to review.

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review 2017-06-11 18:59
ABO Virus by GlassRoom
ABO Virus - GlassRoom ABO Virus - GlassRoom

Dean is devastated to discover he has presented as an Omega, fortunately his boyfriend Cas presents as an Alpha at the same time. Starts really well but I did tend to skim through some of parts 2 and 3.

Source: archiveofourown.org/series/544948
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