Tepper's finest novel to date is set in a post-holocaust feminist dystopia that offers only two political alternatives: a repressive polygamist sect that is slowly self-destructing through inbreeding and the matriarchal dictatorship called Women's Country. Here, in a desperate effort to prevent another world war, the women have segregated most men into closed military garrisons and have taken on themselves every other function of government, industry, agriculture, science and learning.
The resulting manifold responsibilities are seen through the life of Stavia, from a dreaming 10-year-old to maturity as doctor, mother and member of the Marthatown Women's Council. As in Tepper's Awakeners series books, the rigid social systems are tempered by the voices of individual experience and, here, by an imaginative reworking of The Trojan Woman that runs through the text. A rewarding and challenging novel that is to be valued for its provocative ideas.
Very much a product of its time! Post-nuclear war, societies are sorting themselves out and we get to witness two ways of dealing with things. One is very, very matriarchal, the other over-the-top patriarchal. As I began reading, I started with the impression that I was exploring a very patriarchal set-up. Fooled me! Yes, the women and men live (mostly) separately and the women must present sons to the warriors to be raised in warrior culture. But women control almost everything else (medicine, agriculture, trading, education, etc.). Not very religious, but any references present are based on Greek mythology. Sex is viewed as healthy & desirable as long as disease is prevented.
On the other extreme is a community apparently organized much like the polygamist culture in Bountiful, B.C. and in Utah. Older men appropriate all the women & girls for their own “harems,” leaving the young men frustrated and angry. Sex is viewed as an evil necessity, but still avidly desired and “religiously” pursued. Very religious society, based on the Judaeo-Christian model.
Although the author does seem to favour the matriarchal culture, my impression from the book is that she wanted to show that NEITHER extreme is desirable and that both fail in crucial aspects. Perhaps influenced by Margaret Atwood’s excellent The Handmaid’s Tale as well as other post-apocalyptic novels of the 70s and 80s. A bit dated today, but worth reminding ourselves that we can co-operate together to run society fairly.
Book 247 in my Science Fiction & Fantasy Reading Project.