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I struggled with how to rate this book. On the one hand, this collection of 43 short stories is brilliant. The writing is clear, vivid, engaging and insightful. The author clearly has a deep understanding of people and how they work, and has been around the block a few times. The settings – mostly the American Southwest, the Bay Area and Mexico – come to life so that you can practically see, sometimes even taste them. And there are some really excellent, tightly-written stories here. They are often melancholy – dealing with alcoholism, difficult family relationships, social injustice – but written with a freshness and empathy that, for me, kept them from ever feeling too dark. A few standouts (not an exhaustive list):
“A Manual for Cleaning Women”: A woman describes her various jobs cleaning houses for the wealthy and her daily routine, while the tragic end to her last relationship is slowly revealed.
“Tiger Bites”: A young woman who has just separated from her husband goes to Mexico for a back-alley abortion, and upon realizing she can’t go through with it, is tasked with the care of a young girl.
“Good and Bad”: A teenage expat in Chile is drawn into the orbit of a socialist teacher.
“Friends”: A single working woman struggles to make time to spend with an older couple who seem alone, only to discover that they think they’re doing her a favor.
“Mijito”: A teenage girl follows her lover from Mexico to the Bay Area, only to be abandoned with a child in the worst possible conditions – a realistic portrayal of the life of an uneducated, impoverished immigrant.
“502”: An alcoholic leaves her car on the street, where it crashes into the car of her alcoholic friends (fortunately, neither car was occupied at the time).
So I don’t disagree that Lucia Berlin is a hidden gem of an author. But what drove me batty about this collection is that virtually every story seems to be taken from her life, and features a protagonist whose life is consistent with Berlin’s own distinctive biography: the early years in the mining towns; growing up with her alcoholic mother and grandparents in El Paso during WWII; being kicked out of multiple schools; the teenage years living a privileged life in Chile; college in New Mexico; an early marriage that produced two sons and soon ended; two more marriages (one spent primarily in New York and abandoned for the third husband in Mexico) that also ended, leaving her a single mother of four sons; moving to the Bay Area and taking jobs as a high school teacher, hospital switchboard operator and ward clerk, cleaning woman and physician’s assistant; the alcoholism; the scoliosis; the difficult, alcoholic mother with pretensions of class; moving in with her disowned younger sister in Mexico City to care for her while the sister was dying of cancer; the writing; eventually moving to Boulder. Sometimes names are changed, sometimes not; the sister is always named Sally, the oldest sons always Ben and Keith, the mother’s family always Moynihans and the flamboyant cousin always Bella Lynn; the younger sons’ names sometimes vary, as does the protagonist’s own (sometimes she is Lucia, sometimes not; Carlotta is a recurring alternative).
And that didn’t really work for me – having all the stories be about the author, or at least, about characters who had lived the author’s life (the two largely superfluous introductory essays argue that the stories aren’t entirely autobiographical because she changed some details and otherwise exercised creative license). What I enjoy in short story collections is the boundless possibility, reading about different people in different situations reading different lives. When all of the stories are about the same character, those possibilities are hemmed in, and the stories begin to feel repetitive. Some don’t really have a plot at all, but are simply musings on the author’s life and relationships: in “Mama” for instance, the narrator and her sister Sally discuss their memories of their mother and complicated feelings about her, rehashing what we’ve already seen in other stories. Stories often include superfluous details, as if the author knew too much about her own life to include only the information relevant to a 10-page story.
So that was frustrating; I wished Berlin had just written a novel or a memoir. Only in a couple of stories out of the 43 is the protagonist’s life actually inconsistent with Berlin’s. Three of them begin with a narrator who is very obviously not her, and I started to get excited, only to find upon reading further that her avatar was the second narrator and/or another primary character. Granted, some of my disappointment likely stems from expectations; if the stories were arranged chronologically and the book presented as a semi-autobiographical collection, I might have enjoyed it more.
So, do I recommend this? Sure – it is excellent writing and you know now what it is, so read it if that appeals to you. There is no doubt excellence here.
I really liked this. It made me think about things differently. If you don't go into it with an open mind, it might seem nonsense so take the time to just let it sink in instead of putting up a wall to block the message. It's basically about being true to yourself.
I received this book to give an honest review. When I started reading it I figured the stories would be a bit darker but they really were not. This book is told through the eyes of Sue and what she has encountered with those that pass through her women's shelter. The one main story that we get more information about it is the story of Liz. She seemed to have played a big role with Sue as Sue is determined to bring Liz's husband to justice for what he did to her. We are told different women's story with in the book and what landed them into the woman's shelter. With the help of Sue's friend Nina she sometimes gets to get more information about certain people that will help her in turn help them. The only thing I didn't see very real is how Sue would handle situations where she had to engage those that had intend to harm others or how she would get her information. To me at times Sue seemed like a much older woman so some of the situations didn't seem like it fit her age. Though that is just me. For me to read what the characters had to endure is so sad but you know there is hope once they get out of that bad situation.
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