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review 2017-01-08 22:56
Books of 1916: Part One
Uneasy Money - P.G. Wodehouse
These Twain - Arnold Bennett
The Roll-Call - Arnold Bennett
Bird of Paradise (Dodo Press) - Ada Leverson
Tenterhooks - Ada Leverson
Love at Second Sight - Ada Leverson Love at Second Sight - Ada Leverson
Inclinations - Ronald Firbank
List of the Lost - Morrissey
Pride And Prejudice - Jane Austen
The Swimming-Pool Library - Diana Klein,Alan Hollinghurst

Books of 1916: Part One

 

2016 was a tough year in many ways, so may I introduce you to 1916? I think you’re going to love 1916.

 

I was struck by something I read in a (very nice) review of one of the books of 1916: —“because anything first published in 1916 that does not contain a word or thought about the First World War has got to be interesting.” Yes, you’d think so. But actually most of these novels make no mention of the war whatsoever. They tend to be historical, or escapist, or completely surreal.

 

You may notice that I’ve only reviewed about half as many books as I did last year for 1915. But last year I wasn’t done until March! So what you are losing in volume you are gaining in punctuality. Basically I began to feel this project was affecting my brain perhaps a little too much. My brother pointed out that I said in casual conversation, “I read that book in 1911.” I needed to dial it down just a bit.

 

Uneasy Money by PG Wodehouse

 

PG Wodehouse is always a delightful treat. I’m so happy there are more than fifty books still to come! I went by the US publication date in order to include this book, which some may consider cheating.

 

Lord Dawlish has a title but no money, so he is delighted when an eccentric millionaire leaves him all his money just because Lord Dawlish (aka Bill) gave him a few golf pointers once. But when Bill discovers that the eccentric millionaire has stiffed poor but deserving relatives, he sets out for Long Island to try to set things right. There is beekeeping, romance, people pretending to be other people, and lots of hilarity. The only sad part is something that happens to a monkey. In the end, everyone ends up engaged to the right person. On the final page we are at the train station in Islip, Long Island, which today is a gross and unappealing town, but apparently 100 years ago was a bucolic spot where the rich built mansions. If this book doesn’t make you smile, your soul is in mortal danger.

These Twain by Arnold Bennett

 

This is the third book in the Clayhanger series, and my favorite. In These Twain, the somewhat-starcrossed lovers from the first two books, Edwin and Hilda Clayhanger, embark on married life. They fight a lot. I read this book in the 1990s and haven’t re-read it, but what I remember most vividly are the descriptions of how angry they get at each other. Edwin Clayhanger thinks how he’d like to strangle Hilda, but then he goes for a walk and after a while he calms down, and when he comes home, he loves her again. At that time I was dating someone who made me really angry fairly often, and I thought These Twain was incredibly realistic. Bennett’s World-War-I-themed book (The Roll-Call) will come up in 1918, and is the last in the Clayhanger series.

 

Love at Second Sight by Ada Leverson

 

My hardcore fans (yes, both of you!) may remember that two years ago I was unable to review Birds of Paradise because I mislaid it and therefore couldn’t read it. (It turned up in the end, in a knapsack I never use.) I was eager to rectify my mistake by reading Ada Leverson’s 1916 offering, especially as this was her last novel.

 

Love at Second Sight is the last book in the Little Ottleys trilogy. Although I didn’t read the first two, it was easy to see what must have happened in them—in book one, the main character Edith must have married her husband, and then in the second one both Edith and her husband fall in love with other people but remain together thanks to Edith’s bloody-minded loyalty.

 

As this novel opens, Edith’s family has a guest in the house, and it’s unclear who she is, why she’s come to stay, and how long she plans to be there. But Madame Frabelle exercises a strange fascination over all of them. This book is terribly amusing and I’m not even going to tell you what happens, other than it’s a scream. The protagonist is thinking funny things about other people all the time but since she’s kind and fairly quiet, people don’t realize that she’s amusing and smart. The husband seems like the most annoying person on earth, and he must be drawn from life because how could you invent a person that annoying?

 

This is one of the rare books that has a contemporary setting during World War I. The husband was not called up because of a “neurotic heart,” which seems to be like PTSD. Edith’s love interest from the previous book returns home from the war, wounded. This novel’s realism allowed me to see all kinds of period details. For example, when the characters need to look up train timetables, they use things called the ABC and Bradshaw, which must be the apps they had on their phones at that time. Edith also had an Italian composer best friend who I thought might be based on Puccini since (according to Wikipedia) he and Ada Leverson were great pals.

 

I really was on the edge of my seat wondering what would happen, and guess what? Everyone gets a happy ending!

 

Ada Leverson’s Wikipedia page says cattily that after this novel, she worked on ever-smaller projects. Just like me!

 

Inclinations by Ronald Firbank

 

Firbank is a riot! This book reminds me a bit of Morrissey’s List of the Lost. Of course, that should be no surprise really, since both of them are directly related to Oscar Wilde on the literary family tree. What sets them apart is Inclinations is unalloyed comedy and nearly all dialogue.

 

What kind of inclinations does this novel concern itself with, you may ask? Well, it’s about a middle-aged writer Miss Geraldine O’Brookmore, known as Gerald, who brings a fourteen year old girl (Miss Mabel Collins) on a trip to the Mediterranean. There’s basically no description of anything or explanation of what’s happening or who is speaking, so you have to be okay with feeling unsure about what’s going on. One of the characters is shot and killed and it was chapters later that I finally understood which one. Plot is not what this book is about. This book is about lines so funny and with such a nice ring to them that I will just give you a small sampling for your enjoyment:

 

Miss Collins clasped her hands. “I’d give almost anything to be blasé.”

***

“I don’t see Mrs Cowsend, do you?”

“Breakfast was laid for four covers in her room.”

“For four!”

“Or perhaps it was only three.”

***

“She writes curiously in the style of one of my unknown correspondents.”

***

[Talking about a costume ball]:

“Oh, Gerald, you could be a silver-tasselled Portia almost with what you have, and I a Maid of Orleans.”

“You!”

“Don’t be tiresome, darling. It’s not as if we were going in boys’ clothes!”

***

“Once she bought a little calf for some special binding, but let it grow up...and now it’s a cow!”

***

“Gerald has a gold revolver. ‘Honour” she calls it.”

***

“Is your father tall?”

“As we drive I shall give you all his measurements.”

***

“I had a good time in Smyrna,” she drowsily declared.

“Only there?”

“Oh, my dears, I’m weary of streets; so weary!”

***

“I’m told she [Gerald] is a noted Vampire.”

“Who ever said so?”

“Some friend of hers—in Chelsea.”

“What do Vampires do?”

“What don’t they!”

 

If you find this sort of off-putting, these lines really do make more sense, somewhat more sense, in context. In a chapter that is eight words long (“Mabel! Mabel! Mabel! Mabel! Mabel! Mabel! Mabel! Mabel!”), Miss Mabel Collins throws off the protectoress-ship of Gerald and elopes with a count. The final section of the book is different, slightly more conventional and somewhat Jane Austen-esque (“I’ve such news!” “What is it?” “The Chase is let at last.”) In this part, the Countess (Miss Collins-that-was) returns home to England with her toddler and there’s question in some minds about whether she is properly, legally married. I’m looking forward to Firbank’s next novel in 1917.

 

I’m only just now realizing that Firbank is the author that the main character keeps reading in The Swimming Pool Library by Alan Hollinghurst. I guess I thought Alan Hollinghurst just made him up. The thing is that his name sounds so made up, just “Fairbanks” with some of the letters taken out. Ugh, I learn everything backward.

 

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review 2016-07-18 00:00
The Swimming-Pool Library
The Swimming-Pool Library - Alan Holling... The Swimming-Pool Library - Alan Hollinghurst,Samuel West This book is extremely good written.
Very erotic and very gay-ish.

It could have had 50 pages less or 100 pages more, it wouldn't have had any influence on the storyline.
(What a storyline?!)

It doesn't have a typical beginning, culminating and ending.
Here the journey itself is a destination.
It is for sure a book I'd like to re-read some day and invest more time in it.
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review 2016-05-17 11:24
Die Schwimmbad-Bibliothek
Die Schwimmbad-Bibliothek - Alan Hollinghurst
Story:
Der junge Adelige William Beckwith genieß sein Leben in vollen Zügen: Partys, erotische Exzesse und ohne finanzielle Sorgen lebt der schwule Mann im London der 80er Jahre in den Tag hinein. Erst als er dem alten Lord Nantwich auf einer Toilette das Leben rettet, ändert sich sein Leben Stück um Stück. Der ehemalige Kolonialbeamte bittet den jungen Mann nämlich darum, seine Memoiren zu schreiben und übergibt Will einige seiner Tagebücher und Aufzeichnungen. Obwohl Will weniger daran interessiert ist, liest er sich doch in Nantwichs Leben ein und taucht in die damalige Zeit ein, in der Homosexualität noch strafbar war. Gleichzeitig lernt er den jungen Bodybuilder Phil kennen und lieben, und beginnt eine lose Beziehung mit ihm.

Eigene Meinung:
Der Roman „Die Schwimmbad-Bibliothek“ von Alan Hollinghurst erschien bereit 1988 und zählt zu den Klassikern der schwulen Literatur. Mit seinem Debüt gewann der Autor unter anderem den „Somerset Maugham Award“ und „E. M. Forster Award of the American Academy of Arts and Letters“. Auch Hollinghursts spätere Werke brachten ihm weitere Preise ein und fast durchweg positive Kritiken, weswegen er zu den bedeutendsten modernen, englischsprachigen Schriftstellern gehört.

Inhaltlich legt der Autor einen kritischen Gesellschaftsroman vor, bei dem eher die Charaktere und deren Vergangenheit und die schwule Subkultur der 80er Jahre im Zentrum stehen. Er spielt zu einer Zeit, in der Aids noch keine große Rolle spielte und konzentriert sich fast vollständig auf die schwule Szene Londons. Das fällt ganz besonders an dem Punkt auf, dass es keinerlei weibliche Figuren gibt. Außer Williams Schwester, die nur am Rand erwähnt wird, kommt keine Frau vor. Man hat fast das Gefühl, als würde der Hauptcharakter das weibliche Geschlecht überhaupt nicht zur Kenntnis nehmen, sondern sich rein auf die Männer der Schöpfung konzentrieren. An seiner Seite lernt der Leser das schwule London der 80er Jahre kennen und taucht ein in eine recht schamlose, zügellose Welt ein, denn William lässt wahrlich nichts anbrennen. Finanziell abgesichert, treibt er ohne Ziel durchs Leben und macht sich mit seiner Einstellung nicht nur Freunde. Erst als Nantwich in sein Leben tritt und ihn bittet seine Memoiren zu schreiben, ändert sich Maxwell ein wenig.

Nantwichs Tagebucheinträge lassen nicht nur Will einen Blick in die Vergangenheit werfen – in eine Zeit, in der Homosexualität strafbar war und mit Zuchthaus geahndet wurde. Man erfährt mehr über Nantwichs Schulzeit und seine Arbeit in Afrika, die Gefahren, die mit seinen Vorlieben einhergingen und ihn schließlich sogar ins Gefängnis bringen. Dass der alternde Beamte Will aus gutem Grund ausgewählt hat, wird erst am Ende deutlich und offenbaren eines der Grundthemen des Romans: Homophobie. Diese kommt sowohl in der Vergangenheit (Nantwichs Inhaftierung und der gesellschaftliche Skandal), als auch in Williams Gegenwart (z. B. der Angriff der Rechten auf Will) zum Tragen.

Die Charaktere wirken sehr authentisch – William ist nicht unbedingt der sympathische Held, mit dem man mitfiebert, da er mitunter recht arrogant und überheblich daher kommt. Dennoch machen ihn diese Ecken und Kanten menschlich, zumal er Potenzial bietet, sich im Laufe der Geschichte weiterzuentwickeln. Nantwich bleibt die meiste Zeit ein Buch mit sieben Siegeln, da seine Beweggründe recht schleierhaft bleiben und man seine Tagebuchauszüge eher bruchstückhaft serviert bekommt. Die übrigen Figuren bilden den passenden Rahmen für Wills Entwicklung und machen mitunter die schwule Szene erst lebendig: Wills bester Freund James, der schüchterne Phil, die Herren des Clubs – ganz gleich ob sie homosexuell sind oder nicht. Es ist spannend diese Charaktere durch Wills Augen zu sehen, ihre Aktionen und Reaktionen.

Stilistisch legt Alan Hollinghurst ein beeindruckendes Werk vor. Wer eher leichte Unterhaltung gewohnt ist, wird am Anfang Schwierigkeiten haben, sich auf den belletristischen und gehobenen Stil einzulassen. Der Autor hat eine sehr feine, direkte Sprache, die sich besonders in den Dialogen und Beschreibungen zeigt. Er nimmt kein Blatt vor den Mund, ist direkt und bringt die Geschichte mit einer gewissen sprachlichen Eleganz zu Papier. Explizite Szenen werden direkt umschrieben, ohne platt und aufgesetzt zu wirken. Hin und wieder wirken einzelne Passagen allerdings zu ausufernd, so dass der Leser schnell den Bezug zur Geschichte verliert.

Fazit:
„Die Schwimmbad-Bibliothek“ von Alan Hollinghurst ist ein interessanter, gesellschaftskritischer Roman, der durch die Figuren, die sprachliche Finesse und den gelungenen Einblick in die schwule Subkultur der 80er Jahre lebt. Der Autor gewann zurecht Preise für dieses bemerkenswerte Debüt, da es verschiedene Probleme (auch innerhalb der schwulen Szene) anspricht und damit zum Nachdenken anregt. Wer gehobene Literatur bevorzugt und sich nicht vor einigen ausufernden Szenen scheut, sollte einen Blick riskieren. Zu empfehlen.
Source: www.like-a-dream.de
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review 2015-08-09 12:21
The Line of Beauty by Alan Hollinghurst
The Line of Beauty - Alan Hollinghurst

 

Description: In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, highly critical of her family's assumptions and ambitions.

As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family. His two vividly contrasting love affairs, one with a young black clerk and one with a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to Nick as the desire for power and riches among his friends.


Opening: PETER CROWTHER'S BOOK on the election was already in the shops. It was called Landslide!, and the witty assistant at Dillon's had arranged the window in a scaled-down version of that natural disaster. The pale-gilt image of the triumphant Prime Minister rushed towards the customer in a gleaming slippage. Nick stopped in the street, and then went in to look at a copy. He had met Peter Crowther once, and heard him described as a hack and also as a "mordant analyst": his faint smile, as he flicked through the pages, concealed his uncertainty as to which account was nearer the truth. There was clearly something hacklike in the speed of publication, only two months after the event; and in the actual writing, of course. The book's mordancy seemed to be reserved for the efforts of the Opposition. Nick looked carefully at the photographs, but only one of them had Gerald in it: a group picture of "The 101 New Tory MPs," in which he'd been clever enough, or quick enough, to get into the front row

The subject matter didn't hold my interest; I haven't given up on the author as there is another in my pantry to try out.
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review 2015-01-23 12:00
The Stranger's Child by Alan Hollinghurst
The Stranger's Child - Alan Hollinghurst

The Stranger's Child is divided into five parts taking place in different eras spanning over a century. It concerns itself with the mystery surrounding the life of Cecil Valance, a young poet whose life was cut short in World War I but who was made famous posthumously by his poem "Two Acres". For whom the poem was actually written, the relationship between Valance and his college friend George Sawle and George's sister Daphne, and the secrets and entanglements between the Sawles and the Valances and their descendants become topics of interest for a literary biographer decades later.

At first I thought this novel would be similar to Evelyn Waugh's Brideshead Revisited with its LGBT theme, but apart from the English setting and time period and the relationship between the three central characters, the two books are quite different. For one thing, I enjoyed this less than Brideshead. I felt Hollinghurst has a tendency to tell how characters feel rather than show it. Moreover, the characters themselves are not really appealing, and some of them are even rather annoying. It took me a long time to finish the book because it's not really a page turner; nothing too exciting happens apart from a few surprise revelations. Nevertheless, it offers some interesting things to think about and discuss, including how the same events are perceived differently by different people with different knowledge and expectations, how a biography may never fully capture the depth and complexity of a person's life, and how memories, worn by use, become more and more unreliable as the years go by.

"He was asking for memories, too young himself to know that memories were only memories of memories. It was diamond-rare to remember something fresh."

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