After a full hour of listening to this soap opera-ish story, I still know almost nothing about the main character who is telling this story. We hear all about what happens to her and what she says and what annoys her. And she’s annoyed A LOT. But this… mystery? I guess? is almost entirely plot driven, spending all its time on setting up the story’s big events. Then the stupidly unrealistic medical drama happened, and I simply lost patience with this story. DNF @14%.
Audiobook, borrowed from my public library. Janina Edwards does a fine job on the performance but is unable to rescue the source material.
It started out well, promising to be an interesting police procedural about a tough female cop investigating the "accidental" deaths of several ex-cops. But I first got suspicious when the author spent an inordinate amount of time detailing the MC's appearance, right down to her lipstick and every article of clothing she's wearing. Then hints of a possible romantic interest, then love triangle. And now we have an assholish love interest where she's apparently more interested in getting nekkid with him than in solving crime. No NO NOPE. This is showing every sign of being a Romance disguised as a mystery/thriller and it's already using too many of the genre tropes that I really dislike.
DNF after 51 minutes, or 9% of total.
Audiobook, borrowed from my public library via Overdrive. Good performance by Kirsten Potter.
I was attempting to read this for The 16 Tasks of the Festive Season, Square 7: Book themes for Saint Lucia's Day: Read a book set in Scandinavia (Denmark, Norway, Iceland, Sweden - and Finland for the purposes of this game) or a book where ice and snow are an important feature. Hopefully I won't have a hard time finding another book to fit this task.
Update @ 10%
Okay, I’ve given it a full hour of audio time, or 10% of the total book, which is more than double my minimum 20 minutes that I usually give before DNF’ing a book. It’s just not well-written. The narrative gives details from a first person point of view that normally belong to a 3rd person POV, even sometimes making observations that would be belong to 3rd person omniscient. It’s just not plausible that someone is going to be so continuously self-aware of their own involuntary body language. This woman is so internally focused it’s a wonder she’s able to interact with the outside world at all. And the choice of telling us every damn moment to moment detail is exhausting. Who cares that she sighed before standing up and that she carried some bins (that were not critical to the scene or events) to her car. Or that they packed and loaded their car before setting off on an out of town trip? It's like death by a thousand paper cuts.
Anyway, DNF at 10%. Dara Rosenberg’s reading was okay, but it couldn’t elevate the source material. Returned the book to Audible for a refund. I guess I’ll have to find another book for The 16 Tasks of the Festive Season, Square 2 - Read a book that takes place on the sea, near the sea, or on a lake or a river, or read a book that has water on the cover.
Previous post @ 7%
I looked over at Cassie, and my breath caught in my throat. She stood, frozen, her eyes moonlike circles as she stared at me. Her face paled. My heart lurched. I knew that look, and swore under my breath. Not another premonition. Give the girl a break. Cassie shrieked, and I jerked. The phone slipped from my fingers. She screamed again, high pitched, curdling my blood. What had she seen? Who had she seen? I glanced around the park. There wasn’t anyone we knew. She always knew the people in her visions.
“Mommy!” She ran to me and slammed into my stomach. She pounded me with her fists, still screaming my name. This was a bad one. The worst one yet. I couldn’t imagine the nightmares she’d have this time.
How can this author use so many words to convey so little? This writing style is just not engaging at all. I feel as though I’m just being fed information.
Terrible collection, terribly produced. The only worthwhile story was The Gift of the Magi, but the stilted performance could only just barely be distinguished from the thunderingly loud background music – a problem that affected every story except Miracle on 34th Street, which featured the only good reading performance (Carl Reiner). Unfortunately, it couldn’t overcome the terrible writing, because this is *not* the 1947 Valentine Davies story.
I could go on enumerating the flaws, but will direct you instead to this much better review.
Audiobook, borrowed from my public library via Overdrive.
I read this for The 16 Tasks of the Festive Season, Square 16: December 26th-31st - Hogmanay / New year’s eve / Watch night / St. Sylvester’s Day: a book where miracles of any sort are performed (the unexplainable - but good - kind).