Lady Helen Wrexhall is 18 and nervous about her imminent presentation to the Queen. As her parents died when Helen was young, and there is scandal attached to her mother (she is believed to have been a traitor), Helen and her brother have been raised by their aunt and uncle. She desperately hopes that no one is going to mention the scandal connected to her mother, but can't resist the urge to take her mother's miniature with her to the presentation either, wanting something to remind her of her parents on her big day. Before she has a chance to see the Queen, the infamous Earl of Carlston (rumoured to have murdered his wife), a distant relative of her family, deftly steals the miniature from her, but promises to return it the next day. Helen is also shocked when the Queen not only mentions her mother, but seems to imply that the rumours about her may not all have been true. 

When Lord Carlston comes to call the next day, accompanied by Beau Brummel (making Helen's aunt slightly less mortified by the whole thing), he actually flings her mother's miniature at her when no one is watching. Reacting with lighting reflexes she didn't suspect she had, Helen snatches it out of the air before it hits her face and is deeply puzzled by the whole encounter. In the last year, she's noticed herself going through changes. Her hearing is more acute, her eyesight is sharper. Lord Carlston clearly knows something about her mother, and suspects things about Helen too, since he is willing to test her in such odd ways. What connection does a man with such a black reputation have with the deceased Lady Catherine, and what could he possibly want from Helen?

Helen's aunt and uncle wants her to have nothing to do with Lord Carlston, and her uncle would prefer it if she denounce her mother entirely and claim publically that Helen is glad that she died when she did. Both of them want Helen to behave demurely and make a good match. That her brother's best friend, the Duke of Selburn, seems taken with her is certainly a good sign. Yet Lord Carlston reveals to Helen that she has rare and unusual gifts, and that she needs to be trained in the use of her powers to help save the country from horrible soul-sucking beings. He shows her a side of London that she never suspected existed and clearly has support in the highest places. Helen begins to sneak out to be trained by the scandalous earl, but just as she is beginning to trust him, a letter from her dead mother is delivered into her hands, making her unsure of whom to trust. Her mother offers her a choice from beyond the grave, Helen could give up her dangerous monster-hunting destiny, but the cost could be higher than she's willing to pay.

In an unusual twist on a chosen one story, Helen discovers that she is what is known as a Reclaimer, only one of eight in all of Britain, and the only woman of the bunch. Because her mother was also one, she is a direct descendant, something very unusual, and there are those that believe her existence is a portent for darker things to come. The Reclaimers fight the Deceivers, horrible soul-sucking monsters, that can move from host to host, and look just like ordinary humans when they're not sucking the life force out of their unsuspecting victims. The Reclaimers can see them using special lenses, and Helen is able to see them when holding her mother's miniature portrait against her bare skin. 

The Reclaimers are part of what is known as The Dark Days Club, a secret branch of the Home Office, and the reason Helen's mother was considered a traitor is because she wanted to stop her work with them and leave the country. Lord Carlston, who was still young when Lady Catherine and her husband, the Earl of Hayden, died, wants to mentor Lady Helen and teach her how to use her special gifts. When Helen discovers from her mother's letter that the Reclaimers get slowly more and more corrupted by the evil they fight and that they frequently succumb to madness and lose any ability for love or affection, she worries about her future and considers using her mother's amulet to remove her powers once and for all. She is torn between her wish for a normal Regency life, with balls, dress fittings, flirting and a possible future with the Duke of Selburn and a life fighting dark forces, saving lives, making a real difference and spending more time with the enigmatic Earl of Carlston (who she doesn't believe actually murdered his wife, although he's not telling what really happened).

There is a lot of things I liked about this book, but it is longer and the story is WAY slower than it needs to be. It is both a positive and a negative that Alison Goodman is clearly a huge Regency nerd and has done meticulous detail into all aspects of the society. Sadly, in what I like to call Diana Gabaldon syndrome, she cannot help but reveal all of said research in often painful and tedious detail. I really did like that there is a lot more attention to the time period than is common, and certainly a lot more than I was expecting from a young adult novel. Yet when it bogs down the plot because I keep having to read about all the mundanities of Helen's existence, I get frustrated. The pacing of the story is especially slow in the first half of the book, and if Narfna hadn't so highly recommended the book, I might have considered giving up on it. 

Goodman does a good job with Helen as our heroine, she's intelligent and strong-willed, and despite her uncle's disapproval, opposes him in quiet and small ways. Despite being the daughter, and sister, of an earl, Helen treats her personal maid Darby with kindness and Darby, in return, is fiercely loyal and protective of her mistress. One of the subplots of the book involve the two of them investigating the disappearance of one of the maids of the household. While Helen's uncle is pretty much completely horrible (someone in a review I saw, probably on Goodreads, compared him to Uncle Vernon in Harry Potter, and that's pretty much spot on as descriptions go), her aunt is kind and well-meaning, if worried about public opinion and the family's reputation. Helen's brother Andrew, the current Earl of Hayden is really quite dull and also very worried about Helen and the family's reputation. He cannot understand why she keeps behaving in such a hoydenish fashion and why she seems to end up in Lord Carlston's company, especially when his BFF, the Duke of Selburn seems interested in making her his wife.

I find the main conflict in this book intriguing, and wish that it had gotten to the action-packed and supernatural evil fighting parts sooner. I really do appreciate the attention to historical detail, but not when it makes the book at least a third longer than it needs to be. I hope to God that Goodman doesn't continue with the vague love triangle that she has introduced in this book (because I find them tedious in the extreme) and look forward to reading about the continuing adventures of Lady Helen, Darby and the hopefully unfairly maligned Lord Carlston (I refuse to believe that there isn't a good explanation for his wife's disappearance) in future books, in which Lady Helen herself hopefully fights more evil instead of just learning about it. 

To anyone interested in the trope of young noblewoman in Regency England fighting evil monsters and trying to juggle suitors, balls and dress fittings, I also highly recommend Colleen Gleason's five books about Victoria Gardella, in the Gardella Vampire Hunters series. I read them all back in 2008-2009 and they are now all available in e-book format. 

Judging a book by its cover: I like the understated elegance of this cover. The squiggly font implies history and possibly adventure, and the dark colours add to the atmosphere. The girl in the distance, beautifully attired with her lace parasol, the light through the trees, the lace edging suggesting you are viewing the scene from behind a curtain, it all works for me. The other cover for this book (I think it's the UK edition) is a lot more garish and I really don't like the cover model they have portraying either of the main characters of the book. I much prefer this one.

Lady Sophie Talbot is the youngest daughter of a coal miner who it's rumoured won his Earldom in a card game with the Prince Rengent. Sophie was quite happy growing up in a little village in Cumbria, dreaming of marrying the baker's boy and one day running her own bookshop. Moving to London and becoming part of the ton was never her dream, and unlike her sisters, who seem to clamber to outdo each other with regards to being seen and being scandalous, she'd rather stay in the background and read. While she hates that the gossip papers have dubbed them all "the soiled S's" (all their names start with S) and the way they speculate about how her eldest sister landed a duke, she's also fiercely loyal to her family and when she finds her ducal brother-in-law in a compromising situation with a woman most certainly not her pregnant sister, she loses her temper and shoves him in a fish pond. In front of everyone in polite society. Lady Sophie, the quiet one, just caused the biggest scandal of the season.

Wanting to get away as quickly as possible, she tries to persuade the scoundrelly Marquess of Eversley, popularly known as "King" to let her ride along in his carriage back to the city. She believes she may be able to blackmail him, as she caught him climbing out a window and holds his boot hostage, but he just abandons it and her, rushing away. Desperate to be gone, Sophie instead bribes his footman into giving her his livery and stows away on his carriage, only to realise far too late that it's not going back to London, it's going north. Eversley has recieved news that his father may be at death's door and cannot resist a final chance to tell his father he is never getting married and fathering heirs. 

Strangely, despite being in ill-fitting livery, barely anyone but King actually recognises that Sophie isn't a boy, despite the fact that she's still wearing silk slippers (the footman's boots didn't fit). He's convinced she's trying to snare herself a husband by being caught in a compromising position with him, but she denies this vehemently and does her best to get far away from him as quickly as possible. Using undeniable cleverness to best Eversley, she manages to get coach fare north, she's decided to go back to her home village of Mossband to realise her dreams, never to return to the capital. But the coach is stopped by highwaymen, Sophie throws herself in front of a pistol shot to rescue a young urchin, and despite telling himself repeatedly that he wants nothing to do with Sophie Talbot, King has to go searching for a doctor so he's not left with a dead earl's daughter on his hands.

Sophie and King (the reveal of his real name is excellent) pretty much loathe each other at first sight. He believes her to be a title-hunting social climber, she thinks he embodies all the things she hates most about the aristocracy. He can seduce soon to be married women and escape half-dressed out a window without anyone raising so much as an eyebrow while she was publically shunned for trying to defend her sister's honour. He's rich, handsome, arrogant and keeps saying exactly the wrong thing, sometimes directly insulting Sophie, but much of the time doing so without even meaning to. They both keep trying to remind themselves how annoying they find the other person, as they are clearly extremely attracted to one another.

In many ways, this book reminded me of A Week to Be Wicked, probably my favourite Tessa Dare novels, and one of my favourite romances ever. There's a road trip element, there is a lot of spirited banter, the couple have sizzling chemistry and they keep having mishap after mishap, while stuck on the road together. Both the heroes are uncomfortable travelling in small, dark, enclosed coaches. Both the heroines are highly intelligent, bookish, overlooked by everone and clearly super awesome. This book has daddy issues, gunshot wounds, occasional plot moppets (who were mostly sweet rather than annoying), assumed names, a pretend engagement, some pretty sexy times in both a carriage and a hedge maze, allusions to Greek mythology and hero, who while incredibly skilled at putting his foot in his mouth, eventually fully acknowledges what a first class idiot he's been and grovels very satisfyingly. He's not wrong about Sophie being far too good for him, but he shows signs of improvement towards the end and he's certainly not selfish in the bedroom department, which is an definite plus in a romance hero.

At least until I re-read One Good Earl Deserves a Lover, this is totally my new favourite Sarah Maclean and Sophie is certainly one of my favourite heroines. I do have niggles about the plot (King could have been slightly less insulting all the time, the conflict with his father could have been very easily solved if they actually just had a CONVERSATION), but they are not enough to ruin the happy glow of such a fun romance. After the most recent Milan was a let-down, I'm glad that I got to end the year on such a high note, making this the book that completed my triple Cannonball.

Quick question - can you give me the name of a single servant in Pride and Prejudice? Despite having read the book multiple times and having just finished the audio version of the book, I certainly couldn't do it. Jo Baker has taken the classic novel and imagined what the lives of the invisible people behind the scenes, so to speak. The very essential people who wash the mud out of Lizzie's petticoats after she's been walking the countryside, who help the Bennett sisters do their hair, make the beds, empty the chamber pots, sweep the floors, cook the food, tend the horses, open the doors, run errands no matter the state of the weather, carry messages back and forth and make life so much easier for the main cast of Pride and Prejudice. 

There's the housekeeper, Mrs. Hill; her husband, the butler; the maids Sarah and Mary (who because the middle daughter of the family is also a Mary is forever called Polly instead). There's also the mysterious and newly hired footman, James. Their lives' work is to make things as comfortable and effortless for the family they serve, but they have hopes and dreams and pasts of their own. Sarah, orphaned at an early age and taken into the household after a stay in the poor house, especially dreams of travelling and seeing the country, not content to be a servant her entire life. She's suspicious of James, the ruffian who showed up from nowhere and was suddenly hired on as a footman. All the other servants seem to adore him, and Mrs. Hill dotes on him, but Sarah's sure he's lying about his past and is determined to figure out what he's hiding. Both James and Mrs. Hill are concerned when Sarah seems to form an attachment with one of Mr. Bingley's handsome and exotically dark-skinned footmen.

The servants, like everyone else, hope the elder Bennett sisters will make good matches, and worry when Lizzie spurns Mr. Collins, who after all will be their new master at some point in the future. They all think it would have been easier if he married a Bennett daughter, but can see he should have set his sights on Miss Mary, who was a much more suitable match for him.

While the Bennett women and all their acquaintances seem charmed by the dashing Mr. Wickham, the servants are not so easily fooled by his looks and easy charm. They recognise a predator when they see one and when he shows a very worrying interest in little Polly, James forgets all his hard-earned instincts to keep his head down and steps in to protect her. Wickham shows just how dangerous he can be and causes great upheaval in the household. Both Sarah and Mrs. Hill are shattered by the aftermath.

The book is divided into three parts, and the third part is the one that's the most removed from the main plot of the source novel. In this part we discover more of Mrs. Hill's past, her connection to James the footman and why he wished to keep his past hidden from everyone. It offered a perspective on the Regency period you certainly don't see in the romance novels, not just because it concerns the lives of the working classes, but because it's easy to forget when reading about balls and dresses and courting that the Napoleonic wars were also raging at the time. While so many romances are populated by officers back AFTER the Napoleonic wars, with varying degrees of PTSD, they rarely show any of the realities of the actual fighting, and certainly not what it would have been like for the foot soldiers. Longbourn, however, doesn't shy away from such unpleasantness.

This book is a very interesting take on what I think of as "literary fan fiction". I really liked the different interpretations of the already known characters from the beloved novel, as well as a fascinating look at all those servants who get completely forgotten about, but were oh so necessary for the wheels of society to turn. At first, I was worried I'd find the book boring, but I pretty much raced through it, just as invested in the lower born protagonists that I was reading about Lizzie and her sisters finding love. 

I'm not entirely sure I liked some of the choices Baker made in the book, however, and wish that Mrs. Hill's past could have been handled differently. I did like that Baker continued the story past the pages of the original, with glimpses of Lizzie's life as Mrs. Darcy and showed what life might be like for a maid at Pemberley. I can't really fault Sarah for the choices she eventually made, although I doubt I would have chosen the same if I were in her situation. There have been several very favourable Cannonball reviews of this in the past, I'm glad I finally got round to reading it.

Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).

One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men.  Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".

Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.

Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).

Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.

While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests. 

Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.

He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.

Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs". 

Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering. 

At seventeen, Miss Sophie Baker is looking forward to her debut in society. She's only a few months away from graduating from a prestigious ladies' academy and her future looks bright. Then her father dies suddenly, destitute after having been swindled by a con man. Sophie's whole world changes and instead of a season and balls and pretty dresses, she's left to fend for herself, making a living as a governess. She blames the Earl of Ashby for her change in circumstance, as it was his former business manager who swindled her father. Had the Earl publicly denounced the man instead of just firing him, Sophie's father would never have lost everything they owned.

Five years later, having successfully saved up nearly enough to achieve her dreams of going to America to join her cousins, Sophie comes face to face with the Earl of Ashby. She just doesn't realise that he's not the man she thinks he is. Lord Edward Granville, the aforementioned Earl of Ashby, known to his friends as "Lucky Ned" has entered into a wager with his secretary, John Turner. For a period of two weeks, Ned has agreed to switch places with his secretary, to prove that his overall luck, popularity and success with the ladies, especially, has nothing to do with his wealth and title, but just his looks, charm and the luck that always seems to make him come out on top.

Turner proposed the wager both because he wanted to cut his pompous and oblivious employer down to size a bit. If he wins, he gets five thousand pounds to save his family's failing mill. If he loses, Ned will not only be even more insufferable, as he'll have been proven right, but he'll lose the mill once and for all. Trading places, Ned has to make a woman of gentle birth (no low-born and easily coerced servants allowed) fall in love with him and present him with a clear token of her affection. Ned thinks it's going to be a piece of cake and is also looking forward to showing the stuffy Turner that life as the Earl isn't always as care free and easy as it looks to be.

Despite the house they're staying in being full of eligible women, Ned is chagrined to realise that when people think he's a mere secretary, the same affable behaviour that normally has him welcomed with opened arms, is seen as overly familiar and inappropriate. While he may have spent his first twelve years in genteel poverty before becoming the former Earl's heir, he's gotten very used to his easy life of privilege. The only woman who will even give him a second glance is the governess, Miss Turner, and even with her, he has to work much harder than he ever has before to impress her. He has no idea that she blames him for her downfall in life, and by the time he discovers the truth, he's already fallen in love with her. Can the Earl of Ashby become a decent and likable human being over the course of two weeks and also convince a woman who has every right to hate him that she should spend the rest of her life with him?

While there was a lot of potential in this book, the romance feels more like a secondary plot than the main event. So much time is spent establishing the relationship between John Turner and Ned Granville and setting up the wager. Ned and Sophie don't even really speak until nearly halfway through the book. Then there's the fact that Ned, initially, really is a bit of an ass. He clearly needs to walk a mile or two in someone less fortunate's shoes and wake up and smell his privilege, and to be fair to Ms. Noble, he goes through a lot of changes over the course of the book. By the end, he's a pretty decent romance hero and has a lot more understanding for the position he put his friend Turner in. 

While Ned is a bit of a douche-canoe initially, and Turner is frankly a bit of a bore, who spends quite some time trying to sabotage things for his friend, because he so desperately needs to win the wager to get the money to save his mill, Sophie is great and I am upset that so much of the book focuses on the friendly frenemy relationship of the dudes, when there is a lovely, strong, clever heroine, who despite the misfortunes she's suffered, has retained the ability to keep positive and choosing to see the silver lining rather than the clouds. While she was deeply upset with Ashby initially, five years later she has proved to herself that she's a resilient, self-sufficient woman. She's good with children, she's managed to make nearly enough money to achieve her dreams and she's really not looking for a man to complete her or "take her away" from her life of drudgery. She delivers a righteous slap to Ned when he kisses her the first time, having just presumes she wants him, and verbally berates him in the strongest terms. 

There is a lot of good stuff in the book, and I'm sad that I can't rate it higher, but in a romance, I really do want the interaction between the hero and heroine to be the most prominent story line and it just didn't feel like that was the case here. So far, Kate Noble hasn't done anything that I actively hate, and I'm willing to give her a lot of slack for being a co-writer on my beloved Lizzie Bennet Diaries. I still have quite a few of her books from various book sales, but am not going to buy any more until I've found one that I can really fully recommend without several reservations.