T.S. Eliot quote for his birthday: September 26, 1888
Of Human Bondage by W. Somerset Maugham
It has been quite a few years since I read this novel, but I thought it was absolutely terrific and I remember it vividly. The story opens when the main character Philip is a lonely young boy with a club foot being raised by his aunt and uncle. As soon as he is old enough to get away, he moves to Germany and then France where he decides to become a visual artist. That part was extremely interesting to me, as it seemed that, although art and education and customs of every kind have changed so much in the last hundred years, the inner work and the shame of “becoming an artist” have not changed in any way. It seemed very fresh and relevant. There is a “Least Likely To” type of girl who falls in love with Philip and dies by suicide.
Phillip decides that he doesn’t have what it takes to be an artist either, so he returns to London to study medicine. There he meets a server at a restaurant who is incredibly toxic. He falls in love with her and is completely under her sway, supporting her when she gets pregnant by another man. He seriously needs to get himself to a meeting of Codependents Anonymous! I won’t spoil the whole story but let me just give you a couple of key words: “sex work” and “syphilis.” But you will be happy to know that Philip eventually finds happiness and even love.
“The Love Song of Alfred J. Prufrock” by T.S. Eliot
This poem is perfect, and I don’t even know what I could possibly say about it. The back of the copy of The Wasteland and Other Poems that I have says “Few readers need any introduction to the work of the most influential poet of the twentieth century.” So there you go. I remember when I was a kid I liked the way the poem is so interior (as in, the interior of someone’s head), and how it was about someone who was getting old, and I just liked how it sounds. My mom used to recite and read this poem to us and I can still clearly hear in my mind just the way she would intone
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question. . .
Oh, do not ask, "What is it?"
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
and then later:
I grow old . . . I grow old . . .
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think they will sing to me.
She explained to me that when you’ve had certain kinds of dental work you don’t dare to eat a peach.
T.S. Eliot is an example of someone who was a horrible bigot but who managed to keep it out of his poetry (as far as I’m aware.) I wish Baroness Orczy and some others could be more like that. I’m psyched for more modernist poetry to come!
Grass on the Wayside by Natsume Soseki
I really enjoyed reading this. It was almost as great as Soseki’s 1914 book Kokoro. It’s about a middle-aged curmudgeon who doesn’t know how to get along with anyone, especially his wife and his family. This curmudgeon had been adopted into another family as a child, which was apparently a common Japanese custom of the period, but later the adoption was reversed and he returned to his original family. Now his onetime adoptive father has resurfaced, unsuccessful and unsavory and grasping for money, and our curmudgeon isn’t sure what the right thing to do is. According to the introduction, the story is autobiographical and the main character is supposed to be a very close match to Soseki. But I don’t understand how that can be—how could anyone who has social skills as poor as the main character have the insight to present the situation the way the author does? If the author were really as blinkered as the main character, there’s no way he could have written this book.
I’m looking forward Soseki’s next book in 1915. But oh no! It’s his last one!
A Bride of the Plains by Baroness Orczy
As you may know, I’m a big Baroness Orczy fan. This year I have to give her credit for something very special: although basically the entire world is embroiled in war, she is the ONLY author to address this. She was the ONLY one to write about war, and in Hungary in the Carpathian basin, more or less where all the trouble began. (Okay, I guess there’s also Mariano Azuela writing about the Mexican revolution. But still, props to the Baroness!) I know the production schedule for publishing a novel is pretty long, but a lot of these Edwardians wrote two books a year, and I do think some of them could have at least acknowledged in some way, even thematically, that there’s a world war going on, a pretty big deal! (PS. Are they still Edwardians? What am I supposed to call them now? Baroness Orczy ain’t no modernist!)
Anyway, no one seems to set their novels in the present day, and in fact Baroness Orczy is no exception; A Bride of the Plains is set in what seemed to me like a non-specific time in the past. But the book’s opening takes a pretty clear anti-war tone. It’s almost the day when young men in this little burg are conscripted into the army, a sad day for all:
On this hideous day all the finest lads in the village are taken away to be made into soldiers by the abominable Government? Three years! Why, the lad is a mere child when he goes—one-and-twenty on his last birthday, bless him! still wanting a mother’s care of his stomach, and a father’s heavy stick across his back from time to time to keep him from too much love-making.
Three years ! When he comes back he is a man and has notions of his own. Three years! What are the chances he comes back at all? Bosnia! Where in the world is that? My God, how they hate it! They must go through with it, though they hate it all-every moment.
By the way, I realize that there is probably a glut of war books coming down the pipe, and in a few years I’ll be very nostalgiac for the kind of books I read this year.
Anyway! This is the story of a girl, Elsa, who tries to be true to Andor, the boy she loves who’s been sent off to war. But when it seems that he’s been killed, she knuckles under to her mother’s pressure to marry the bad-tempered richest man in town. But on the eve of her wedding,
The downfall of this book is the same problem that Orczy always has: anti-Semitism. Usually it’s just a few throwaway descriptions, but here the villains are an Evil Jew and Evil Jewess. Kind of ruined the book. That’s the whole thing about bigoted people; they just can’t let it go. If you hate Jews so much, Emma Orczy, why don’t you just stop writing about them? But no, she can’t help herself! Maddening. I will say that there’s a lot of suspense and action in this book, if you can get past the bad taste in your mouth.
The Underdogs (Los de Abajo) by Mariano Azuela
This interesting novel about the Mexican Revolution is cynical toward everyone concerned. The main characters are peasants who become rebels. There are a lot of funny bits. The most depressing part is how the women are treated like garbage by everyone. You get the impression that the people of Mexico will get the shaft, no matter who wins. This is the first Mexican novel I have encountered in this project and I hope I will find more.
Herland by Charlotte Perkins Gilman
I like Herland even more than 1911’s Moving The Mountain, and almost as much as “The Yellow Wallpaper,” which I think is one of the finest short stories. Although Gilman is famous for being a feminist, I don’t think she gets as much credit as she deserves for being a speculative fiction writer.
Three male explorers hear of a country that consists only of women, so they decide to check it out, and with great trouble make their way in. Jeff is a tender soul who glorifies motherhood and believes in being a perfect gentleman to women. Terry is a handsome man about town, kind of rapey and full of himself, and he thinks women should be pretty and serve him. The narrator, Vandyck Jennings, is sort of in-between these two and in general presents a “rational” point of view.
They are amazed to discover a beautiful utopia populated only by women, with wildly different customs from their own. In this country they don’t have poverty, they raise their children communally, they wear comfy clothes, etc. Long ago, a volcanic eruption and slave uprising led to a group of women who were cut off from the rest of the world. A few of them were miraculously able to reproduce as the result of sort of an exalted mental state, and this ability was passed down through the generations. There are so many novels about all-female societies where this happens—Ammonite by Nicola Griffith and Jane Fletcher’s Celaeno series spring to mind—but Herland must be the first.
The women the three explorers meet are all strong, intelligent, athletic, good teachers, and able to get things done. They confound the explorers’ expectations at every turn because they have no idea how to “behave like women.” Gilman takes the gender binary away and everyone becomes a person; however, she certainly has a rosy view of how nice an all-female society, or any society, could be.
The three explorers each fall in love and insist on marrying their sweethearts, which the women agree to in order to humor them, although marriage is a meaningless concept to them. All this time there has been no romantic love in the country because, well, when the men are gone, it’s just impossible! But they haven’t been missing it.
Terry and his wife Alima don’t get along. He attempts to rape her, but she kicks him in the balls and summons help from her friend in the room next door. Terry is put on trial, and the local Over Mother sentences him to be sent back to the outside world, with his word as a gentleman not to tell anyone about their country. At first Terry is obstinate.
“The first thing I’ll do is to get an expedition fixed up to force an entrance into Ma-Land!”
“Then,” they said quite calmly, “he must remain an absolute prisoner always.”
“Anesthesia would be kinder,” urged Moadine.
“And safer,” added Zava.
“He will promise, I think,” said Ellador [Jennings’ wife.]
And he did.
(This part reminded me of Houston, Houston, Do You Read? by James Tiptree, Jr.)
So Terry leaves, with Jennings and Ellador to escort him. Next year is the sequel! From Gilman’s Wikipedia page I learned a lot of things that I didn’t know about her, including the fact that she married her first cousin, and that when she was diagnosed with incurable breast cancer she “chose chloroform over cancer” (her words.)
The Scarecrow of Oz by L. Frank Baum
I love all the Oz books! This is the one in which a little girl named Trot and her sailor pal Cap’n Bill come to Oz. They meet a lot of lovable characters like the Bumpy Man and Button Bright, and they help the Scarecrow solve a problem with the monarchy of Jinxland.
T.S. Eliot sagt in "Notes towards the definition of culture", der wichtigste Aspekt von Kultur sei ihr Einfluss auf die Politik, denn eine kulturelle Elite sei der wirksamste Gegenpol zu einer politischen Elite. Kritik hilft einer Gesellschaft, sich ständig weiter zu entwickeln. Zur Kritik braucht es eines gesunden Maßes an Skepsis, und man kann nicht skeptisch sein ohne das Wissen, warum man skeptisch sein sollte.
Das ist laut T.S. Eliot der wichtigste Grund für Wissen und Bildung: um skeptisch sein zu können.
Und das ist, wie ich finde, der große Nachteil des Internets. Das Internet stellt uns unendliche Mengen Wissen frei zur Verfügung, aber legen wir auch immer die Skepsis an den Tag, um mit diesen Informationsmengen teils zweifelhaften Ursprungs umgehen zu können? Haben wir überhaupt die nötige Bildung, das alles skeptisch einordnen zu können?