Panellists: Paul Cornell, Robin Hobb, Freda Warrington, Liz Bourke, Sophia McDougall
Urban fantasy is a broad church. To some, it’s the genre of “Wizard of the Pigeons” and “War for the Oaks“; to others, it means Sam Vimes patrolling the streets of Ankh Morpork, orLocke Lamora conning his way through Camorr. Most recently, it has become synonymous with werewolves, vampires and hot detectives. What holds together the urban fantastic? Are different strands of the genre in conversation with each other? And how important is the influence of the stuctures and tone of other genres like crime fiction?