Miss Prudence Merriweather Payton has been dubbed "London's Least Likely to Be Caught in a Compromising Position" and after four seasons, she may be the only woman to go unmarried for so long after graduation her finishing school. No one, not even the loving aunt who raised her or her two best friends, knows that Prudence was raped at a ball early in her first season and has made very sure she's never alone with a man or considered marriage material. After all, her entire worth on the marriage market has been forcibly stripped from her. Yet now, with the upcoming anniversary ball of her finishing school, where even her two former wallflower friends have found happy marriages, she can't bear to be the only graduate left unmarried.

Taking matters into her own hands, Prudence travels to Bath and arranges a marriage of convenience to a gentleman who she knows will never expect or demand conjugal rights, as he's rather more interested in his best friend. However, on the way to his estate, where they are to be married by special licence, their stagecoach is attacked by a highwayman, and her intended pushes her out of the carriage to distract their attacker. She manages to escape, no thanks to her fiancee, without attracting the robber's attention and is left to make her way to civilisation alone.

Trudging through uncomfortable heat at first and later pouring rain, Prudence vows never to trust another man again. When she's offered a ride by a dashing and handsome man who introduces himself as John Roark, Viscount Castleton, she refuses even though she's cold, wet and tired. They nevertheless meet again at the country inn where she seeks refuge. As the torrential downpour continues for days on end, the two are trapped, along with a number of other guests, until the weather settles down. John and Prudence spend quite a lot of time in each other's company, and it doesn't take long for John to realise that someone badly hurt Prudence at some point in the past.

Roark is on his way to London with a grand business proposition which will secure not only his own future, but that of his mother and sister. He has secrets he cannot divulge and certainly isn't looking for or able to support a wife in his current situation. Yet he gets more and more smitten with the wary Miss Merriweather (she doesn't give him her full name) and when her dark past shows up unexpectedly at the inn, and she nearly suffers a repeat performance of her former attack, he doesn't even think before jumping in to defend her and pummelling her attacker.

After John beats up her rapist, saving Prudence from another nightmare scenario, she breaks down and finally tells someone about the (to her) deeply shameful secret about what happened years ago, and he comforts her, confessing that his sister once suffered the same fate as her. He is therefore fully aware of how scared and distrustful of men she must be. Even knowing that she may be scared, he proposes that they travel to London together, leaving the inn in case her attacker returns. They pose as man and wife on the road, and John's gentle treatment, understanding and patience gives Prudence hope that she may in time be able to trust another man again and possibly not recoil at being touched. But John's past is about to catch up with him too, and what will happen when Prudence discovers the secrets he's been hiding and the reasons he's in such a hurry to make it to London?

This romance deals with the aftermath of rape, and it doesn't in any way gloss over what happened to Prudence. The scene where she is attacked is graphically described, in a horrible inversion of the usual love scenes in such a book and there is no doubt that something terrible and irrevocable is done to a helpless young woman, whose life is never the same afterwards. Even now, rape is a horrible crime, but in a time when a woman's chief commodity was her virtue and she was seen as tainted goods and worthless if she lost it, rape took away any chance a woman had to make a good marriage. Prudence spends four years carefully making herself as unattractive and unobtrusive as possible, happily embracing her wallflower role, simply so she won't ever have to confess the truth about her tragic fate. When she meets a kind man who not only treats her gently but understands her pain, that is just as attractive to her as his physical beauty. Having kept her secret for so long, she's desperate to confide in someone.

John, absolutely furious about the trauma she's been through, not only beats her attacker within an inch of his life and drives him and his friend out of the inn, but insists on being allowed to show Prudence how to defend herself, as it's not fair that she go through life seeing herself only as a victim. She needs to reclaim her self worth, and his self defence lessons and the way he refuses to see her or treat her as ruined is a great help in making her start to blossom again.

The third and final of Maya Rodale's <i>Bad Boys and Wallflowers</i>, even with some rather melodramatic turns in the last third of the book and some pretty huge coincidences furthering the plot, this is by far the best in the series. Prudence is a lovely heroine, so strong and admirable for refusing to let her ordeal break her. John is a sensitive and understanding hero, who because of his unusual background is able to accept Prue's disgrace in a way most men in her peer group would not. I'm also not entirely sure if the ways in which the villain gets his comeuppance is historically accurate, but it felt very satisfying.

I read romances as a means of entertainment and escapism. In historical romances, I like being diverted by historical locations, pretty dresses, fancy titles and couples finding love, often across societal boundaries that are somewhat anachronistic. This book made me cry, more than once, and I'm pretty sure it wasn't just because I was pumped full of fertility hormones. Reading about a young woman having her entire future stolen from her in a savage attack is upsetting, and as Rodale points out in the afterword, many women of the past were driven to depression or suicide by such events. While other aspects of the book weren't perfect, I thought the main issue of the story and the love story between Prudence and John was very effective. Well worth checking out, as long as you're not sensitive about the darker side of the plot.

Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).

One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men.  Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".

Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.

Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).

Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.

While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests. 

Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.

He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.

Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs". 

Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering. 

One evening, when Lady Emma Avery, popularly known in the ton as "London's Least Likely to Misbehave" is getting drunk with her two best friends (who are also wallflowers who will be meeting their intended husbands in later books). While she isn't noticed by most of polite society, Emma does have a young man whom she dreams of a future with, but after three years, he's still not shown any signs of proposing to her. Her friends joke about how she might get more attention if she announced her betrothal to the most eligible bachelor in town, the Duke of Ashbrooke, and even pen a fake announcement.

Emma is appalled when she realises the fake announcement has been printed and everyone suddenly thinks she's snagged the Duke of Ashbrooke without anyone even noticing. Ashbrooke himself is rather amused to find he's engaged to a woman he's never met, but considering his business ventures are currently suffering because of his reputation as a rake and a libertine, being romantically linked with one of the most proper and respectable misses in London can only count in his favour. He also has an eccentric old aunt who every year forces all her relatives to compete in a series of random and unpredictable trials at her country seat. The winner becomes the heir to her fantabulous fortune for until the next trials are completed. Ashbrooke has never won, but very much needs the money to finance his new inventions and believes that bringing Lady Emma along may improve his chances. He therefore convinces Emma to agree to pose as his fiancee, promising to split the fortune with her if they win this year's trials. As Emma doesn't really have any dowry to speak of, and believes that may be why her reluctant suitor is still undeclared, the promise of a massive fortune (as well as the chance to spend some time with the ridiculously attractive Ashbrooke) gets her to agree.

Ashbrooke is used to any woman falling for him within minutes and turns on all of his considerable charm to win Emma over. She keeps her beloved Benedict firmly in her mind and while she's melting on the inside, refuses to show Ashbrooke how he affects her. Naturally this just makes him more determined to seduce her. As they are forced to fake their infatuation, spend copious amounts of time together and even write fake love letters to one another to support the story of their secret whirlwind love affair, Emma's feelings for Ashbrooke grow stronger, while she's also worried that the minute she succumbs to him, he'll get bored and dump her.

What I like about the book is the portrayal of female friendships. Emma and her friends have a realistic relationship, and I also actually liked Emma's Mean Girl nemesis. You rarely see women in romance actually getting together and getting drunk, or even spending all that much time together except as rivals for the same guy. Sadly, most of the book is focused on Emma and Blake and the many zany things they have to do to amuse his cranky old aunt, but I appreciated their presence in the beginning of the book. I liked Blake's relationship with his aunt and how they would say really mean things to each other to mask their true emotions. Blake was orphaned at an early age and his aunt was one of the few people who gave him emotional support without coddling him. While there was absolutely a slightly mercenary aspect to him competing for her money, the reader is never in doubt that he loves her, and part of the reason he even travels to the competition is to spend more time with his ailing aunt.

As the inimitable Mrs. Julien has already pointed out, this book passes the time agreeably enough, but doesn't have many of the qualities that make the story memorable or really great. It's not a bad book, but I read it about a month ago now, and I'm struggling to remember all the details. While I'm less bothered about anachronistic details than my partner in romance reviewing is, there was nothing here that made me want to run out and track down more books in the series. Of course, before reading this, I actually bought the sequel in an e-book sale, so Rodale is guaranteed at least one more review from me, but she's going to have to raise the stakes if she wants to graduate to my auto-buy list.