The global playout automation market is anticipated to expand at a significant CAGR of 15.67% in the upcoming period as the scope, product types, and its applications are increasing across the globe.

The key points of this report are:

• To analyze global Playout Automation status, future forecast, growth opportunity, key market, and key players

• To present the Playout Automation development in the United States, Europe, and China

• To strategically profile the key players and comprehensively analyze their development plan and strategies

• To define, describe and forecast the market by product type, market, and key regions

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Market Segment:

The key players covered in this study

• Evertz Microsystems
• Grass Valley
• Harmonic
• Snell Advanced Media

Market segment by Type, the product can be split into

• International Broadcasters
• National Broadcasters

Market segment by Application, split into

• Movement
• News
• Entertainment
• Animation, Education

Market segment by Regions/Countries, this report covers

• United States
• Europe
• China
• Japan
• Southeast Asia
• India
• Central & South America

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Globally, the post-production market is predicted to grow at a CAGR of 7.94%, providing numerous opportunities for market players to invest for research and development in the post-production market.

The key points of this report are:

• To analyze global Post-production status, future forecast, growth opportunity, key market, and key players

• To present the Post-production development in the United States, Europe, and China

• To strategically profile the key players and comprehensively analyze their development plan and strategies

• To define, describe and forecast the market by product type, market and key regions

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Market Segment:

The key players covered in this study

• 21st Century Fox
• AT&T (WarnerMedia)
• Comcast

Market segment by Type, the product can be split into

• Visual Effects
• 2D-To-3D Conversion

Market segment by Application, split into

• Movies
• TV
• Commercials And Online Videos

Market segment by Regions/Countries, this report covers

• United States
• Europe
• China
• Japan
• Southeast Asia
• India
• Central & South America

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19 June 2019, The global post-production market is subject to witness a substantial growth due to the emergence of digital transformation in the media sector. Digitalization is considered as major trend driving the growth of the market over the forecast period. Digital transformation in the media sector has led to incorporation and variation of new business and operating models, thus creating a joint, multi-functional and an on-the-demand digital platform.

Above-mentioned factors are expected to drive the growth of the market over the forecast period. Globally, the market is predicted to grow at a CAGR of 7.94%, providing numerous opportunities for market players to invest for research and development in the post-production market.

Increasing penetration of modern technologies such as Internet Protocol Television (IPTV) across the globe and online streaming services are expected to boost market growth in the upcoming years. Increasing focus towards adoption of the cost-effective delivery solution such as High Definition (HD) content by various service operators across the globe is expected to fuel the growth of post-production market in the near future.

Introduction number of online streaming services such as Netflix, Amazon Prime and Hulu are changing overall perspective of watching television. Such services are offering commercial content to user while charging on monthly basis. Moreover, easy availability of DVR services allows users to skip commercials, thus contributing significantly to market growth over the forecast period.

Large number of post-production services are driven by film production budgets in North America region. However, low profit margins, slow growth and higher operational cost are restraining market growth to a certain extent. Yet, advent of technologies such as 2D to 3D conversion services and VFX (Visual effects) services are anticipated to fuel market demand for post-production services over the next seven years.

The market is broadly categorized into four major segments based on the end-user application type such as movies, television, commercials and online streaming services. The television sector is considered as one of the fastest growing segment in the market with substantial revenue generation in the last few years. Growing popularity of post-production services in the television segment is attributed to the large consumer base and higher market penetration. The online streaming services segment has also witnessed substantial growth owing to the availability of commercial content to user while charging on monthly basis.

The market is divided by region as North America, Europe, Asia-Pacific, Latin America and Africa. North America has shown major growth in recent years owing to the rise in the implementation of latest technologies in media sector, increase in the number of research & development activities in the region and existence of well-established industrial infrastructure.

Asia-Pacific region is predicted to hold major market share in the post-production market with massive growth in forecast period. Countries such as India, China, Malaysia, Indonesia, South Korea and Singapore are leading the Asia-Pacific market with increasing number of 3D screens, presence of large consumer base, rising personal disposable income and significant investment by leading industry players considering potential growth opportunities in the region.

The key players in the post-production market are Twenty-First Century Fox, Inc., AT&T, Inc., Rocket Science Ltd., Comcast Co., Prime Focus Technologies Ltd., and The Walt Disney Company.

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The true story behind the meteoric rise of the infamous 70’s band Daisy Jones & The Six is chronicled in this captivating book. As quickly as they shot to fame they fell back down to earth; how this happened is revealed by the band members’ tell-all, with details never heard before. The inner workings of a popular band such as Daisy Jones and The Six often come as an eye-opener once you see past the glitz and the glam and begin to see the trappings of fame. This is their story.

At least this is all what we think we see when we first take a glimpse at this new book from Taylor Jenkins Reid. The fact that this interview-based novel about a fictitious band comes from the genius of Reid, and is not based in reality, is one of its greatest appeals. Telling the story of all the characters by way of their own conversation with the interviewer (who we only find the identify of at the end) is complex and unique; no additional descriptions of what is happening are really given, so the storytelling is driven by each individual’s perception of their experience.

Daisy is the outsider to the group and the story really ramps up when she joins The Six. The numerous relationships between the members of the band are central to the book, as are their many problems. We learn about struggles with addiction, fidelity, loyalty and the challenge of maintaining any semblance of normalcy once they reach the realm of stardom. All of the characters are expertly defined by Reid, and although it takes a little while to keep all the individuals’ names straight, their experiences all become clear the further you go into the book. None of them are entirely redeemable and it’s hard to feel sympathetic to any of them once they get caught up in it all, but I don’t think that’s the goal of the novel.

There are some topics contained within that may be hard for some readers to read about: drug and alcohol abuse and addiction, infidelity, parental neglect, abortion, and promiscuity. Nothing is glamorous or trivialized about with any of these issues when you see them in the way they’re presented in this story; there isn’t any ‘fluff’ to make excuses for the characters since it’s all presented in the rawest of forms. Reid writes about these issues in a way that vividly conjures up the music scene of the 70’s and convinces the reader that she was actually there herself witnessing it all. The anecdotes come across as though they’re based on documented events but translate into a realistic presentation of a band and their story being told to an interviewer. It’s just all presented as fact and you can make of it what you will.

Although it’s a little hard to get used to a story being told through individuals being interviewed, this is an amazing book, just so unique and memorable. Any early considerations that it may not be the story for you because of the way it’s told should be dumped at the wayside because the payoff for reading it all is immeasurable. This is the sort of book that sticks with you and transports you to another time and place.

Complete with all the lyrics to the songs contained in the story, the experience is further added to with a playlist on Spotify, including tracks from Fleetwood Mac and Linda Ronstadt. It’s easy to imagine this being adapted for film, and if you love music, song-writing, or are even fascinated with the seventies and eras past, this book will be a fast favorite.