As the city rebuilds from the onslaught of sorcery that nearly destroyed it, the great Houses of Paris, ruled by Fallen angels, still contest one another for control over the capital.
House Silverspires was once the most powerful, but just as it sought to rise again, an ancient evil brought it low. Phillippe, an immortal who escaped the carnage, has a singular goal—to resurrect someone he lost. But the cost of such magic might be more than he can bear.
In House Hawthorn, Madeleine the alchemist has had her addiction to angel essence savagely broken. Struggling to live on, she is forced on a perilous diplomatic mission to the underwater dragon kingdom—and finds herself in the midst of intrigues that have already caused one previous emissary to mysteriously disappear....
As the Houses seek a peace more devastating than war, those caught between new fears and old hatreds must find strength—or fall prey to a magic that seeks to bind all to its will.
Dear Aliette De Bodard,
Sunita introduced me to your work and I am so happy that she did. Her and Janine did a comprehensive review of the first book in this trilogy here at DA (will link) therefore please beware of the possible spoilers for the first book in my review as well. I am not planning to do any big reveals, but there are could be things I want to talk about that may turn out spoilerish.
As blurb tells you House Silverspires was dealt a terrible blow in the first book and in this part of the story we hear very little about them (pretty much that they are licking their wounds and their Head of the house is cautiously reaching to their houses). The center of this book is House Hawthorn and that mysterious underwater dragon kingdom which was briefly mentioned in the first book.
Those who read the first book know that Asmodeus takes Madeleine back to House Hawthorn at the end and their doctor is dealing with her addiction to angel essence – a substance which is pretty much a magic of the Fallen but also can lead to horrible addiction. Madeleine is trying to fight it off, but it is not easy for her and I thought that but for her consuming fear of Asmodeus she probably would have given up fighting at all.
But Asmodeus gives her a choice ( not really a choice unless one fancies dying faster rather than dying from the torture) and Madeleine tries to bring herself to the land of living more or less, because he wants her to be part of the envoy to the dragons and he may need her to use her magical skills there. Supposedly other people would be doing something complicated and Madeleine would only need to do something simple magic wise.
Of course we all know what usually comes out of “you will not have to do anything complicated” promise that one character makes to another, but off to the underwater kingdom Madelaine goes together with Clotilde and Efron.
Apparently they are supposed to negotiate the marriage between Asmodeus and one of the dragon princes – I hesitate to call Asmodeus gay, but those who read the first book know that he used to have a male lover, another Fallen who died as part of what happened. Come to think of that since we know that Fallen can change bodies, do their gender even matters? Although I think the very strong implication is that they cannot change bodies every day at will, that it only happens between their lifetimes so for now Asmodeus is very much male and very much prefers male lovers and he sends his envoy to negotiate the stronger ties with Dragon kingdom and get himself a consort.
Of course with Asmodeus one can never be sure of his real goals and we know that as much as he would do anything to protect his House and his dependents, he won’t hesitate to do anything no matter how sinister to the “outsiders” (his words) if the House is threatened. He can torture, kill people (and not just bad people, no), but also protect those who are part of Hawthorn no matter what costs are for him personally. And I am still amazed as to how much the author made me care for his character. Seriously, good writing can change any (or almost any) preconceived ideas of what I like or dislike in the characters, or in the story itself. Asmodeus is a power hungry piece of work, who took over the House from the previous Head of the house and spilled so much blood, just so much blood and the narrative makes no excuses for that – no, people who died did not deserve it, and I still hope that he actually will have a future to live in.
I won’t tell you what problems Madeleine and others encounter in the Dragon Kingdom and encounter problems they do, especially since Dragons have their own issues to deal with and it all entangled with Houses’ problems in one intricate mess. Power struggles underneath the water threaten their whole Kingdom which is already weakened since somebody is supplying them with Angel essence and dragons are dying because of that. Is Hawthorn involved in this awful trade? What does Asmodeus really want from Dragons and will he end up being married to anybody?
I have to mention here just how much I really loved the writing in this book. It is so beautiful, so clear, I wanted to savor every word, but where the dragons are concerned, it also has a dreamlike quality. The author mentioned that her dragons do not spill fire, they are water dragons and have Vietnamese origins and sometimes I felt like I was looking at them through the water of Sienne, which made sense I suppose.
I also really appreciated that we get to see some of Vietnamese community in Paris (as it exists in this world of course) and Phillippe’s connections to it are explored in more depth. I just wanted some happiness for poor guy and I am keeping my fingers crossed, especially since one of the themes of the book seems to be that things can change for the better and future rather than death is a possible outcome for many characters.
This is supposedly a second book of the trilogy, but I did not think that this part had any issues that second books sometimes have for me. The characters’ arcs were explored in more depth, the story moved forward, plenty of action, a lot of questions were answered, but not all of them and no cliffhanger.
All in all right now it is the best book I have read this year so far.
Series: Obsidian and Blood #1
Servant of the Underworld is a fantasy mystery novel set in the Aztec Empire in the 15th century. Overall I liked it, but it was more of an intellectual liking than an emotional one. The concept of reading a Mesoamerican fantasy novel was interesting, but writing in a first-person POV distanced me from the narrative rather than engrossed me in it. It’s like I kept forgetting who was doing the talking, even though after a while I got used to the fact that it was Acatl. I’m not saying he had no personality, but I didn’t feel much of it when I was looking through his eyes. First-person POVs are tricky, and I don’t think this one entirely worked for me. Plus there was lots of sacrificial blood magic although it wasn’t too graphic.
Even though we’re introduced to the mystery (and the crime scene) almost immediately, it still felt like the book took a while to get going and draw me into the story. Things did finally start to pick up about a quarter of the way through. Anyway, if you want to try a mystery story in a different fantasy setting, you might want to check this one out. I plan on checking out the sequels (it’s part of a trilogy).
I didn’t know what to expect from this novella, and I picked it up more or less on a whim, so I was understandably impressed.
We have Linh, a former magistrate from a provincial planet in this future Dai Viet empire, arriving on Prosper Station as a refugee to take advantage of family ties she has with the station’s administrative family. She’s also running from potential charges against the empire though, so things have the potential to get interesting.
There’s some low-key but intense family drama alongside a faltering AI that runs the station and Linh gets mixed up in all of it. It was raw but it also felt real. I was very satisfied with the ending, so I’m thinking I’ll go with a verdict of “very cool.”
I did this as an audiobook and strongly suspect I would not have finished it if I'd tried to read the paper version. There are some terribly interesting and terribly beautiful things in this book, but court politics and passive characters are really not my thing. I'm sure this is a solid novel for a different reader.
Everything that happens in this book is fallout from something that happened in the past. Characters seem to split their time between lamenting the parts of the past they can't change and refusing to think about the parts they actually could still do something about.
And supposed allies fail to share information at nearly every opportunity prior to the fourth act.
For a book that starts with two urchins attempting to butcher a fallen angel, there sure wasn't a lot of action.
There is an amazing section where a group enters the Seine - in addition to the interesting setting, this is also one of the few places that details how magic is used. That section is perfect, and the last act is interesting, but I'm not sure it's worth the laborious setup.
So much talking. So little said.
Please let the next book I read have stabbing in it.