Orphaned and alone, Aladdin travels from the streets of his Arab homeland to a strange, faraway place. Growing up in an orphanage, he meets young Lady Kirstyn, whose father is the powerful Duke of Hagenheim. Despite the difference in their stations, Aladdin quickly becomes Kirstyn’s favorite companion, and their childhood friendship grows into a bond that time and opposition cannot break. Even as a child, Aladdin works hard, learning all he can from his teachers. Through his integrity, intelligence, and sheer tenacity, he earns a position serving as the duke’s steward. But that isn’t enough to erase the shame of being forced to steal as a small child—or the fact that he’s an orphan with no status. If he ever wants to feel equal to his beautiful and generous friend Kirstyn, he must leave Hagenheim and seek his fortune. Yet once Aladdin departs, Lady Kirstyn becomes a pawn in a terrible plot. Now, Aladdin and Kirstyn must rely on their bond to save her from unexpected danger. But will saving Kirstyn cost Aladdin his newfound status and everything he’s worked so hard to obtain?
In this re-imagining of the classic tale Aladdin, Dickerson takes Aladdin out of his original setting and moves him to Hagenheim, Germany in the 1400s, where he finds a place of sorts with the Duke of Hagenheim's family. Aladdin, orphaned at a young age, is taken in by the priest of Hagenheim Cathedral. Through this connection, Aladdin meets Lady Kirstyn, the duke's daughter. Both little children at the time, Aladdin comes to her rescue one day during a game where he thinks she is being bullied. Moved by his attention to her, Kirstyn befriends him and the two fast become constant companions.
Fast forward a few years, and Aladdin now works as the duke's steward while also being Kirstyn's best friend, indulging in her many privileged whims. While he cares for Kirstyn, Aladdin does find enough of a sense of fulfillment from his current life situation. He explains to Kirstyn that he does not wish to be seen merely as a lowly servant his entire life, but instead wants to make something of himself, find success (and hopefully wealth) on his own terms. He breaks it to her that he intends to leave town to find his fortune. Rather than being encouraging and understanding, Kirstyn falls into a whiny fit and makes it all about her, only focusing on how this change will affect HER and HER wants. (Trust me, you'll be begging for a Jasmine return during this ridiculous pout fest). As kindly as possible, in so many words Aladdin tells her she'll just have to get over it because his mind is made up.
He goes off, finds work apprenticing with a merchant in Lüneberg, a neighboring town. Aladdin moves in with the merchant's family and is soon doing quite well for himself. He proves to have quite the business & finance acumen, inspiring the merchant to suggest Aladdin one day being his successor. For years, Aladdin had silently been throwing around the dream of one day marrying Kirstyn but previously had felt that to be impossible, with their difference in class stations. But should he do well with this business, it may be an opportunity after all! The thought drives his dedication to only work harder.
All is going very nicely until Aladdin gets word that Kirstyn has been kidnapped and is being held for ransom. From there, everything else is dropped, so beginning Aladdin's efforts to bring his maybe-one-day-wife back home to safety.
Ohhh, the issues I had with this book. First off, the quiet but annoyingly present whitewashing of one of my favorite childhood fables. Good lord, could this have been made any more white-bread boring?! I've been working my way through Dickerson's Hagenheim series --- the whole series meant to be re-imaginings of classic stories --- and while some of them have been just okay, some have been really enjoyable. So while I had my doubts about this one, I gave her the benefit of the doubt since the one I read before this, about a landlocked Little Mermaid, was actually a lot of fun (even though, again, I had my doubts about that one, taking a mermaid out of the water... but Dickerson made that one work, surprisingly!).
Let me just say, I'm not hating on the German setting itself. I married into a German family, clearly I'm down with the culture :-) But Germany in the context of ALADDIN -- an ARABIAN fable --- nah, didn't work for me. All the magic, allure, sand, desert winds, mystical stories ... all gone here. Instead, Dickerson gives us a whiny, spoiled brat of a female lead, her family all-around serving a heaping helping of white saviour complex, and pretty much all the non-white characters have been made servants or criminals. Aladdin falls in love with Kirstyn in all her blonde-haired, blue-eyed glory. Later on, when the merchant's daughter develops an interest in him, Dickerson writes of how Aladdin finds her "pretty" with her dark hair and small mouth, but not nearly as beautiful as Kirstyn with her "pale blond hair, full lips and large blue eyes". YAWN. Aladdin has had his traditionally Muslim beliefs canceled and is now preaching the importance of strict Christian morals. There is virtually NO trace of the original story except for the use of the names Aladdin and Abu (Abu here is a small homeless child Aladdin looks after). Maybe, if you really stretch, you could liken Kirstyn's kidnapping to the time Jafar tried to keep Jasmine captive... but that's about it.
Beyond that, let's talk about the writing itself:
* Historical "say what now?" moments: IE. Dickerson writes, regarding Kirstyn, "She was only sixteen and marriage seemed like something far in the future." Marriage at 16 far-fetched in the 1400s? Where if you took good care of yourself, you MAYBE made it to 40?! LOL
* The dialogue in general: UGH, SO MELODRAMATIC. Reminded me of silent film emoting. Not every moment of the day is that *OMG* *SWOON* *SCOWL* *GASP*
* All around boring or head-knock-into-wall inducing characters: IE. Anna to her violent boyfriend: "You promise not to hit me again?"... proceeds to believe him... *eyeroll*
* The same few sentiments are repeated over and over again to convince the reader that Kirstyn and Aladdin are totally headed for forever love: Mainly, 1) They love long walks in the woods and 2) They of course understand each other better than anyone else in the world. Problem is, they spend the majority of the book spending ZERO time together, sooo...
Lastly, while I understand this book is published through a Christian publisher (so some religious elements are to be expected at some point), here the religious undertones were not well done (as to feel natural to the story's enviroment / set up), instead coming off much too forced. The ending scenes are especially heavy-handed.
I'll continue on with the series installments, but this one was a definite disappointment.
FTC Disclaimer: TNZ Fiction Guild kindly provided me with a complimentary copy of this book in exchange for an honest review. The opinions above are entirely my own.