• This series does one of my favorite things: it folds back in on itself. It's not just that the characters continue to grow and our understanding of the world increases but also that there are references to character histories and events introduced in the previous novels across the entire series. They make for rich insight and wonderful humor for readers who continue with the books. Right now the only series I can think of which also does this really well is Harry Potter.

 

• It has wonderful dry humor that feels authentic. One thing that I've noticed about YA is the abundance of one liner humor. While I enjoy a great deal of it, sometimes I think that it's not appropriate for the series in question, or it seems that the author has thought of the jokes and then given them to the character (rather than the other way around, which is what it should be). This series has humor founded in our understanding of the characters - this is the kind of humor you get when you know the author has a complete understanding of the characters she's created. This is the kind of humor that's not going to feel dated in time because it's established within the text.

 

• You know how I'd said that I liked reading about the Victorian era because something about that setting gave female characters a chance to show their fire? This isn't the Victorian era, but the female characters are no doubt fighting sexism and coming out strong, fierce, and formidable. This is a mostly male-centered world, and yet the two queens are (except for Gen) the stand-out characters who make their country strong. They have completely different ruling styles and different cultures for their countries, but they each are characterized well, willing to make the hard choices and do whatever they can for their people. I also love the twists on Greek mythology that Turner added to round out their characters and bring a wry note of humor which connects back to her themes.

 

• I don't think I've ever been as entranced by a main character as I am by Gen. He's not a Gary Stu; he's quite flawed - condescending towards those he perceives are fools, whiny, lying, cocky, brazen. Somehow, however, over the series, along with all the other characters, you come to love Gen's ridiculous lies and his flaws and wait to see how he'll turn you on your feet with his resourcefulness, determination, loyalty, and cleverness. For all those who loved that Rae Carson showed how smart Elisa is, you'll certainly love how MWT shows how clever Gen is. Gen has a lot of depth and complexity that gets explored across the series. He's one of the most well-drawn, fascinating protagonists who I've read about, and probably the only protagonist in YA who I'd follow through to other series (as in, it wouldn't matter if everything else didn't work because he does).

 

• There are complex and satisfying romances that are free of angst. Or at least of the typical variety. They're very subtle in how they form, but you can tell how well suited each person is for the other. There is little emphasis on what the other person looks like and more on who they are and how the two people match in temperament and attitude. I'm the kind of person who wants her romantic scenes. Never did I think that I'd like a series that has so much of its subtle emotional shifts off screen, but this - this is going down in my favorites. You know it's the mark of a great writer if she makes you believe in the romances despite all the obstacles, and believe me they are significant.

 

• These are as close to unpredictable plots as you can get. This is mastery of unreliable narration and narrative misdirection combined across the series. You know all along that these characters are hiding something and that you're not getting the full picture - it's all a part of the politics, the situation, the characters and what they choose to admit to themselves. The key is in trying to understand what details have been left out from the limited third person perspective, or focus on what details the first person perspective is not mentioning. Even then you think you know everything until you realize that it's also a fantasy world, and no matter how much you're learning, there's always something new Turner will include to surprise you.

 

• There are very few novels that can handle shifts in narration as well as these do. Don't you feel frustrated sometimes when a novel is shifting between first and third perspective? Alternating chapters of each or just alternating first person, etc.? These novels are among the first that I've read that handle PoV shifts so well that I'm convinced there's no other way the books could have been written. The shifts in perspective are not only there to enhance the plot but also to enhance character and character growth and to further the symbolism within the series. Don't believe me? Read The Book Smuggler review of this series. Ana explains this better than I have.

 

• As a writer, this series is invaluable to understanding more about the craft. I'm not the only one who thinks so - author Elizabeth Fama wrote a post about that as well. Every detail, every word in this series counts. Her writing style is similar to Kristin Cashore's with its textured feel, but I might go so far as to say Turner has layered in more emotion and complexity to each interaction - and not just for the main characters but in the dialogue between lesser characters as well. I am probably going to buy paperback copies soon so that I can look at the text more closely. 

 

• Quick impressions of each book: The Thief: fun filler to introduce us to the awesome showstealer of the series, Gen. The Queen of Attolia: has the most political intrigue of the series and features the most subtle romance I've ever read. The King of Attolia: amps up what was already established inThe Thief but in a more political setting. A Conspiracy of Kings: probably the most typical of the books in terms of YA character arcs but with a harsher, more fulfilling/overarching and political feel.

 

• Three things of note: I really wished that they'd given us a map. If you're going to have books about political scheming and sneaking around the castle, it'd be much easier to follow if we too were allowed to follow along. I'm not a visual reader and though the details were there, I still had a hard time trying to align every thing in my head. It's a shame because MWT's writing style feels very similar to Cashore's and Kristin Cashore's novels all have maps. Another thing to note is that this series is one that straddles the line between literary and commercial, so if you're not a fan of books that focus less on drama/angst, villain/hero showdowns, or full-blown action scenes, I'd advise you to check out an excerpt first. I'm also not sure that I would give these to teens unless they were accustomed to reading a lot. Because it's so complex and a lot of it is in the subtle details or implications, I don't know whether they'd enjoy this as much; I don't know that I, as a teen, would have understood the subtext.

 

• Right now, if you asked me to choose one YA book to claim as my own -- as if I had written it -- I would probably choose The King of Attolia. There are a lot of other contenders, but I don't think that I've ever read another YA novel with this level of character and plot complexity and layered writing. (Obviously Harry Potter has a lot, a lot of complexity, but I'm not going to even pretend I could ever write something like that. Not that I could write something like this anyway, but you know what I mean.). As much as I love pretty turns of phrases and writing that sets atmosphere and mood, I would sacrifice that for the absolute mastery of character building in these novels. I am really surprised that these novels didn't win more awards.

Please give this series a chance. As you may have noticed, books two through four have gone onto mybooks that define me as a reader list. If you've read The Thief and not been completely impressed, please continue onto The Queen of Attolia and see whether you like it more. I am still struck dumb by how much I love this series, so I don't have a blurb summary in mind for here, but if you are a fan of Kristin Cashore, Robin LaFevers, Rachel Hartman, the Lumatere Chronicles, the Fire and Thorns trilogy, fantasy that straddles the literary-commercial line, and books that focus on characters and feature political intrigue, or are a YA (fantasy) writer, this series is for you. Also for fans of The False Prince.

For more reviews:

The Book Smugglers on the series - also spoiler free
The Thief - critical reviews the author has quoted
The Queen of Attolia - same
The King of Attolia - same
A Conspiracy of Kings - same

Since it's been published for a while, you can probably find a bunch of reviews just by going to the individual Goodreads pages. And bonus points for you: there are two more books due in this series, so you can get caught up before the others are released. These next books are going to be as highly anticipated for me as Bitterblue, after three years, was.

PS: This was a Christina Reads Your Recommendations title. As always, feel free to send in more recommendations!